Funny Farm (1988)
★★ / ★★★★
Happy couple Andy (Chevy Chase) and Elizabeth (Madolyn Smith Osborne) decided to move out of New York City and into the country so Andy could work on his novel. They anticipated to live an easier life with far less worries while in the country. But from the minute the Farmers left the city, something went wrong in every turn starting with the movers getting lost overnight. Eventually, the unfortunate events and eccentric small town ceased to become amusing as various elements challenged Andy and Elizabeth’s marriage. I am the most difficult person to please when it comes to slapstick comedy so I was surprised that I actually enjoyed this film. The movie offered a variety of situations in which something funny happened and not simply relying on, for example, someone carrying a big cake tripping over a cord and the cake goes flying onto someone’s face. I liked its humor most when it came at the most unexpected time. For instance, a typical gardening session led someone to find a coffin buried in the yard, a modern-looking door from the outside turning out to be somewhat of an old-fashioned door when touched, and the ongoing joke about pay phones inside the home. But my favorite scene was when Andy, beaming with excitement and happiness, allowed his wife to read a few chapters from the book he had been working on for quite some time. Her reactions, from being forced to read during their anniversary to her struggle in expressing what she really thought of the novel in progress, were priceless. I couldn’t help but laugh out loud because most of us could relate to her situation. Do we tell the absolute truth or do we sugarcoat certain facts (which essentially is tantamount to lying)? However, I would have given the movie a recommendation if the last twenty or thirty minutes did not become so depressing. What kept the script afloat for the majority of its running time was the couple’s natural chemistry and ability to forgive each other for just about anything. So when the story took a serious turn and the friction between the couple was magnified, I stopped having fun and the subsequent attempts at humor felt forced. The pacing took a drastic halt and it did not feel like the same movie I was watching before. “Funny Farm,” directed by George Roy Hill, had great energy behind its creative ideas. When the jokes worked, they worked well, and when they did not, it was almost forgivable. Aside from its misguided last third, the rest might have been formulaic but, as a whole, it was still delightful to watch.
Crazy Heart (2009)
★★★ / ★★★★
Based on the novel by Thomas Cobb and directed by Scott Cooper, “Crazy Heart” told the story of a 57-year-old musician named Bad Blake (Jeff Bridges) who traveled from one small town to another to perform songs that people loved back when he was in his prime. Completely trapped in the habit of smoking and alcohol, he slowly began to change his ways after meeting a charming music writer (Maggie Gyllenhaal) and her son. Bad Blake also had to deal with stepping out of the shadow cast by an artist he used to mentor (Colin Farrell), reconnecting with his 28-year-old son and writing new songs so he could stop living from paycheck to paycheck. The thing I liked most about this movie was its simplicity even though it was a double-edged sword. Between scenes with other actors, we got to see Bridges perform with his guitar and bare his soul. While the songs were definitely easy to listen to (and I’m not much of a country fan), I felt that it was meaningful to Bridges’ character because he had a look in his eye that he actually lived through the events that he was singing about. So I thought Bridges did a great job serving as an intermediate between the songs and the character’s life experiences. However, I wished that the film had spent less time building on the romance between Bridges and Gyllenhaal because I felt as though the whole thing became redundant (and sometimes forced). I understood that Gyllenhaal’s character was the key to Bad Blake’s redemption into getting his life back on track but some of the courtship rituals, though it tried to be not as typical as Hollywood movies, still felt typical in an independent movie sort of way. Instead, I felt like the movie would have been stronger if it focused more on the relationship between Bridges and Farrell because they shared a common history. It would have been nice if Farrell’s character had talked about how his mentor was like before becoming a faded musician. When those two interacted with each other, I felt real tension between them; I felt a strange mix of anger, jealousy and respect between the two which culminated when they shared the stage in front of 12,000 people. As I mentioned before, “Crazy Heart” is a simple film so it’s understandable why most people won’t initially recognize why it’s essentially a good film. Yes, it was sometimes predictable because we’ve all seen movies about washed-up musicians before. However, at least for me, with a movie like this, it’s all about the acting and I believe it ultimately all came together because I made a connection with the lead protagonist.