★★★ / ★★★★
Written and directed by Barry Levinson, “Diner” was about a group of friends verging on adulthood who constantly tried to find a distinction between marriage and being in love with a woman. I adored this film greatly because I felt like the guys were the kind of people I could talk to. Even though they were silly and talked about the most unimportant things, they were very entertaining and each had a distinct personality. Eddie (Steve Guttenberg) was about to get married, Boogie (Mickey Rourke–who I did not recognize at all) was a womanizer, Modell (Paul Reiser) got on everyone’s nerves, Tim (Kevin Bacon) had issues with his brother, and Shrevie (Daniel Stern) was addicted to music. But my favorite was Billy (Tim Daly), Eddie’s best man, because he was the most mysterious of the group. His interactions with Eddie had a certain feeling of sensitivity to it; the look he portrayed in his eyes made me think that he harbored a secret and I desperately wanted to know what it was. While they all had separate personalities, I liked that Levinson surprised us somewhere in the middle. The picture seemed to have flipped itself inside out and showcased something unexpected about them. For instance, Tim turned out to be someone who was genuinely intelligent despite his sometimes unwise decisions. The biggest strength and weakness of this film was its many colorful characters. Since there were so many of them, I was never bored because it jumped from one perspective to another with relative ease. But at the same time, I wished it had less characters so it could have had the chance to dig deeper within the characters’ psychologies. Nevertheless, “Diner” was very funny because the guys had chemistry. Their interactions made me think of nights when my friends and I would hang out at Denny’s, talk about the most random things, tease each other, and eat until it was either difficult for us to breathe or our mouths were simply exhausted from talking. So I felt like the movie really captured how it was like to be considered as an adult (over eighteen) but not quite reach the maturity level of a real adult. “Diner” is a deftly crafted picture with intelligence despite the dirty jokes, characters who are easy to identify with and a script that flows and sounds natural. I always feel the need to say that a movie may not be for everyone only because the movie is heavy on dialogue. But I think this film is an exception because it knows how to have fun but remain honest so the audiences can feel like they’re part of the inner circle instead of simply eavesdropping from another table.
My Dinner with Andre (1981)
★★★ / ★★★★
Written by and starring real-life friends Wallace Shawn and Andre Gregory essentially star as themselves in “My Dinner with Andre.” Wallace/Wally agreed to meet up with his old friend for dinner and admitted to the audiences that he had not seen his friend in years. The whole film took place in a real-time conversation over dinner between the two actors as they discussed practical and philosophical questions. While both of them were able to offer very insightful questions and commentaries throughout, I had a big problem during the picture’s first thirty minutes. Andre pretty much talked non-stop for several minutes without Wally uttering more than two sentences. I thought that the premise of the film was about two friends who were at an equal intellectual level but very different outlook on life. However, the first thirty minutes did not reflect that. Instead, I intially felt as though Andre was the wiser of the two and Wally was a child getting an education from an elder who has been all over the world. Eventually, however, Wally was given the chance to speak and it was refreshing because even though he did not sound as formal or worldly (or pretentious?) as Andre, I found myself agreeing with a lot of the points he brought up because he expressed his thoughts in simple and frank manner. I thought the film reached its peak when the two stopped agreeing with each other and began expressing how differently they viewed the world. In a nutshell, Wally did not believe in fate and that things were simply an accumulation of random coincidences. Andre, on the other hand, believed in fate and that having a purpose was not always necessary because purpose almost always equated to habit and habit was the lack of awareness and therefore a lack of “real” living. They were able to tell each other a plethora of stories that covered the two basic themes and it was fascinating to sit through. This movie made me think of how many friends I could converse with in a similar level and even I have to admit that there are not a lot of them. Younger viewers and people who are not that into plays may not understand the references that the characters have made (it would probably help for a deeper understanding) but it was still an enjoyable rumination about the beauty and ugliness of life. I could certainly connect with both of the characters so I did not at all find it difficult to keep paying attention with the words and the little nuances in their voices. This is an art-house film, which may mean it is not for everyone, because it “only” consists of two people talking to each other like in “Before Sunrise” and “Before Sunset” (which was definitely influenced by this picture). That said, “My Dinner with Andre” is highly rewarding.