Kung Fu Panda 2 (2011)
★★★ / ★★★★
Young Shen, a peacock, was supposed to lead Gongmen City when he grew up. But when Soothsayer (voiced by Michelle Yeoh), a goat, predicted that someone in black and white was going to thwart his thirst for power, Shen (Gary Oldman) decided to kill pandas all over China. When he returned home, his parents banished him from the city. Years later, bitter Shen reappeared, equipped with newfangled metallic weapons and ravenous but dim-witted wolves, to take back the city, eliminate kung fu, and gain control of China. “Kung Fu Panda 2,” written by Jonathan Aibel and Glenn Berger, was a hasty but scrumptious sequel filled with non-stop action, cuddly rabbits, funny jokes about the anthropomorphic characters, and gorgeous animation. With a relatively simple storyline, the film wasted no time in sending Po (Jack Black), Tigress (Angelina Jolie), Monkey (Jackie Chan), Mantis (Seth Rogen), Viper (Lucy Liu), and Crane (David Cross) to release Gongmen City from the evil peacock with feathers as knives. But it was far from an easy task. Each successive action sequence became increasingly difficult for our heroes which meant more complex plans of attack and trickier camera angles. It also meant more scenes where Po had to clandestinely blend into the environment to no avail. I loved the aerial shots especially when the Dragon Warrior and his friends attempted to sneak into the city while in a dancing dragon costume. Looking down, it looked like a helpless caterpillar desperately trying to find its way out of a labyrinth while avoiding nasty predators. I also enjoyed the scene in which our protagonists had to run to the tip of a building as it slowly collapsed. There was a real sense of peril as Po and company were thrown around like rag dolls. Since Shen wielded a myriad cannons, the city was eventually thrown in a state of calamity, its residents dispersing like flies. Although potentially too violent for kids, the filmmakers found a way to hide certain realities. For example, someone who was hit by a cannonball was almost always immediately shown as only slightly wounded but ultimately safe. There was an interesting subplot involving Po’s origins. Po finally realized that Mr. Ping (James Hong), a duck, wasn’t his biological father. Mr. Ping was heartbroken from the prospect of Po treating him differently other than the father who found him in a box, raised, and fed him tons of radishes when he was a baby panda. Fragments of memories began to manifest themselves and they caused turmoil in Po’s mind. It proved to be inconvenient because the only way he could learn a special kung fu move, with the aid of Master Shifu (Dustin Hoffman), was to find inner peace. “Kung Fu Panda 2,” directed by Jennifer Yuh, was surprisingly fresher than newly dug radishes. It is a product of synergy among comedic asides, kinetic martial arts, and the more sentimental scenes between Po and his dad. Most of all, it is a testament that sequels need not rely on typicalities to duplicate the successes of its predecessor. Its ambition and execution make it a solid companion piece.
★★ / ★★★★
Future supervillain Megamind (voiced by Will Ferrell) and future superhero Metro Man (Brad Pitt) were sent to Earth by their parents right before their home planet was engulfed by a black hole. The former grew up in a prison and the inmates taught him right from wrong–rather, wrong from right. His only friend was an adorable fish, equipped with wit and razor-sharp teeth, named Minion (David Cross). Grade school was horrible for him. He was often picked last for gym and his many attempts to impress his classmates always ended up horribly wrong. Over the years, he became bitter and developed a penchant for kidnapping Roxanne Ritchie (Tina Fey), a reporter, who had a crush on the superhero. But when Megamind, with a bit of blind luck, finally defeated Metro Man, he found his villainous role obsolete. Megamind’s big brain came up with a brilliant plan: He would construct a superhero (Jonah Hill). Would this little experiment backfire like all the others? Absolutely. “Megamind,” written by Alan J. Schoolcraft and Brent Simons, was a kaleidoscope of colors aimed for the younger kids and double entendres for the adults. Its manic energy successfully tickled every sense as it referenced other superhero films and comic books. However, it would have been far stronger if it didn’t try so hard to be funny like the characters breaking into a dance for no reason. If might have sounded cute on paper but painfully awkward to watch and sit through. What I enjoyed most about “Megamind” was although it spoofed other superhero franchises, it had an identity on its own. The scenes were not simply driven by references. There was a defined story, interesting and amusing characters, and a specific perspective in which it remained loyal throughout so the allusions were secondary. It aslo had real moments of creativity. For instance, after Metro Man’s death, Megamind began to rely on his invention which had the ability to make him transform into any being. Due to certain circumstances, he chose to be Bernard (Ben Stiller), a geeky guy who worked in the newfangled Metro Man Museum. As Bernard, Megamind started to fall in love with Roxanne Ritchie. His identity crisis from a lack of a superhero to fight on a daily basis also worked on another level. He started to have a literal identity crisis as he switched from Megamind to Bernard which generated some of the best scenes when both had to appear in front of the girl. Our protagonist rationalized that the villain never end up with the girl so he had to be something else, preferably not blue. There was sadness in his situation and we rooted for him to find happiness. Directed by Tom McGrath, “Megamind” was a good animated film for the majority of the time. If it managed to dial down the cheese and pumped up the edge, it could have been special.
Year One (2009)
★ / ★★★★
“Year One,” written and directed by Harold Ramis, was another one of those movies that looked really funny on the trailers but was actually devoid of laughs in the actual film. Jack Black and Michael Cera star as Zed and Oh, respectively, as they traveled from their village to many different places mentioned on the Bible. It also had other references from the Bible such as the forbidden fruit and popular characters such as Cain, Abel, Isaac and others. As a Bible farce, this was extremely disappointing because there were so many things that the filmmakers could have done to make the story funny and smart. Instead, it degraded itself into slapstick comedy and we literally see the characters urinating on themselves, tasting feces, and other things I won’t mention. Don’t get me wrong–I think Black and Cera are usually very funny comedians but I don’t know what they were thinking when they decided to sign up for this movie. Just the script itself was so bad; it was random, it lacked energy, and it didn’t have a powerful enough story to drive it forward and for us to ultimately root for the characters to succeed on their mission. At times I wondered whether the actors were literally making stuff up as they went along. The constant winking at the camera annoyed me greatly, which was tantamount to that pesky mosquito that kept buzzing at your ear when you’re trying to sleep. The only thing I liked about this movie was Paul Rudd as Abel, but he was in it for barely two minutes. Other actors such as Vinnie Jones, Hank Azaria, David Cross and Olivia Wilde didn’t add much to the picture because their characters were also one-dimensional. I really wanted to like this movie because every time the trailer was shown in theaters, it never failed to bring a smile to my face. Unfortunately, it was just so mindless to the point where I thought the director didn’t care about his movie. If the passion is absent, why then should the audience care? When I say that this movie is bad, consider it an understatement. Save your precious time and watch or do something else. I wish I did.