★★★ / ★★★★
Written and directed by Barry Levinson, “Diner” was about a group of friends verging on adulthood who constantly tried to find a distinction between marriage and being in love with a woman. I adored this film greatly because I felt like the guys were the kind of people I could talk to. Even though they were silly and talked about the most unimportant things, they were very entertaining and each had a distinct personality. Eddie (Steve Guttenberg) was about to get married, Boogie (Mickey Rourke–who I did not recognize at all) was a womanizer, Modell (Paul Reiser) got on everyone’s nerves, Tim (Kevin Bacon) had issues with his brother, and Shrevie (Daniel Stern) was addicted to music. But my favorite was Billy (Tim Daly), Eddie’s best man, because he was the most mysterious of the group. His interactions with Eddie had a certain feeling of sensitivity to it; the look he portrayed in his eyes made me think that he harbored a secret and I desperately wanted to know what it was. While they all had separate personalities, I liked that Levinson surprised us somewhere in the middle. The picture seemed to have flipped itself inside out and showcased something unexpected about them. For instance, Tim turned out to be someone who was genuinely intelligent despite his sometimes unwise decisions. The biggest strength and weakness of this film was its many colorful characters. Since there were so many of them, I was never bored because it jumped from one perspective to another with relative ease. But at the same time, I wished it had less characters so it could have had the chance to dig deeper within the characters’ psychologies. Nevertheless, “Diner” was very funny because the guys had chemistry. Their interactions made me think of nights when my friends and I would hang out at Denny’s, talk about the most random things, tease each other, and eat until it was either difficult for us to breathe or our mouths were simply exhausted from talking. So I felt like the movie really captured how it was like to be considered as an adult (over eighteen) but not quite reach the maturity level of a real adult. “Diner” is a deftly crafted picture with intelligence despite the dirty jokes, characters who are easy to identify with and a script that flows and sounds natural. I always feel the need to say that a movie may not be for everyone only because the movie is heavy on dialogue. But I think this film is an exception because it knows how to have fun but remain honest so the audiences can feel like they’re part of the inner circle instead of simply eavesdropping from another table.
★ / ★★★★
I was excited to see “Legion” because the trailer took ahold of my interest, but unfortunately, it was one of those movies that mistakenly put all the good parts in the trailer. Paul Bettany stars as an angel who decided to descend from heaven to protect a pregnant woman (Adrianne Palicki) whose child was supposed to be the Messiah. A group of characters (Lucas Black, Tyrese Gibson, Percy Walker, Dennis Quaid, Jon Tenney, Willa Holland, Kate Walsh and Palicki) were stuck in a diner in the middle of nowhere as humans with weak wills were possessed by angels and tried to kill them. Basically, God lost faith in humanity so he wanted to eradicate everyone. I don’t even know where to start with this movie. While the acting was subpar at best, the writing was even worse because not only did the premise not make sense but it also failed to come together in the end. Aside from the scene with the old lady visiting the diner, there was a strange lack of tension or excitement especially for a movie about the end of the world. The experience would probably have been more bearable if there were more likable characters. All of them complained so much to the point where I just didn’t want to hear it. I couldn’t believe that their very first scenes were full of whining. They expressed so much self-pity; instead of wanting to root for them to survive against all odds, I just wanted them to die because I didn’t see another dimension to them. To me, they were just weak individuals and I had a difficult time accepting the fact that they managed to survive for so long. As for the action, I don’t know whether to laugh or feel sad with the idea that bullets could stop angels (using humans as vessel) from the job they were assigned to do. I constantly wondered why the angels just didn’t descend from the heavens like Bettany’s character and finish the job themselves? I was so confused for the longest time and it was really painful to sit through. Action sequences were happening on screen but I just didn’t care because I wasn’t invested in the premise despite the fantastic elements. Talents of essentially good actors like Bettany, Quaid and Gibson were wasted in this piece of silliness. Thankfully, I saw this movie on DVD. If I had paid $10 to see this in the cinema, I think I would have demanded my money back. “Legion,” directed by Scott Stewart, didn’t have a defined identity (perhaps it can pass as a really bad zombie picture?) and a genuine driving force to keep the momentum going so it didn’t know what to do with itself. But I know what I wanted to do: I wanted to turn the movie off. The only reason why I didn’t is because one of my rules is to give each movie equal opportunity from start to finish.