The New World (2005)
★★★ / ★★★★
English settlers landed on Louisiana in 1607. Captain John Smith (Colin Farrell) was to be hanged, on the grounds of mutiny, the moment they reached land. But Captain Newport (Christopher Plummer) changed his orders because he knew Captain Smith was a good explorer. He just needed to be controlled. When Captain Smith met Pocahontas (Q’orianka Kilcher), daughter of an Indian leader, the two began a forbidden love affair. Written and directed by Terrence Malick, “The New World” moved at a deliberate slow pace in order to highlight man’s relationship with nature. It worked most of the time. I saw beauty in the way the director captured the wind caressing the grass, the way the characters leaned into the magnificent trees, and the elegant movement of the water as the ships heaved its way onto land. Pocahontas had two men in her life and the emotions were dealt with complexity. In the end, I was convinced she loved them both in different ways. When she was with Captain Smith, I noticed that they always looked into each other’s eyes. The way the camera lingered as the captain taught Pocahontas English words held a sweetness and innocence. As their bodies slowly inched closer to one another, we felt their concern that someone could be looking. There was an understated joy when they touched each other’s skin. When Pocahontas was with John Rolfe (Christian Bale), the two spent their time looking at a distance, as if transfixed at the sight of the future. But when they did look into each other’s eyes, they shared an outward passion whether it be in a hut or out in the garden. Through the men in her life, we saw the way she changed. She left her culture because she was a dreamer. But leaving didn’t mean forgetting. She was curious of the life outside of her sphere and she felt as though her sarcrifices were worth it. Like Captain Smith and John Rolfe, she was an explorer. But my favorite scene didn’t have anything to do with a shot involving a gorgeous scenery or her interactions with the two most important men in her life. It was when Pocahontas handed a homeless man a coin and gently touched his cheek. It held a great meaning for me because it was reassuring. Even though her style of clothing and the way in which she carried herself had changed, she was the same person we met in the beginning of the film. She was playful, compassionate, and connected with the Earth. It’s understandable when I hear people say that the film is just too slow for their liking. It wasn’t plot-driven. Most movies are but they don’t need to be. “The New World” was an exercise of the senses and, in my opinion, how we can relate our personal experiences with it. As an immigrant, scenes like Pocahontas smelling a book because she had never seen one before had meaning for me. I grew up in the Philippines not having a computer in my home. When I moved to America, I didn’t know how to type on the keyboard or even use the mouse to click at an icon to go to the internet. In small ways, I saw myself in Pocahontas. Sometimes small is enough.
Jackie Brown (1997)
★★★★ / ★★★★
Jackie Brown (Pam Grier) was a flight attendant caught by two detectives (Michael Keaton, Michael Bowen) when she tried to smuggle money into the country. However, she was not arrested because they knew that she worked for an arms dealer named Ordell Robbie (Samuel L. Jackson) and they wanted him more than they wanted her. Realizing that she nothing else to lose considering her age and her prior conviction, she constructed a plan that might lead to her freedom from the police and her cruel boss. “Jackie Brown,” adapted from the novel “Rum Punch” by Elmore Leonard, was an intelligent film which was highly unpredictable because of its constantly scheming characters. I admired the way Quentin Tarantino put his stamp on the project in terms of building tension and delivering truly rewarding pay-offs. Despite the violence and rapid-fire tough guy dialogue, it was ultimately a human story. I loved the way it took moments of silences and allowed us to guess what the characters were thinking and the manner in which they strategically reevaluated their priorities. With these specific characters, as sad as it was accept, sometimes money was more valuable to them than their lives. Tarantino juggled the characters with elegance. He was smart enough to make a film that was longer than two-and-half hours but not wasting a single minute. I thought it was pleasure to watch because I learned something new about each character in each scene. The most complex of them, except for the lead, was Max Cherry (Robert Forster). He was the most difficult for me to read and I did not find out until the very end what his real intentions were toward Jackie. Was he just pretending to be a friend because he wanted the money for himself or did he genuinely care about the woman he bailed out of jail? And even if it was the former, I can understand why he might choose to do it because I saw him as this lonely person who, despite the thousands of people he bailed out of jail, no one really cared for. He was a person defined by his occupation and not those who loved him for just who he was. “Jackie Brown” is one of Tarantino’s lesser-known works but I think it is one of his best. I loved that the picture was uncompromising, suspenseful, and surprisingly warm in the smallest dosage. I was engaged throughout its running time because in Tarantino’s world, the heroes (or anti-heroes) do not necessarily have to survive. And I was desperate to see the brave Jackie Brown make it through the tricky spider webs she weaved for herself.
