Scream 4 (2011)
★★★ / ★★★★
Ten years had passed since Sidney Prescott (Neve Campbell) was stalked by Ghostface. She had written a bestseller based on her experiences and Woodsboro was the last stop of her book tour. Dewey Riley (David Arquette) and Gale Weathers (Courteney Cox) had gotten married. And while Riley, now a sheriff, was happy with the marriage, Gale was less than ecstatic because she missed being out in the field as a sassy reporter and solving crimes. It must be Gale’s lucky day because it seemed like there was a new killer in town. Directed by Wes Craven and written by Kevin Williamson, “Scream 4” felt fresh. That is an important quality because sequels tend to run out of ideas over time. This film was an exception because it took advantage of what social networking sites and fame meant to the new generation. The eleven-year break felt necessary. The challenge our beloved trio had to overcome was to quickly learn how to adapt to the new rules. Failure to do was tantamount to being a big-breasted dumb blonde who decided to investigate a strange noise upstairs. We all know what would eventually happen to that character. There were new horde of sheep ripe for the picking. Jill (Emma Roberts) was Sidney’s cousin but they were never really close. She had two spunky but good-looking best friends (Hayden Panettiere, Marielle Jaffe), an ex-boyfriend (Nico Tortorella) who cheated on her, and two horror movie geeks (Erik Knudsen, Rory Culkin) who had a crush on her galpals. There was also Deputy Judy Hicks (Marley Shelton), openly flirtatious to Dewey while on the job and Sidney’s assistant (Alison Brie) who was actually elated when she found out that teenagers were being butchered. Needless to say, all of them were suspects. After a self-satirizing and highly enjoyable first scene (with a nice cameo from Anna Paquin and Kristen Bell), I immediately got the feeling that no one, including Sidney, Gale, and Dewey, was safe. After all, they weren’t getting any younger. Perhaps the writer and director decided that it was time to pass on the torch. Furthermore, the teens were very similar to the characters in the original picture. What I loved was Craven’s awareness of that suspicion. He held onto our expectations, turned it upside down, and shook it with purpose. In doing so, the story actually felt unpredictable for a change. I paid more attention to where the story was heading next instead of the horror movie references or how knowledgeable the characters were about scary movies. I felt like there was more at stake this time around. Most importantly, “Scream 4” had something to say beyond the fences of horror pictures. Admittedly, the idea wasn’t fully developed but it’s far superior than torture porn where the violence depicted on screen were done simply for shock value. After a decade, the knife still felt sharp.
Scream 3 (2000)
★★ / ★★★★
Post-college life was tough for Sidney (Neve Campbell) as she moved away from her friends and family to live in a house deep in the woods with her dog. Who could blame her for being traumatized after a masked killer, or killers, exhibited a fixation for murdering those she was closest to? “Stab 3: Return to Woodsboro,” a successful horror franchise, was in production in Los Angeles but the actors were attacked and killed by Ghost Face. It seemed like the killer’s plan was to murder the actors in which they died in the movie in order to attract Sidney’s attention and come out of hiding. The two obviously had issues to resolve. There was only one problem: Sidney, Gale (Courteney Cox), and Dewey (David Arquette) had no idea which script Ghostface had in hand because three versions were written. It meant there were three different order of kills and three different endings. Still directed by Wes Craven but the screenplay helmed by Ehren Kruger instead of Kevin Williamson, “Scream 3” had potential for excellence but the execution was too weak to generate enough tension to keep me interested. What I enjoyed was Sidney, Gale, and Dewey’s doubles (Emily Mortimer, Parker Posey and Matt Keeslar, respectively) because they were exaggerated versions of the real ones. What I didn’t enjoy as much was they weren’t given very much to do other than waiting to die in a gruesome fashion. And while the material played upon the actors’ self-centeredness despite being second- or third-rate celebrities, it didn’t tell us anything we didn’t already know. What made the first two movies so enjoyable was the fact that the comedy and horror were connected in a smart way. In here, the material relied on spoiled celebrities as a source of comedy and Ghostface’s hunt for Sidney as a source of horror. Since the two failed to connect, the script felt painfully stagnant. I wondered where the story was ultimately heading. Furthermore, the chase-and-stab formula became less exciting over time. It was awkward how the film would stop in the middle of the suspense and cut into a less exciting scene. In doing so, the scares lost considerable amount of momentum. And when it finally decided to return to the murder scene, it just looked silly and gruesome. It began to feel like a standard slasher flick. “Scream 3” still winked at itself, like the villain in a trilogy becoming seemingly superhuman, but it lacked the edginess combined with other necessary elements to bring the movie to the next level. It just didn’t feel fresh anymore. When the unmasking arrived, I just felt apathetic. It’s not a good sign when you’re looking at the clock every other scene to check the remaining minutes you have to sit through.
Scream 2 (1997)
★★★★ / ★★★★
Two years had passed since the Woodsboro murders. Sidney Prescott (Neve Campbell) was now in college majoring in drama, Gale Weathers (Courteney Cox) became a best-selling author, and a movie known as “Stab,” inspired by the aforementioned killing spree, had just been released. But when a couple (Jada Pinkett Smith, Omar Epps) was murdered during one of its screenings, Dewey (David Arquette) quickly, despite the limp, ran to Sidney’s protection and movie geek Randy (Jamie Kennedy) was present to explain the rules of horror sequels. Written by Kevin Williamson and directed by Wes Craven, “Scream 2” was able to defy the odds by pointing its fingers on bad scary movie follow-ups without being one itself. The film worked on multiple levels because it had more than one joke that worked. For instance, it acknowledged the idea that horror pictures seemed to be lacking in African-American characters and other minorities. Aside from the doomed couple in the memorable first scene, we knew the joke made a lasting impression when a minority was randomly placed next to one of the main characters and we couldn’t help but chuckle. However, it didn’t feel forced because the story took place in college. While the murder scenes were less creative–but more gory and elaborate as Randy stated–than its predecessor, they retained a level of cheekiness, especially when Sarah Michelle Gellar was given the chance to shine as the “sober sorority sister,” so it was fun to watch. We knew that her decision to go upstairs, as we learned in the first film, was a very bad idea but she did anyway. Downstairs, it seemed like she knew how to defend herself so maybe, despite being blonde and pretty, she would be lucky enough to escape. But it wasn’t just about murders on campus. Cotton Weary (Liev Schreiber), the man Sidney wrongly accused of killing her mother, had just been released from prison. The fact that he had motive to take bloody revenge and his thirst for fame warranted serious suspicion. It was a reminder that we couldn’t always trust Sidney’s judgment which was a small twist from typical slasher flicks where we take comfort in the virgin making all the right decisions to make it to the very end. The film spent more time on the characters and worked on the undeveloped strands from the first installment. What remained the same was everyone was a suspect. From Sidney’s pre-med boyfriend (Jerry O’Connell) and sassy friend (Elise Neal), Randy’s movie-loving classmates (Timothy Olyphant), to the reporter (Laurie Metcalf) desperate for the latest scoop. “Scream 2” was a vat of self-awareness; I relished every witty line and irony within an irony. Most impressive was sometimes the joke and horror came hand-in-hand.