Women on the Verge of a Nervous Breakdown (1988)
★★★ / ★★★★
“Mujeres al borde de un ataque de nervios” or “Women on the Verge of a Nervous Breakdown” showcases how fearless Pedro Almodóvar can be as a writer and director. After Pepa (Carmen Maura) was left by her lover (Fernando Guillén), she decided to kill herself by eating gazpacho mixed with heavy doses of sleeping pills. However, her suicide attempt was interrupted when her friend (María Barranco) knocked on her door for help after realizing that she was involved in terrorists who wanted to hijack a plane. And while Pepa was gone and her friend was left to guard the apartment, a couple (Antonio Banderas, Rossy de Palma) knocked on the door to decide if they wanted to rent Pepa’s place. Everything about this movie was so absurd but it was so much fun to watch because it was incredibly unpredictable. And what’s better was the fact that it was easy to tell that the actors were having so much fun in their roles. As much as the movie was comedic on the outside, it really was about the connections between the quirky and eccentric characters unique to Almodóvar’s world. Having seen Almodóvar’s recent works from the 1990s to the 2000s, it was easy for me to recognize certain motifs such as the use of color, strange coincidences and strong women willing to fight for what they believed in. In relation to the last bit, I was in love with that scene when one of the characters discussed the relationship between understanding bikes and understanding the psychology of men. I thought that scene summed up the picture with such elegance because the story was essentially about four women obsessing over men and the outer and inner conflicts they had to go through to be loved in return. My main problem with this film, however, like in a lot of Almodóvar’s movies, was its pacing slowed down a bit somewhere in the middle. But I think it’s only a matter of taste that one can get used to over time as one watches more movies from the director. It’s not at all difficult to be enveloped into the story because the lead character was always doing something purposeful and she was willing to engage in conversations that were witty and sometimes confrontational. A lot of people may think “Women on the Verge of a Nervous Breakdown” was over-the-top but that’s what makes a great farce. It’s like watching a telenovela with characters that range from harmless but annoying to dangerously psychotic. It was definitely campy but it had a creative postmodern romance that I rarely see (and would like to see more) in cinema these days.
The September Issue (2008)
★★★ / ★★★★
Anna Wintour, the extremely influential editor of Vogue magazine, stated it perfectly in the very first few minutes of this documentary: Most people are scared of fashion and that’s probably why they make fun of it. Personally, I don’t think fashion is a ridiculous subject at all because it covers every aspect of beauty–something that is very important to me–not just when it comes to the clothes but the attitude that comes with them. Directed by R.J. Cutler, he documented all the hardwork, the conflict, the stress and the funny moments of what it took to release the September issue of Vogue. Two people are at the forefront: Anna Wintour and Grace Coddington, the editor and the creative director, respectively. I love that the movie covers the history of the two so we get some sort of idea where they came from and what it took for them to be where they are now. Although Wintour and Coddington have very different personalities, both of them are aware with how brilliant the other person is. Instead of competing with each other, they constantly push each other to be more critical and to continue to redefine beauty. While Wintour is truly a very intimidating ice queen, she’s not a total diva like how fashion editors were presented in motion pictures. She has her more tender moments, especially when she spends time with her daughter. On the other hand, I found Coddington to be very admirable because she’s not afraid to push for what she wants to be included in the magazine even if Wintour says “No” to her ideas time and time again. She’s a romantic and she remains to be a sweet individual despite the harsh realities of the fashion industry. While the two giants do have their disagreements, they share one crucial bond: They are very passionate with what they do and they want the magazine to be at its best. I was so engaged with this movie because there were times when I agreed with Wintour and there were times when I agreed with Coddington. I found it fun to see which photos would make it to the magazines, which was really hard at the same time because the photographs were stunning. This documentary is obviously targeted for people who are interested in fashion. However, for those who could care less about fashion should see this as well because it will undoubtedly show them that fashion is not a joke (though sometimes it can be). Like other more traditional jobs, it requires a lot of long hours, heartbreaking rejections, stress due to everything not going according to plan, and best of all, a thick skin.
The Family That Preys (2008)
★★★ / ★★★★
“You can’t make yourself happy [by] bringing misery into other people’s lives.” I think that quote sums up the central thesis of this film. Even though it may be a bit soap opera at times because of the multiple storylines and their big revelations, I can’t help but really like this film. There’s something about the characters that are very true to life, especially in a society where everyone wants to climb up on the economic ladder. While most may initially watch this just to see the drama unfold between and within each family, I think it’s worthy to notice the dynamics between the rich and the poor, between the young and the old, between the man and the woman, and between the whites and the blacks. I admired that this film didn’t have any African-Americans that live in the ghetto. To be honest, I want to see more African-Americans living the “normal” life because they do exist and they should be represented. I love Alfre Woodard and Kathy Bates as the two mothers of the family. The way they interacted with one another reminded me of times when I was with my best friend, just laughing our lungs off and not caring about what people think of us in public. I also loved Taraji P. Henson and Sanaa Lathan as the two completely opposite sisters, one sensible and supportive and the other is disrespectful and vindictive, respectively. But I have to admit that Lathan reminded me of myself at times because I can be quite insidious and sometimes I forget where I come from. I don’t like that about myself and I’ve been trying to get rid of those qualities over the past three years (which, I think, has been successful so far). I wanted to hate her but at the end of the day, I just felt really sorry for her because of the way she treats the ones that love her most. There are a lot of memorable and insightful quotes that could be found all over the film; they made me think where I am in life, where I was, and where I will be. This is the kind of movie that made me so happy that I choose to surround myself with people that I can love and will love me no matter what happens. Upon watching the characters figure each others’ intentions, it goes to show that you can have all the money in the world but if you’re not happy with yourself and you forget where you come from, your life is truly not worth much.