★ / ★★★★
I had high expectations from this movie because the premise of it was interesting: a man named Mo Folchart (Brendan Fraser) who was a “Silvertongue” had the ability to bring book characters to live simply just by reading about them out loud. He did not always have such an ability (or was he aware of it) so over the years, the disparate characters from the books were taken to the human world–some of them good (Paul Bettany as the fire-wielding Dustfinger and Rafi Gavron as Farid, a sort of Aladdin-like character) and some bad (led by Andy Serkis as Capricorn). One of my biggest problems with this movie was its dialogue. It was so uninspired and it lacked a sense of wonder that movies like the “Harry Potter” and “The Chronicles of Narnia” innately have. Since this was based on a children’s novel by Cornelia Funke, I expected it to be at least entertaining by way of enchancing the audiences’ imagination. Instead, we got this overly long exposition, chaotic action scenes that did not amount to anything, and characters that were not exactly likable or memorable. I usually love watching Helen Mirren’s elegance but I think she was completely miscast as the grandmother who loves books and the indoors more than other people and the outdoors. Her character’s attempt at humor made me feel sort of ashamed because none of them were even slightly amusing. There were many points in the film where I just felt bored and wondered about the technical things. For instance, I thought about the repercussions that would happen in the book if the characters were suddenly taken off the pages. I thought of the “exchange” that had to happen–if one was to be transported into the book, wouldn’t it make more sense if someone comparable would be taken out of the book? There were a plethora of plotholes and by the end of it, I was just tired of being disappointed. Perhaps with a better direction other than Iain Softley, the translation from novel to film would have been better. I suggest not to waste time with this one. Even the kids would be bored out of their minds.
Gods and Monsters (1998)
★★★ / ★★★★
Based loosely on James Whale’s life, this film is for both the fan of “Frankenstein” and “Bride of Frankenstein” back in the 1930’s and general film lovers. Ian McKellen plays the legendary director with such power and subtlety, I forgot that I was watching an actor playing a part. The way he told his stories about making films, fighting in the war, and falling in love has a certain organic feel to it to the point where I felt like my grandfather was passing on his most treasured memories to me. Brendan Frasier surprised me in this film because I’ve always seen him in comedies and action-comedies, but he was able to deliver as the gardener who craves for something bigger than himself. He is able to mollify the hunger by interacting with McKellen–someone who has done something important in his life. The dynamic between the two leads have a plethora of implications. To be honest, by the end of the picture, I find it difficult to define their relationship. Sure, they’ve become friends but what kind of friendship did they really have? Was it a utility friendship, pleasure friendship, or complete friendship, or a combination of two or three of them? Another stand-out was Lynn Redgrave as Hanna, McKellen’s caretaker. She was so colorful and spunky in her scenes so it’s hard for me not to notice her. Her relationship with McKellen’s character is multidimensional but it never took the focus out of the film’s core. My favorite scenes include McKellen telling his story of the man he truly loved despite the circumstances through which they met, when the film actually reshot some of the scenes from “Frankenstein” and “Bride of Frankenstein” and when McKellen was finally driven to madness/desperation. Even though this is well-made, this film is not for everyone because it’s really more about the characters, what they’ve been through and where they’re going instead of the plot driving the vehicle to a certain destination. This film has something to say about mortality and how one deals with life after great accomplishments have been achieved. It goes to show that the question of “what if” can be as daunting as asking “what’s next.”
Journey to the Center of the Earth (2008)
★★★ / ★★★★
I almost gave this a two stars out of four because there were moments where I thought it diverged too much from the adventure and focused a little bit too much on lame/unnecessary character development. With a family-friendly summer blockbuster film, one expects breath-taking action sequences right after another instead of a forced attempt of sentimentality. Still, I decided to give this film three stars because there were some truly memorable scenes such as the mine ride, the cave of crystals, the T-Rex, and the geyser. Brendan Fraser, like in “The Mummy” films, is really likeable as a scientist whose lab is about to be shut down; Josh Hutcherson continues his role as a kid who’s a little bit sarcastic but often keeps something up his sleeves; Anita Briem is also a neat addition because she provided energy when the story tends to slow down a bit. I did not see this in 3-D even though the entire picture is designed to be seen in such a format so I can’t comment on how much or if it’s better than on a flat screen. Still, there’s plenty of visual eye candy and adrenaline for those who just want to sit back and not think too much. But I must admit that I really like the science in the film: how Fraser’s character used kinematics to determine how high they are from the ground as they free fall, the application of Geology when it comes to recognizing certain rocks and their properties, the concept of bioluminescence (the production and emission of light when chemical energy is converted to light energy), and more. It made the movie that much more fun for me because I’ve taken classes that deal with those concepts. (I am a certified nerd/geek/dork.) This is the kind of movie that a babysitter can let kids watch because it’s pretty harmless, there’s a plethora of bright colors, and pretty funny one-liners. It could’ve been a lot better but it could’ve been a lot worse.