Don’t Be Afraid of the Dark (2010)
★★★ / ★★★★
Sally (Bailee Madison) was sent by her mother to live with her father (Guy Pearce), Alex, in Rhode Island while he and his girlfriend (Katie Holmes), Kim, restored the historic Blackwood mansion. Despite the manor house being dark and creepy, it wasn’t haunted by ghosts. It was, however, home to little creatures in the basement whose diet consisted of children’s bones and teeth. Based on the screenplay by Guillermo del Toro and Matthew Robbins, “Don’t Be Afraid of the Dark” reached a synergy between horrific and fantastic elements. Although Sally had the tendency to mope about, we loved her because she was sassy, and we cared for her because her childlike curiosity often got the best of her. It could have taken the convenient path of simply putting children in peril to deliver cheap thrills, but the material strived to be more than that. It provided us with a proper background story that involved Blackwood (Garry McDonald) and his desperation to save his eight-year-old son from the teeth-hungry creatures. Like the best horror movies, I found myself wanting to know more about the source of horror and why the antagonists were motivated to do the things they did. The jump-out-of-your-seat and cringe-in-your-seat moments were earned. Naturally, Alex didn’t believe in her daughter’s stories. He believed the stories were a product of adjustment issues. After all, Sally felt like she wasn’t wanted by her mother, claiming that she had been given away. It was expected that the father would eventually realize that the creatures from her daughter’s imagination were actually real. It was a matter of exactly when. Perhaps as he looked through a keyhole and a needle was waiting on the other side? When Sally took pictures using a polaroid camera during an important dinner? It teased our expectations and the answer was given to us when we least expected it. However, I wish the filmmakers showed less of how the creature looked like. It didn’t help that their bodies were revealed early on. It didn’t give us time to speculate. The teeth-lovers were CGI and I wasn’t too convinced that the animation complemented the gothic interiors of the mansion. It would have been just as effective if we only saw the creatures’ glowing eyes as they hid in darkness from under the bed and staring ravenously on the other side of the hallway. Furthermore, Kim could have been more developed. She was Sally’s eventual mother figure (rather than an evil stepmother) who was reluctant in her ability to parent. That struggle was interesting and an exploration of her feelings of inadequacy would have added another layer of emotional resonance. “Don’t Be Afraid of the Dark,” directed by Troy Nixey, was accompanied by a gorgeous art direction and cinematography. Like the towering Overlook Hotel in Stanley Kubrick’s “The Shining,” it made me want to explore its interiors as well as its grounds.