Tag: emperor

The Last Emperor


The Last Emperor (1987)
★★★ / ★★★★

“The Last Emperor” told the true story of the last ruler of China from 1908 to 1967. Emperor Aisin-Gioro Pu Yi (John Lone as the adult Pu Yi) was crowned when he was three years old. He was a ruler who was both powerful and powerless; powerful inside the Forbidden City but just another person outside its walls which had turned into a republic. Inside the city, the child was treated like royalty but wasn’t really taught how to rule properly especially when the adults inside the city knew that times were rapidly changing. I found the film a bit sad because even though the emperor had so much power, I felt like he was used as a tool so that others could hold onto their past. I’ve seen a number of Bernardo Bertolucci’s films but “The Last Emperor” was arguably the most visually stunning. I admired the way he used color to compare and contrast the past and the present. The past was colorful which was full of innocence where the emperor was relatively happy because his future was bright. The present looked dull, the color gray was everywhere because the former emperor was now considered as a war criminal. His future looked grim because he even though he desperately wanted to rule, he couldn’t because ancient practices did not seem to fit into modern times. The story was tragic because what Pu Yi believed to be his purpose did not necessarily reflect what was expected of him outside of the Forbidden City. Bertolucci then had a chance to explore China’s westernization and its role in World War II. As the picture went on, the ideas became bigger and the execution turned more elegant. I especially liked Pu Yi’s varying relationship between his two wives (Joan Chen, Vivian Wu) and one of the wives’ relationship with another woman who hated China and admired everything Japanese. An interesting observation involved Chinese people betraying each other was more painful than Japanese’s treatment of the Chinese. The issue of blood and loyalty also had a place in the story. However, “The Last Emperor” had one important weakness: Its ambition was a double-edged sword. While the story became grander the further we explored the rapidly changing times, the attention to important characters diminished. Perhaps it was on purpose because Bertolucci wanted to imply that, over time, Pu Yi was slowly being forgotten by his people. I understood that such a technique might have been on purpose but at the same time I found it unsettling because the film was supposed to be about Pu Yi’s personal journey. Nevertheless, “The Last Emperor” is worth watching. It had a critical eye and respect toward the Chinese culture without sacrificing historical accuracy. This was also one of the very few films actually shot inside the Forbidden City.

Gladiator


Gladiator (2000)
★★★ / ★★★★

When the emperor of Rome (Richard Harris) was murderered by his own son Commodus (Joaquin Phoenix), Maximus (Russell Crowe), general of the Roman empire, wanted to honor the dying man’s wishes by helping the empire turn into a republic again. This didn’t sit well Commodus because he craved for power and wanted to prove that he would be a great ruler by leading a dictatorship. The first time I saw this film, I wasn’t impressed with it. I thought the story was all over the place, the characters were simplified for the sake of being commercial, and there were a handful of glaring idioms that did not fit for its time (it was set in year 180). While I think that those flaws are still applicable, I found myself liking the movie the second time around for two reasons: this role being one of Crowe’s more moving performances and the intense action sequences. Without a doubt, the picture relied too much on the battles in the colosseum to generate some sort of tension. However, it was effective because we like the characters fighting for their lives such as the friends/fellow slave-turned-gladiators (Djimon Hounsou, Ralf Moeller) who Maximus met along his journey. I caught myself voicing out my thoughts such as “Hurry up and get up!” and “Watch out for that tiger!” No matter how much I tried, there was no way I could have kept quiet because I just had to release some of the stress I felt at the time. I also enjoyed watching Oliver Reed as the man who owned the gladiators; I found his past interesting and I wished the film had explored him more because he could have been a strong foil for Maximus. The scenes they had together were powerful because they respected each other but at the same time they didn’t want too be friendly because, after all, one was “owned” by another. Another relationship worth exploring was between the late emperor and Maximus. They treated each other like father and son but it felt too superficial, too planned. Commodus would walk in on them and feel jealous and unloved. But what else? “Gladiator,” directed by Ridley Scott, was loved by many because everything was grand and it wore its emotions on its sleeve. However, I’m still not convinced that it is Best Picture material because it often chose the obvious over the subtle path too frequently. For a sword-and-sandals epic with a two-and-a-half hour running time, while the action scenes were highly entertaining, there was no excuse for a lack of depth involving most if not all the characters. Therefore, as a revenge picture, it didn’t quite reach its potential.