Tag: entertaining

Underworld: Awakening


Underworld: Awakening (2012)
★★ / ★★★★

After humans discovered that vampires and werewolves walked the planet, they performed a mass cleansing of the abnormal. Selene (Kate Beckinsale), a vampire, was eventually captured by a drug company called Antigen, led by Dr. Lane (Stephen Rea), and experimented on her, while frozen, for twelve years. Their goal was to create a drug that could help authorities recognize the so-called infected. When she woke up, vampires and werewolves, though still at war with each other, were forced underground and had depleted in number. Directed by Måns Mårlind and Björn Stein, the way in which “Underworld: Awakening” began felt cheap. The narration and synopsis of what happened in its predecessors felt completely unnecessary. Instead of a movie, I felt like I was watching an introduction to a video game: you want to fast forward but it’s part of the whole package so you sit there and take it. My problem was it didn’t really try to make me care about the war among humans, lycans, and vampires. However, I found the action sequences very entertaining because they had a sense of humor. When Selene tried to escape from Antigen, she had complete disregard for the humans. She shot limbs, sliced throats, and cracked bones like it was nobody’s business. She didn’t crack a smile. I didn’t even notice her blink. What mattered was getting out and finding her boyfriend, Michael (Scott Speedman), the only vampire-werewolf hybrid in existence. Or so she thought. Eventually, Selene found a girl named Eve (India Eisley) who was supposedly her daughter. I began to have more questions and not all of them were answered or even addressed. For instance, though it was obvious, through snarling and looking morose, that the vampire and werewolf communities were against commingling of race, if Selene finally found Michael, what would it mean for the two camps? Did the plan involve Selene and Michael making a lot of babies so that, when the time came, werewolves and vampires would have no choice but to accept one another? Or did the plan simply involve the couple and their daughter, once reunited, hiding from the world and living happily ever after? Admittedly, I gave up trying to figure out motivations which wasn’t difficult to do when action scenes were thrown at the audience’s faces every ten minutes or so. I was very entertained by the scene where Selene, David (Theo James), a vampire with great bone structure, and Eve drove a van in the middle of a city while trying to escape from three lower-level–but still scary–werewolves. I found it amusing that although the werewolves jumped on top of one vehicle to another, the human drivers didn’t seem at all perturbed that a hairy beast was on the roof and, at times, blocked their vision. One would expect more car crashes considering how stupid people really are while behind the wheel. I was also tickled by watching Selene being thrown like a rag doll by a giant werewolf (Kris Holden-Reid). “Underworld: Awakening” was like eating popcorn: it’s salty, buttery goodness on the outside but the inside is all air. That doesn’t make it any less delicious.

The Karate Kid


The Karate Kid (2010)
★★★ / ★★★★

A mother (Taraji P. Henson) and her son Dre (Jaden Smith) moved to China for better opportunities. On their first day in China, Dre developed a crush on a girl (Wenwen Han) with a talent for music but a bully (Zhenwei Wang) just as quickly interrupted their conversation. It turned out the bully was not just someone Dre needed to watch out for around his apartment complex because they both attended the same school. The fact that the bully knew kung fu did not help Dre’s confidence. The film was without a doubt commercial and at times cliché, but I could not help but enjoy it. There were three elements I loved about it. First, the maintenance man (Jackie Chan) did not teach Dre kung fu until about an hour and fifteen minutes into the story. I thought it was a big risk because the film had the challenge of keeping the audiences interested. It was a smart decision because it successfully established why Dre was someone worth rooting for. For instance, although Dre was bullied, he was not afraid to fight back. Unfortunately, he did not have the technical skills to stand up against other boys who knew martial arts. I found it very easy to relate with Dre moving to a different country and having trouble fitting in. When I moved to America when I was twelve, to say that the transition was difficult is an understatement because I didn’t know the language well and I wasn’t fully equipped to adapt a new culture. So when Dre finally confronted his mom about how much he hated being in China, that scene had a special meaning to me. Second, Henson was pure joy to watch. I’ve mostly seen her in Tyler Perry’s movies so I knew that she was very capable of delivering angst and sadness. I was surprised that she could actually be funny. Every time she was on screen, I couldn’t help but smile because she injected a certain enthusiasm in her character, that everything in China was great, and she was ready to be strong for her son when the occassion called for it. Her facial expressions were priceless. Lastly, the scenes in the tournament made me feel like I was there. The build-up regarding Dre’s hardwork, the bullying, and honor at stake finally came to fruition. Even though Dre’s mentor consoled him that winning or losing did not matter as long as he earned the audience’s respect, I thought Dre had to win no matter what. I was so invested in what was happening, I couldn’t help but vocalize my thoughts. “The Karate Kid,” directed by Harald Zwart, worked as an interpretation rather than a remake. It did not have anything to do with karate (the filmmakers should have just named it “The Kung Fu Kid” to silence the haters–a simple solution) but I was entertained for over two hours.

