A Prophet (2009)
★★★ / ★★★★
19-year-old Arab named Malik El Djebena (Tahar Rahim) was sentenced up to six years in prison. Taken under César Luciani’s wing (Niels Arestrup), a Corsican, Malik slowly gained power in prison as he learned the politics and economics among each group of inmates. I liked that the plot was relatively simple. We had a chance to observe a vulnerable man evolve into someone who was cunning and capable of deceit yet the story was able to hang onto the core of the lead character’s being. That is, despite the difficult decisions he had to make, he was still capable of being sympathetic to those that helped turn him into a kind of person he had become. Those individuals did not always deserve his sympathy but he hung onto them anyway perhaps because he respected them in some way. His relationships with the other prisoners was always at the forefront and the “favors” he had to do were secondary but both are just as gripping. Jacques Audiard, the director, could have easily turned this film into a typical prison movie about a man hardened by hatred over the years but it chose the more insightful and elegant path. It begged the question how far a person was willing to go in order to survive and eventually flourish in a very dangerous environment, it challenged the effectiveness of rehabilitation centers, and it questioned whether a person, when given a chance, could leave behind his criminal life. Rahim was fantastic in portraying lead character. At times the movie would jump forward in time and I found myself unable to recognize Malik at first glance. Surely there were some physical changes but the way he carried himself such as his posture and the manner in which he conversed with another were more interesting to watch. Despite the film not showing us certain periods of time, we still got the sense that the hardships that Malik had to face did not stop. I did, however, have a problem with its running time of more than two-and-a-half hours. I saw no reason for it to last that long. In fact, I thought the last twenty minutes, except for the final scene, were weak and more typical compared the rest of the picture. It became redundant instead of ending it in a place where it left us wondering whether or not he would choose to risk losing everything he worked for over the years. Nevertheless, I believe “A Prophet” is worth seeing because it did not lose its heart despite the violence and drugs. It really made me question what I would have done (assuming I survived in the first place) if I was in Malik’s position. I certainly could not imagine hiding razor blades in my mouth.