Tag: cultures

Cairo Time


Cairo Time (2009)
★★★ / ★★★★

Juliette Grant (Patricia Clarkson) decided to visit Egypt because she wanted to spend time with her husband who worked for the United Nations. Her expectations involved her husband picking her up from the airport, heading to the hotel, and maybe seeing some unique tourist attractions. But her visit was far from what she expected. Instead, Tareq (Alexander Siddig), a coffee shop owner and a friend of her husband, picked her up from the airport because Mark had been delayed in Gaza. The more time Juliette and Tareq spent together, they noticed that there was romantic interest simmering between them. “Cairo Time,” written and directed by Ruba Nadda, was a mature romantic picture that exuded intelligence and insight in just about every scene. It showed that less really was more. The excitement was in the conversations between Juliette and Tareq as they talked about their own lives. Juliette mostly talked about her kids, the time she had on her hands and the freedom she felt now that they no longer lived at home, her career as a writer for a magazine called “Vous,” and the social issues she believed in. On the other hand, Tareq talked about his business and a former lover (Amina Annabi) whose daughter was about to get married. From the moment they met, we immediately felt a possible romantic tension between them because, despite the vast difference between their cultures, they shared excellent chemistry. The way they looked at each other, even if the look lasted for only a millisecond, communicated more than a hundred words. Clarkson was divine. Since she was in every scene, she had to deliver something special in order to successfully keep our interest. I couldn’t help but smile when she would flirt as she talked on the telephone, the way she held herself when someone was being rude or failing to respect her personal space, and her attempt to immerse herself in Egyptian culture. She didn’t have to be edgy to be interesting. Her character’s ordinariness and maturity was enough to make me want to get to know her. The director made a smart choice to showcase the characters first instead of the stunning landscapes especially during the trips to the desert. Despite normally attention-grabbing wide angle shots, twice I caught my eyes transfixed on Clarkson first and then I noticed the breathtaking backdrop. I thought that was a testament in terms of how invested I was in Juliette’s journey in realizing that maybe she didn’t end up with the right person. When her husband (Tom McCamus) finally made an appearance, like Juliette, I felt as though Egypt’s magic and romance was sucked by a vacuum. The car ride toward the pyramids was gut-wrenching in a subdued way. Like our protagonist, it inspired us to think about the many choices we made that shaped our lives to the way it currently is.

Babies


Babies (2010)
★★★★ / ★★★★

Writer-director Thomas Balmes took Alain Chabat’s idea of filming babies from four different corners of the world and documenting their journey from inside the womb up until they learned how to walk: Ponijao from Namibia, Bayar from Mongolia, Mari from Japan and Hattie from the United States. What I first noticed about this impressive documentary was its lack of narration. Balmes’ decision to not explain why parents were doing or not doing certain things for their children made us active participants because we had to come up with our own conclusions. The picture having no subtitles to translate the foreign languages was quite bold because then we feel like the child in its very early years–unable to discern what the parents were saying exactly so we rely on the tones of their voices to guess what kind of expression they wanted to portray toward their child. While the movie was undoubtedly cute (I love the scenes when the children would interact with animals, especially when Bayar was petting his cat), it went far beyond, “Aww, how cute!” Since I had a bit of experience studying child development and psychology, it was so much fun applying what I learned toward something I’m actually seeing. We literally see these children grow before our eyes as they change from being entertained solely by toys (or random things in the dirt if they didn’t have any toys) that made strange noises, to learning via simple imitation, to having a sense of self when they realized that their bodies can have a direct effect onto the world. We even had a chance to observe how the children attempted to talk via babbling and say their first word. Furthermore, the film wasn’t just about the babies. Secondary to the subjects were the parents’ child-rearing practices. Since I live in America, I’m used to seeing parents coddling their babies as often as they could. So, initially, I found it surprising that parents in Africa and Mongolia allow, if not highly encourage, to let their child roam in the dirt and explore his and her surroundings. They even let animals like goats, dogs and chickens get near their babies without worry. I guess what the director wanted to tell us was the fact that babies have high resilience physically and psychologically. They have the need to explore the world and experience a spectrum of emotions which includes pain, frustration and anger. What Balmes managed to capture on film was magic. I admired the way it was able to condense over a year of life into a breezy eighty minutes yet successfully highlight the most important elements.