Grosse Pointe Blank


Grosse Pointe Blank (1997)
★★★ / ★★★★

Martin Blank (John Cusack), a professional assassin, had been invited for a 10th year high school reunion in Grosse Pointe. He initially did not want to go for two main reasons: He did not want to talk about his career and he was reluctant to face his former flame (Minnie Driver) who he stood up during prom night. Coincidentally, Martin’s secretary (hilariously played by Joan Cusack) informed him of a job in Grosse Pointe so she advised him to attend anyway so that he could tie up some loose ends in his life. “Grosse Pointe Blank,” directed by George Armitage, is a comedy with an edge. While it did have its comedic scenes such as Martin’s interactions with his psychiatrist (Alan Arkin) who was reluctant to have him as a patient and a fellow assassin (Dan Aykroyd) who wanted Martin to join his union, it also worked as an exploration of a man having a pre-midlife crisis and the regret of having to leave his youth so soon. There was conflict inside Martin and happiness was something that he couldn’t quite reach to matter how hard he tried to claim it. For instance, there was a spice of sadness when he found out that his former home was now a grocery store and his mother had lost touch with reality. It also worked as an entertaining action flick especially toward the second half of the picture. However, it was still cheeky because the characters never seemed to run out of bullets. The overkills were very amusing but I thought it was appropriate considering the assassins’ enthusiasm (or obsession) with their jobs. Although I must say I did wish Hank Azaria was used a lot more instead of him simply cracking obvious jokes in the car as he tried to stalk Martin around town. The best element about the film was the romantic relationship between Cusack and Driver. A guy coming back for his former lover could easily have been cliché but the writers came up with ways to keep the tension fresh between them. At first I did not feel the connection between the two characters but as the movie went on, I wanted them to be together because they complemented each other’s personalities. “Grosse Pointe Blank” was more than an 80s nostalgia flick. I loved the selection of songs. Even though I grew up in the 90s, it was the kind of songs I listened to while growing up because my parents were adolescents in the 80s. Watching enthusiastic and cooky characters and listening to music that was very catchy which reminded me of my childhood made me feel good inside. Fans of quirky action-comedies with a great script like Shane Black’s “Kiss Kiss Bang Bang” will most likely enjoy this offbeat but highly likable film.

Aliens


Aliens (1986)
★★★★ / ★★★★

“Aliens” picked up as we made the grim discovery that our heroine named Ripley (Sigourney Weaver) had been in hypersleep and wandering in space for 57 years. The second surprise was the fact that humans started to colonize the planet where the aliens had been incubating. To no surprise, the human colony, which included a brave little girl named Newt (Carrie Henn), had lost contact with the scientists and a request was made that Ripley join a crew to investigate the strange happenings. The feel of this installment felt considerably different. While the first one was more about the concept and horror of being abandoned in space, this one was more action-oriented and more concerned about the gadgetry such as the weapons and the vehicles used by the characters. That wasn’t necessarily a negative as long as the tension remained relatively equal or greater than its predecessor. And, in some ways, it was able to surpass the original. A definite stand-out was the alien’s ability to learn via trial-and-error. We learned about the aliens such as they tend to hunt in packs and there was a sort hierarchy among them. By learning more about the enemy, we understood their capability but at the same they became that much more terrifying because we now had the knowledge of their great ability to adapt in order to survive. They showed signs of intelligence, not just creatures that wanted to kill for the sake of killing. Two other elements I noticed about the film were the fact that the aliens were easier to kill and they were much more visible. In Ridley Scott’s “Alien,” the organism was practically invincible and we only really saw the creature’s full body toward the end. In “Aliens,” the approach was much more obvious and body parts (along with the highly acidic blood) were flung all over the place. However, that’s what I admired about the sequel: It was different than the original but it was able to make it work for itself and deliver adrenaline-fueled space action-adventure that kept my heart tugging at a frantic pace until the last scene. That is, when Ripley had a duel against the queen of the aliens using a highly familiar-looking robot from Cameron’s “Avatar.” What it did preserve was the feminist undertone that “Alien” played with which was a smart move because the movie was first and foremost supposed to be Ripley’s quest for survival. If I were to nitpick for a flaw, I would say the crews’ interactions toward the beginning had quickly worn its welcome. I especially found Bill Paxton’s character highly irksome and I wished he was the first one to be killed. A redeeming quality was Michael Biehn as Ripley’s potential romantic interest. “Aliens” was not only highly entertaining but it managed to justify that it was a necessary sequel by playing upon existing ideas and expanding new ones.

