All the Real Girls (2003)
★★★ / ★★★★
This very earnest and honest love story between a virgin (Zooey Deschanel) and a womanizer (Paul Schneider) may have been difficult to swallow but it was rewarding. Written and directed by David Gordon Green, the style of storytelling of this film was at first distracting because it constantly made quick cuts from one scene to another. But as the picture went on, I realized it was effective because the characters had to quickly say what they wanted to say even if the words that came out of their mouths were not exactly the truth. The first scene was very cute so I was instantly hooked. The romance between Deschanel and Schneider reminded me of the chemistry of the lead characters in “Before Sunrise” and “Before Sunset.” That scene was funny, and best of all, it felt real–like a conversation that I might overhear while waiting at a bus stop. I also liked the supporting actors such as Shea Whigham as Deschane’s older brother who did not approve of the relationship and Patricia Clarkson as Schneider’s mother. Although Clarkson was not the focus on the movie, she made the most of the material she was given. That is, a mother who worked as a clown to provide his son and as a mother for was concerned and frustrated with where her son’s life was heading. She played her character with such grace because she balanced sadness and strength really well. Lastly, I enjoyed the picture’s autumnal feel and its use of symbolism. Its complexity might easily be overlooked because of its initial distracting style but once one really gets into its rhythm, it really is quite keen when it comes to what it means to fall in love and be loved. Just when I thought the picture was borderline turning into a syrupy romance, it changed gears and commented on the relief and pain that comes hand-in-hand with being honest with one’s self and wanting to change so bad to be accepted by someone. It also had a chance to tackle issues such as the breakdown of communication when distance is involved, the dynamics of friendship and what it means not only to love someone but also respect them. This is a smart sleeper film that doesn’t give us the easy and sugary answers we want to hear. But it is the kind of film that assures us that it’s alright to be confused and to question what and how we really feel toward someone important to us.
My Dinner with Andre (1981)
★★★ / ★★★★
Written by and starring real-life friends Wallace Shawn and Andre Gregory essentially star as themselves in “My Dinner with Andre.” Wallace/Wally agreed to meet up with his old friend for dinner and admitted to the audiences that he had not seen his friend in years. The whole film took place in a real-time conversation over dinner between the two actors as they discussed practical and philosophical questions. While both of them were able to offer very insightful questions and commentaries throughout, I had a big problem during the picture’s first thirty minutes. Andre pretty much talked non-stop for several minutes without Wally uttering more than two sentences. I thought that the premise of the film was about two friends who were at an equal intellectual level but very different outlook on life. However, the first thirty minutes did not reflect that. Instead, I intially felt as though Andre was the wiser of the two and Wally was a child getting an education from an elder who has been all over the world. Eventually, however, Wally was given the chance to speak and it was refreshing because even though he did not sound as formal or worldly (or pretentious?) as Andre, I found myself agreeing with a lot of the points he brought up because he expressed his thoughts in simple and frank manner. I thought the film reached its peak when the two stopped agreeing with each other and began expressing how differently they viewed the world. In a nutshell, Wally did not believe in fate and that things were simply an accumulation of random coincidences. Andre, on the other hand, believed in fate and that having a purpose was not always necessary because purpose almost always equated to habit and habit was the lack of awareness and therefore a lack of “real” living. They were able to tell each other a plethora of stories that covered the two basic themes and it was fascinating to sit through. This movie made me think of how many friends I could converse with in a similar level and even I have to admit that there are not a lot of them. Younger viewers and people who are not that into plays may not understand the references that the characters have made (it would probably help for a deeper understanding) but it was still an enjoyable rumination about the beauty and ugliness of life. I could certainly connect with both of the characters so I did not at all find it difficult to keep paying attention with the words and the little nuances in their voices. This is an art-house film, which may mean it is not for everyone, because it “only” consists of two people talking to each other like in “Before Sunrise” and “Before Sunset” (which was definitely influenced by this picture). That said, “My Dinner with Andre” is highly rewarding.
2 Days in Paris (2007)
★★★ / ★★★★
Right off the bat, I knew the two main characters (Julie Delpy and Adam Goldberg) are headed for a breakdown. And it’s not because they are complete opposites but because I felt certain lack of respect between the two of them. That lack of respect isn’t always apparent but when it shows its head, I felt hurt for the character being insulted even if the character decides to just laugh off a certain snide remark. Even though this film is more comedic more than anything else, the most interesting aspect of it is how Delpy and Goldberg eventually realize that they’re not meant for each other despite how much they try to look the other way. Adding how an American feels out of place in the French culture is brilliant because it’s true–not just when it comes to Americans but any person experiencing culture-shock. In a way, it’s essential to the story because that’s how Goldberg is finally driven to the edge. I must commend Delpy (“Before Sunrise,” “Before Sunset”) for writing, directing, and starring in this picture. She has a certain talent when it comes to telling an interesting story about relationships. I love the way how she sometimes let the narration take over when the characters are yelling at each other in order to replace chaos with comments and thoughts that are meaningful. She’s so earnest and eager to make the audiences evaluate their own lives and I appreciate that. This movie reminded me of “Paris, je t’aime,” “Last Tango in Paris,” and “Before Sunset” because of all the places the characters visited. And I love it even more when they would outright say a specific reference because it shows that the film is not taking itself too seriously. Overall, I really adored this movie because there’s a lot of talking, the characters are interesting, has a sharp writing, and was actually filmed in Paris.