Apocalypse Now Redux (2001)
★★★★ / ★★★★
Directed by the legendary filmmaker Francis Ford Coppola, “Apocalypse Now Redux” added about fifteen minutes of footage to the original “Apocalypse Now” and improved its colors. Therefore, this review will cover both films. “Apocalypse Now” was about Captain Benjamin L. Willard (Martin Sheen) and his assignment to kill the derranged Colonel Walter E. Kurtz (Marlon Brando) in Cambodia. In order to get there, Captain Willard and his team–consisted of Lance (Sam Bottoms), Chef (Frederic Forrest), Chief (Albert Hall), and Clean (Larry Fishburne)–must travel upriver and avoid multiple brushes with death. I’ve heard a lot about this film being one of the best war movies ever made, so I expected it to be an all-out action picture. However, I eventually realized that it was more astute and sublime than that; it actually bothered to comment on not only the horrors of war both in and out of the battlefield but also the politics from an outsider’s perspective. In fact, one of my favorite scenes was when the crew visited a French plantation led by Christian Marquand. The discussion they had on the dinner table was so passionate and nothing could waiver my attention on what was being said, how the words were being said, and the characters’ body language. That scene reminded me of one of my favorite films “The Dreamers,” when Theo and Matthew were arguing about Vietnam. Another thing I loved about this film was its ability to gradually change tones from beginning to end. At first, I thought pretty much every was clear-cut and everything made sense. Somewhere in the middle there were distractions/side-quests which mostly made sense but some I did not quite understand. But the ending was so mysterious (when the crew finally reached Brando’s domain), it left me scratching my head because I felt a mix of confusion and awe. Even though I did not fully grasp what was happening and why certain things were happening, I felt a sort of genius about the whole thing. Because sometimes horror and terror do not make sense. Lastly, it is also very difficult not to admire its timeless feel. Not even the more recent war films of today can match the look and style of this great accomplishment. I am not going to go as far as to say that I think this picture is a masterpiece. But perhaps after another viewing or two, I will get a better understanding about its rich surrealistic journey.