Times and Winds (2006)
★★ / ★★★★
“Bes vakit,” also known as “Times and Winds,” was a story about how three children stopped being kids because of the many responsibilities that their parents thrusted upon them. Ozkan Ozen decided to kill his father because he could no longer take the maltreatment and favoritism toward his precocious brother. Elit Iscan slowly headed for breakdown because her mother insisted that she made herself useful even if the amount of schoolwork was more than enough for her to handle. And Ali Bey Kayali developed on a crush on his teacher, only to stumble on the fact that his own father was spying on her through her bedroom window. I have to be honest and state that this film was particularly difficult for me to sit through because of the many lingering shots on certain objects and sceneries. As stunning as such images were, I personally would have preferred to see more character development, dialogue and conflict among the characters. Without that emotional pull, it’s hard for me to be invested in the movie. I’m not saying that this Turkish film is not at all worth seeing, but it really is more of an acquired taste. Personally, I can withstand slow-moving pictures but this one gradually wore down my patience. The rituals that the children engaged in became a bit too redundant and I failed to see the point of it all. I also felt that the relationships among the kids weren’t established and therefore did not come together in the end. While all of them were obviously unhappy, I needed to see more commonalities among them to further observe them in multiple dimensions. Although I was able to evaluable their motivations and take note of their varying psychologies, there was still a certain detachment that did not quite dissolve as the picture went on. Written and directed by Reha Erdem, “Times and Winds” offered beautiful landscapes and a certain poetry with its tone. However, I hardly think it was strong enough to warrant a recommendation for viewers. I’m afraid this was just one of those coming-of-age films that left a bitter taste on my palate.
The Boy in the Striped Pajamas (2008)
★★★ / ★★★★
This film was told in the eyes of an eight-year-old boy named Bruno (Asa Butterfield) who likes to explore his surroundings and play with other children. One day, his family decides to move from Berlin to a remote place in Poland because his father (David Thewlis) is a Nazi soldier and he is promoted there by the higher ranks. Bruno, being unaware of the horrors that the Jews are going through, assumes that the concentration camp that he can see from his bedroom is a farm. He also takes notice of the people there and tells his mother (Vera Farmiga) that he thinks they are quite strange because they wear pajamas all day. As a young explorer, he eventually visits the concentration camp and meets another eight-year-old boy named Shmuel (Jack Scanlon) and the two become friends. I liked that this picture was told from the eyes of young person who didn’t know anything about what was going on around him. While his mistaken assumptions were amusing at times, it was very sad in its core because little by little his innocence got stripped away. I liked the scenes when the private tutor would teach Bruno and his sister (Amber Beattie) how to think like Nazi and labeled Jewish people as “evil” (among other things). Such scenes showed two crucial reactions from the children: the sister’s total acceptance of the Nazi ways to the point where she started putting up clippings and posters on her wall; and Bruno’s as he tried to resist what he was being told by asking questions such as if there were nice Jewish people. Since this was aimed as a children’s story, it was important for me to see how Bruno processed the varying information that was being presented to him by his strict Nazi father, his mother who was having a breakdown after finding out a secret that her husband kept from her, his patriotic but ultimately deluded sister, and his Jewish friend who was clearly miserable. And I did see and feel his confusion and frustration about what people have told him and his own experiences. As for the ending, it completely took me by surprise. But I suppose the director (Mark Herman) did a good job building up the tension that led to the conclusion. This film provided a nice change from other Holocaust pictures. If the fact that all of the characters spoke in English instead of German does not bother you, this is a pretty good find.