Four Friends (1981)
★★ / ★★★★
Danilo (Craig Wasson), David (Michael Huddleston), Tom (Jim Metzler), and Georgia (Jodi Thelen) were best friends. All three guys wanted to win the girl’s affections but she had big dreams of making it as a star. We saw the story through Danilo’s eyes, a first-generation American from Yugoslavia, as the four graduated high school and things began to change drastically in the 1960s. Written by Steve Tesich and directed by Arthur Penn, “Four Friends” could have a great story about friendship and dreams, at times the two being mutually exclusive, but I wasn’t convinced it highlighted the parallels between the changing friendship and the changing politics with enough clarity. The weakness was we didn’t really know who David, Tom, and Georgia were. We knew David was afraid of becoming just like his mortician father, Tom was charming and athletic, and Georgia had a flair for the dramatic but such were surface characteristics. We learned most about Danilo and his feelings of wanting to become more than his working-class parents. The Yugoslavian father (Miklos Simon) was very old-fashioned and having such a strong paternal figure shaped Danilo’s many decisions between settling down and yearning to be free. It was interesting that he went off to college believing that he had dreams to pursue but he later realized that perhaps the main reason he went away was to avoid being with Georgia and the supposed friendly competition among his mates. Since the title suggested it was about a friendship of four, I was curious to know how the other three felt about Danilo when he went away. There were suggestions that he rarely visited. Danilo’s mother and his friends took great pleasure in watching Danilo on television when he appeared on academic game shows. Although shot in a somewhat distant manner, I noticed the way their eyes fixated on the screen. It was as if the screen reflected their own ambitions, once within the realm of possibility but they knew such dreams were now out of reach. Furthermore, in the amusing wedding scene, which was really sad in its core, Danilo wasn’t even aware which one of his friends were getting married. The scene was played for laughs, especially with Danilo’s very embarrassed roommate (Reed Birney), but it underlined how out-of-touch our protagonist was with people who he considered his best friends. It would have been interesting to know how the other three assessed the situation. But what I liked about “Four Friends” was, even though we didn’t know each of them fully, the dynamics of friendship among the four were always changing. I believed their evolution from idealistic teenagers who wanted to accomplish everything to more secure adults. If it had spent more time exploring the other three friends’ lives and if the political backdrop had been more pronounced, it would have had a much needed surge of energy.
Valentine’s Day (2010)
★★★ / ★★★★
“Valentine’s Day,” written by Katherine Fugate and directed by Gary Marshall,” was an ensemble romantic comedy with many high-proile names that followed the footsteps of films like “Love Actually.” There are only three things one has to know coming into this movie: all of the characters are connected in some way, it is at times unapologetically cheesy with its typical (but funny) one-liners, and it is a good Valentine’s Day movie to watch with friends or special someone. Even before the film was released, I heard a lot of negative comments about it because people are not keen on the idea of a movie capitalizing on a holiday that “isn’t even real.” I say get over it because such moaning will not stop movie studios from releasing movies such as this; it’s a business and no matter how much you complain, money is money at the end of the day. Personally, the main reason why I wanted to see this film was because some of my favorite celebrities were in it like Jennifer Garner, Julia Roberts, Anne Hathaway, Topher Grace, Ashton Kutcher (even though I change my mind about him quite often), and Bradley Cooper. From the trailers, I knew exactly what to expect and, surprisingly, it was much better than I thought it would be. Even though only two to four characters out of the twenty-one were fully developed (Garner and Kutcher as best friends failing to see that they were meant for each other; Hathaway and Grace as one lacking awareness of the other being a phone sex operator), it was fun to watch because it had a certain self-awareness–that none of it should be taken seriously because the characters’ lives revolved around falling in love. We are smart enough to know (or at least we should be) that the movie was simply trying to provide us an escape from our busy lives, whether our lives may revolve around our studies, our jobs, and countless other circumstances. As for the negatives, I wished that the main characters were cut down to fifteen. Even though I thought the scenes with Taylor Lautner and Taylor Swift were amusing, their scenes didn’t do much when it came to the big picture other than comment on the fact that teenage love based on supercifial similarities was a good foundation for a potential heartbreak. (Well, at least that’s what I got from it.) I also wished that Jessica Biel’s scenes with her eating junk food and being neurotic were cut, while preserving her “I hate Valentine’s Day” intact and ultimately seeing Jamie Foxx as a perfect match for her. My favorite storyline has go to be the one with Cooper and Roberts meeting on a plane. I still think Roberts is one of the finest actresses because she has a perfect way of portraying sadness in her eyes. It was pretty subtle but when Cooper voiced out his assumptions that Roberts was on her way to see her special man, that specific look that Roberts gave him immediately made me realize that it wasn’t the case. “Valentine’s Day” is indeed a typical romantic comedy but if you know what to expect and you have an open mind, you will have a good chance of enjoying this flick. But if you come into the film in a bad mood or expecting the worst, prepare yourself to analyze every single flaw and not enjoy the movie. In other words, save your money or buy yourself a box of chocolates instead. Maybe that will make you happy.
