Tag: cloris leachman

Castle in the Sky


Castle in the Sky (1986)
★★★ / ★★★★

A girl named Sheeta (voiced by Anna Paquin) looked pensively out the window aboard a flying ship. She was being held by a spy for the government (Mark Hamill) and men from the military. They wanted something from her although at first it wasn’t clear what. Pirates, led by an old but very energetic lady named Dola (Cloris Leachman), attacked the ship. Out of panic, Sheeta climbed outside the window, slipped, and was in free fall toward the Earth. “Tenkû no shiro Rapyuta,” also known as “Castle in the Sky,” was a thrilling animated film which balanced adventure and heart with ease. It offered breathtaking images from grand ships maneuvering themselves in and out of danger to the small details of the mining town where Pazu (James Van Der Beek), Sheeta’s greatest ally, lived and dreamed of fantastic journeys. The chase scenes were exciting to watch not just because guns and explosions were involved but due to the fact that there were times when the laws of Physics were completely ignored (especially in the mine cart tracks) and I was completely caught by surprise. Just when we thought we had idea where one’s loyalty belonged, enemies found a commonality which allowed them to work together and maybe even learn from each other. In a way, the action sequences were just as interesting as the characters who all shared a common goal: reaching the evasive floating castle called Laputa. The spy wanted the knowledge and the technology buried deep within, the military and the pirates wanted the treasures, Pazu wanted to find closure regarding his father’s death, and Sheeta simply wanted to protect it. There were also some messages concerning the environment and perhaps a budding romance between Pazu and Sheeta but I liked the fact that such topics were purposely underplayed. It was nice to see other angles from the core story so it didn’t at all feel one-dimensional. However, I do have the admit that I felt as though the picture ran for about thirty minutes too long. I think the film spent too much time focusing on the characters aboard the mysterious castle. I began to feel restless. Personally, I would have enjoyed it more if the characters did not spend too much time there (or if none of them reached it). By doing so, it remains as a symbol or a metaphor for things that were important to the characters. To me, it really wasn’t about reaching the castle but the measures the characters would go to get there. Written and directed by Hayao Miyazaki, “Castle in the Sky” was magical, involving, and suitable for all ages. It made me think of the time when my dream was to become pilot.

New York, I Love You


New York, I Love You (2008)
★★ / ★★★★

I’ve been waiting for this movie to be released in theaters for more than a year so I was really excited to see it when it finally was. Unfortunately, out of the ten segments (presented in order of appearances on screen–directed by Jiang Wen, Mira Nair, Shunji Iwai, Yvan Attal, Brett Ratner, Allen Hughes, Shekhar Kapur, Natalie Portman, Fatih Akin and Joshua Marston) only about five worked for me–the second (starring Natalie Portman and Irrfan Khan), the third (Orlando Bloom and Christina Ricci), the fourth (Ethan Hawke and Maggie Q), the fifth (Anton Yelchin, Olivia Thirlby, James Caan and Blake Lively), and the tenth (Eli Wallach and Cloris Leachman).

I really wanted to love this movie as much as “Paris, je t’aime.” What made the first one so great is the fact that even though we encounter so many different genres and tones throughout the picture, it felt cohesive because we truly get a sense of who the characters were in under five to seven minutes. In “New York, I Love You,” it all feels a little bit too commercial. I felt as though it wanted to impress all kinds of people so much to the point where it held back emotionally and avoided taking risks. I’m also astounded by the fact that there were no homosexual storylines, barely any segments consisting of African-American or Latino characters, and most of clips consisted of a person falling in love or lust with another person. There are many dimensions of love (love for the city, love for a pet, love for oneself…) but it didn’t quite think outside the box. Those missing qualities are crucial to me because New York is supposed to be a melting pot of ethnicities, sexualities and mindsets yet we got to see the same kinds of people time and again. With “Paris, je t’aime,” we get diversity and in more than half of them, there was not a happy ending, which I thought was closer to real life than the stories presented in this film.

The five segments that I thought were standouts had a certain passion in every single one of them, whether it’s about a woman who doesn’t quite feel comfortable about getting married; an artist struggling to read one of Fyodor Dostoyevsky’s books and whose curiosity of a woman he’s only met through the phone bothered him to the core; a man who thinks one way about a woman turning out to be someone completely different than we all expected; a teenager who goes to prom with a blind date unknowing of the fact that his date is unlike anyone he expected; and a couple celebrating their marriage that lasted for more than sixty years. Those are the kinds of stories I want to tune into and dissect because hidden layers are embedded in them. What I don’t want to see is someone supposedly falling in love unless he or she has something truly significant or different to contribute. The other five segments that I didn’t quite like should have been taken out and replaced by stories from other genres such as horror or science fiction, or they could have had a different mood or perception such as in a black-and-white reality or featuring a person so wasted in drugs–a way in which we could see the world through their eyes. That would have made more sense to me because we are essentially a drug culture. Or it could have featured at least one fashion model or a fashionista because New York is one of the biggest fashion capitals in the world. Instead of really embracing to tackle issues mentioned previously, the movie was way too safe with those other segments.

Having said all of that, I have to admit that I’m particularly hard on this picture. Since I don’t do half-star ratings, it must be said that I consider this a solid two-and-a-half star movie. When I came out of the theater, I was certain that I was going to give it three stars out of four but after thinking about it a little bit, it made me realize how much potential it didn’t use to create a truly magnificent project. For such a fascinating place like New York City, you just can’t play everything safe and get away with it. At least not with me because I’m big on seeing diversity and reality in certain kinds of films, especially in slice-of-life cinema. I’m not saying at all to not see this in theaters. By all means, please do to support a film released only on limited release. But what I want you to take away from this review is the awareness that what’s being presented on this film is not the gritty and dirty New York but the clean, nice New York we see on a prime time television shows.

Hopefully, the next project from this film series would not be as afraid to branch out.