An Education (2009)
★★★★ / ★★★★
An Oxford-bound teenager (Carey Mulligan) in the 1960s fell for a much older man (Peter Sarsgaard) because he was exciting, had money, and he was into romantic lifestyles such as appreciating art and traveling–the same things she wished she had herself. At first everything seemed to be going right but the deeper they got into their relationship, she discovered that having a priviledged life was nothing like she imagined it would be. Connecting with this picture was very easy for me because I could relate with the lead character. In fact, it somewhat scared me how alike we were and instead of watching it as a coming-of-age film, I saw it as a cautionary tale. We both love school and we do our best in pretty much everything we do but we can’t help craving the glamorous life. Questions like does staying in school and sacrificing the best years of our lives lead to a successful (and fun) future are in our minds so I was absolutely fascinated with her. Better yet, I was interested in the decisions she made when she essentially became addicted to the life of glamour. I think the film had surprising depth because the movie did not start off strong. I thought it was just going to be about an innocent girl’s affair with a man and she learning a hard lesson at end of the day. But it wasn’t. Though it was the backbone of the film, much of it was Mulligan’s relationship with her parents (Alfred Molina, Cara Seymour), a teacher she looked up to but was often at odds with (Olivia Williams), and the headmistress who wanted the lead character to stay on her path (Emma Thompson). Though all of them were tough (and not always fair), they were adults who wanted what was best for the main character. It was also about the push and pull forces between living an exciting life and a boring life with books and friends who were not quite as precocious as her. I must say that Mulligan deserved her Best Actress nomination because I was impressed with how elegantly she portrayed her character as she navigated her way in and out of excitements and disappointments. She just had this effortless subtlety going on and I couldn’t take my eyes off her. Though I have seen her in other movies, I’m curious with what she has to offer in the future now that I know what she’s really capable of. “An Education,” directed by Lone Scherfig and based on a memoir by Lynn Barber, was a film that gathered momentum as it went on yet it didn’t get tangled up in its own complexities. It had a certain confidence, a certain swagger that was very ’60s and I felt like I was in that era.
★★★★ / ★★★★
I absolutely loved Greta Garbo in this film. I’ve heard a lot about her serious performances from movies I have not yet seen and I must say that I’m going now to make it a priority to see them. “Ninotchka,” directed by Ernst Lubitsch, was about a communist woman (Garbo) who was sent to Paris because the three other Soviets (Felix Bressart, Alexander Granach, Gregory Gaye) were having trouble selling jewelry that belonged to Grand Duchess Swana (Ina Claire). At first Garbo was a stern, robotic, stone-faced woman with a very intimidating demeanor but after she met Count Leon (Melvyn Douglas), she eventually learned to open up and, miraculously enough, how to smile and laugh at herself. Even though this was released seventy years ago, I still thought the jokes were really funny because there was a certain sophistication and elegance in its script. The subtleties of the characters really made me really interested in what was going on; it made me want to focus on not just the hilarities that ensue in certain situations but also the drama between the leads. Since the two main characters came from very different worlds, there was always this tension and a question whether they would even have a chance at staying together in the end. I was nothing short of impressed with Garbo’s performance not only because she was able to act out the extremes of her character’s personality but also because she deftly handled the journey from one extreme to another. I fell in love with her character the moment she learned how to genuinely smile, yet I respected her because she did not express her sad emotions to others by outwardly crying or complaining. She internalized her suffering even though she was desperately torn between the country she loved and her personal happiness. I thought the pacing of the picture was spot-on because I didn’t feel like there was any dull moment. The film was always moving forward yet it was still able to surprise with little twists here and there. A lot of film critics and audiences alike consider 1939 as one of the best (if not the best) year for movies with films like “The Wizard of Oz,” “Dark Victory,” “Mr. Smith Goes to Washington,” among others. I’m so happy that I read about this film from Entertainment Weekly because I probably wouldn’t have seen it otherwise. “Ninotchka” is a delightful, astute comedy that shouldn’t be missed especially if one loves powerful performances.
★★★ / ★★★★
“Australia” focuses on the adventures among an English aristocrat (Nicole Kidman), a drover (Hugh Jackman) and a half-white/half-Aborigine (Brandon Walters) before and during World War II. Directed by Baz Luhrmann (“Romeo + Juliet,” “Moulin Rouge!”), this epic tale is visually astonishing despite some flaws that keep it from becoming a great motion picture. I prefer the first half a bit more than the second half because it’s not afraid to be silly yet it can be so suspenseful to the point where I found myself squirming in my seat, desperately hoping that things will turn out well for the characters in danger. The second half is more about the romance between the elegant Kidman and the rugged Jackman. Although I did enjoy watching their chemistry build the more they interact with each other, there were some parts that I wish would’ve been omitted because it got redundant. I also liked scenes when the Japanese dropped the bombs because, from that moment on, I didn’t know which direction it was going to take. Despite the pandemonium being portrayed on screen, it didn’t become a war movie but instead highlighted the human aspect of the story. I divide the film into two halves because they felt so different compared to each other. I did enjoy both but the second half is a bit weaker than the first. When I look at this film as a whole, I can honestly say that it’s been quite a journey because of how much the characters have changed, especially Kidman’s. In the first few scenes she reminded me of a cold porcelain doll but by the end, I felt like she was a genuinely nurturing mother. I also liked the fact that the issue of racial relations were explored in multiple dimensions. Not for a second did I feel that it was heavy-handed or too syrupy. I read a review that the magical aspects of the film dragged it down considerably. I completely disagree because the belief in magic is embedded in the Aboriginal culture. I think it works here–if not literally then symbolically. I also enjoyed the constant allusion to “The Wizard of Oz.” Both share similar themes such as going on an actual journey that parallels an emotional journey. I was pleasantly surprised with this film because of all the mediocre reviews it received. There really are a plethora of things to see here such as the wildly entertaining stampede scene. Definitely check this one out if you’re remotely curious or enjoy epic movies.