À toute vitesse (1998)
★★ / ★★★★
“À toute vitesse” (also known as “Full Speed”), directed by Gaël Morel (“Three Dancing Slaves”), had an interesting premise but the journey to the finish was too all over the place to earn a recommendation. Quentin (Pascal Cervo) decided to return to his hometown along with his girlfriend Julie (Élodie Bouchez) after his first book was published. He quickly reconnected with one of his best friends from childhood named Jimmy (Stéphane Rideau) but Julie was slowly falling for him. During a night at a club, Quentin spotted Samir (Mezziane Bardadi) and the two decided to be friends despite their awareness of the attraction that they had for each other. However, Quentin was still in the closet and tried to resist every move Samir made which sometimes ended up in violence. At first I thought I could relate with Quentin the most because he was sort of like a brooding artist as he tried to make a life for himself, while at the same time kept others at a distance by building a wall around his true self. I could relate to that because I felt like I was like that once upon a time. However, throughout the picture, I did not see any evolution in his character, no attempt from his angle to realize and change that he was hurting the three people who really cared for him. As arguably the lead character, I felt that he was very selfish with no redeeming qualities so I felt disconnected from him half-way through. Thankfully, what saved this film was the strained relationship between Julie and Jimmy. Even though they were very different, there shared a certain passion for each other that was sometimes very romantic. As for Samir’s obsession toward Quentin, I felt that it was too shallow to ultimately be believable. Samir talked as if he loved Quentin even though that longing was one-sided. To me, his obsession was purely for the sake of a physical relationship because he was lonely and was missing his boyfriend who passed away. I don’t think “Full Speed” was a bad film. It just did not completely work for me because the writing needed more focus and substance. I got a little tired watching the characters doing drugs, having sex, and engaging in meaningless conversations. The characters were in their 20s but they offered no insight that made me stop and think, “Hey, this is actually worth my time.”
Bride Wars (2009)
★★ / ★★★★
The trailers were more fun than the actual movie. Anne Hathaway and Kate Hudson star as two best friends who, due to a clerical error, were scheduled to have their weddings on the same day. Since the two had their weddings all planned out since childhood, neither lets go of the day and they try to exact revenge on each other instead of dealing with the problem at hand like sane individuals. Having said that, I eventually saw the potential in this film when the two characters started to feel guilt for their actions. I wish the picture had focused more on that instead of the silly (and really ugly) pranks. Yes, the pranks were funny on the surface but there’s an inherent sadness and shame about the whole thing because the audiences are forced to see two best friends destroy each other’s lives. The pranks did not just impact the wedding but their careers and relationship with other people as well. In my opinion, the ending should have been more grim instead of the whole saying-“Sorry”-makes-everything-all-better approach. I doubt that Hathaway would want to be remembered in this wedding-themed movie because, although I love her in pretty much anything (including this one), the script was really weak and the message was way too obvious to fully engage an intelligent audience. While watching “Bride Wars,” I wished I was watching “Rachel Getting Married” instead because at least that one featured a character that was edgy, unlikeable and complex. In “Bride Wars,” everything felt so light and sugar-y to the point where it ended up getting kind of dull. I don’t consider it completely horrible because I like the cast. (Other than the leads, I also enjoyed watching Candice Bergen, Kristen Johnston, Bryan Greenberg, Steve Howey and Chris Pratt.) But it’s not something that I’ll recommend to people other than those who are specifically looking for something harmless and forgettable.