Jane Eyre (2011)
★★★ / ★★★★
After Jane Eyre’s father passed away when she was a child, she was sent to live with Mrs. Reed (Sally Hawkins), the aunt who had given up loving her because she often caused trouble. Mrs. Reed eventually sent Jane to a boarding school where her behavior was expected to be corrected. When Jane turns of age, now played by Mia Wasikowska, she works as a governess in Thornfield Hall where she meets the respected Edward Fairfax Rochester (Michael Fassbender). One of the reasons why people around them believe that they shouldn’t be together is money: he is rich and she is poor. Other than his attraction to her, there is another, darker reason which Mr. Rochester is willing to keep a secret no matter what.
Based on the novel by Charlotte Brontë, “Jane Eyre” surprised me in the best ways possible because it’s actually sexy, a quality I rarely expect from period films. Part of it is due to the performances. Wasikowska nicely embodies a plain beauty who can easily hide on the background. But when her character has something important to say, she has the ability to change her mannerisms in a nuanced way, whether it be brightening her eyes a little bit or just parting her lips so delicately that she gives off an air of aristocracy. It is impressive to watch her make small changes in her body language yet they are enough to make a statement and allow us to consider what she might be thinking.
Fassbender injects his character with complexity that we cannot help but be suspicious. While it is mentioned that he has a volatile personality, we are actually able to experience his fluctuating warmth and coldness. We want to like him because he is a good fit for Jane, but we approach him with reluctance because of the lingering possibility that he simply wants to use her. After all, he has no problem dangling her in front of his elegant company mostly consisting of women with vile tongues. I loved that each time Fassbender enters a scene, I never could predict how he will play his character.
When the two finally admit their feelings for each other, the cinematography comes into focus but it never overshadows the emotions. While it highlights the aspect of beauty in the way the wind rustles the leaves of trees, caresses the grass, and surfs through the characters’ detailed clothing. Meanwhile, thunderstorm and lightning can be heard and seen from afar which signals that maybe the beauty that we see is a transient, illusory thing.
There is an element of darkness despite the picture’s emotional highs so it kept me curious and cautious. The supernatural elements are deftly handed by the director. We hear ghostly whispers and voices, characters acknowledging curses and bad luck, and we even see unexplained phenomenon like chimney spewing out ash inside a mansion. However, these elements feel like a natural part of this specific story. It helps us to get into a certain mood when Jane goes about the mansion in the middle of the night holding only a candle in her hand and courage in her heart.
There are times when I felt as though the pacing of “Jane Eyre,” based on a screenplay by Moira Buffini and directed by Cary Fukunaga, is a bit rushed. I would have been happy, even if it means adding an extra thirty minutes, to have gotten to know more about Mrs. Fairfax (Judi Dench) and what she really thinks about Jane and Edward’s relationship. Furthermore, the scenes with St. John Rivers (Jamie Bell) toward the end feels tacked on. What is exactly the real connection between he and Jane?