★★★★ / ★★★★
“Happiness,” wrriten and directed by Todd Solondz, is one of the snarkiest dark comedies I’ve seen about a very dysfunctional family and several people connected to them. Trish (Cynthia Stevenson) thought she had a perfect life but was completely unaware that her husband (Dylan Baker) was lusting over little boys, Helen (Lara Fylnn Boyle) was a successful author yet she could not find contentment within herself and had to turn to a creepy caller (Philip Seymour Hoffman) with serious sexual dysfunctions in order to feel better, and Joy (Jane Adams) was a struggling musician/saleswoman/teacher who decided to sleep with one of her foreign students in hopes of finding true love. Meanwhile, their parents (Ben Gazzara, Louise Lasser) decided to separate. This film reminded me of a darker version of Robert Altman’s “Short Cuts” in terms of the amount of characters it had to put under the spotlight. However, I had more fun with this movie because, while it was not as elegant and subtle in establishing themes, it was quicker and sharper in pointing its fingers at both the audiences and the characters. “Happiness” puts life-in-suburbia movies like Sam Mendes’ “American Beauty” to shame because it is far less pretentious but funnier because it actively argues that all of the self-denial, sickening realizations, self-hatred were a part of human nature. While it does make fun of those attributes, there were sensitive moments when the characters felt real pain, such as when the father finally admitted to his eleven-year-old son that he molested other children, between the black comedy punchlines. I thought the movie was daring because it was not afraid to push the audiences into watching uncomfortable scenes, slapping us around a bit with tricky verbal masturbation, and making us look and endure through the characters’ decisions–the very same decisions we probably would have chosen ourselves if we were just as desperate and suffocated. Fans of over-the-top social satires will most likely find “Happiness” delectable although I am not quite certain they will be craving for more after two-and-half hours of misery, isolation, and even exploitation. Generally, I have a positive outlook of the world but I love movies that ooze of negative emotions and self-deprecating characters. I’m not sure if most people who share similar outlook will fully enjoy the movie because it is at times difficult to sit through given its many taboo subject matters (there’s also a twisted murder mystery which I wish the picture explored further). However, it cannot be denied that Solondz’ “Happiness” pushed the envelope beyond the laughs and hopelessness.