Jumanji


Jumanji (1995)
★★★ / ★★★★

The constantly bullied Alan Parrish (Adam Hann-Byrd) was the son of an emotionally distant factory owner (Jonathan Hyde) who stumbled upon a magical board game called Jumanji. After a row with his father about being sent to boarding school, he rolled the dice and he was sucked into the game and lived in the jungle for 26 years. The new residents (Kirsten Dunst, Bradley Pierce) of the former Parrish mansion then found the game and started playing, all the while unaware of the dangerous situations of which they were about to face. With the help of Alan and his crush (now 26 years older played by Robin Williams and Bonnie Hunt), the four had to finish the game in order restore peace in their town. “Jumanji” was one of those films I watched so many times when I was a kid because I couldn’t get enough of its manic energy and wondrous sense of adventure. It had emotional resonance for me because the heart of the picture was the bond between the father and the son and at the time my dad was in America while my mom, brother and I were in the Philippines. Every time I saw the movie, I thought about my dad and how much I missed him. I identified with Dunst’s character–how imaginative she was and how she had to take care of her brother. I guess it helped that Pierce looked somewhat like my brother with his curly hair and wisecracks. One of the elements I found to be most effective in the film was its increasing amount of danger every time a character rolled the dice. The board game started off with giant African bats and only became more impressive from there. I found my eyes being fixated on the screen in suspense just in case something would suddenly pop out from nowhere. To balance the excitement and suspense, the picture also had a great sense of humor. I loved the small details like a rhinoceros being barely able to keep up during the stampede, Hyde also playing the villainous Van Pelt whose goal was to kill Alan (talk about father-son issues), all the looting that happened in stores when the town was in absolute chaos, and even the dated CGI (those creepy monkeys!) was all part of the fun. It didn’t take itself too seriously but it didn’t dumb down the material for its audiences so it became a solid popcorn entertainment. The film could have been stronger if it had more scenes between Alan when he was a kid and his father. There was a real pain and sadness in their strained relationship. The revelations that happened much later would have been more moving and bittersweet. For a movie being older than 15 years, “Jumanji,” based on the novel by Chris Van Allsburg and directed by Joe Johnston, is still fresh and better than most kid-friendly adventure movies out there today.

Home Alone


Home Alone (1990)
★★★ / ★★★★

The McCallister household was frantic a few days before Christmas because the entire family and a few relatives were about to head to France for vacation. Kevin (Macaulay Culkin), one of the youngest of the kids, felt neglected because his siblings and cousins wouldn’t take the time to help him pack his luggage. Not even his parents could take a minute of their time to aid the plucky youngster. So, during dinner, Kevin acted out and was sent to sleep in the attic as punishment. The next day, everyone slept in and had forgotten they had a flight. As a result of their hustle and bustle, they boarded the plane to Europe completely unaware that Kevin wasn’t with them. “Home Alone,” written by John Hughes and directed by Chris Columbus, was a huge success commercially because it played upon one of a kid’s and a parent’s biggest fear (being alone at home while burglars tried to force themselves in and leaving behind a child, respectively). One of the many smart elements about the film was the fact that the two criminals (Joe Pesci and Daniel Stern) were kept outside of the house for the majority of the picture. Kevin was forced to create many creative and funny diversions to make the robbers believe that the house had people in it. Much to Kevin’s advantage, the two criminals were complete idiots. (Their modus operandi was leaving the water running in the sink after they’ve looted the place.) What made the film much better than a typical child-in-trouble story was Culkin’s energetic and hilarious performance. He was as cute as a marshmallow but he was precocious so he was able to pull off lines that adults might say. His facial expressions–may it be surprise, joy, or teary-eyed sadness were simply priceless. Surprisingly, I found the slapstick comedy thoroughly entertaining. It wasn’t done just because it was convenient. The slapstick was a result of Kevin using household items (and his toys) as a defense against men who wanted to hurt him. When someone slipped on the ice or when someone was hit on the head with an iron, I couldn’t help but wince as if I was the one in pain. But the whole experience was enjoyable because we didn’t want the villains to get their hands on our tiny but brave protagonist. What did not work for me as much was the creepy-looking neighbor (Roberts Blossom) who turned out to have a heart. The scene dedicated to exploring the man’s backstory (a typical one at that) slowed the story’s momentum. Nevertheless, “Home Alone” is a very charming film. More that twenty years have passed since its release, but it still holds up as one of the favorite family movies often played around Christmas. I cannot image anyone not being entertained by its sharp wit, heart, and manic energy.

Under the Sea 3D


Under the Sea 3D (2009)
★★★★ / ★★★★

I’m sure everyone had seen movies they wished would last for hours and hours. “Under the Sea 3D,” written and directed by Howard Hall, was one of them because of its great ability entertain and enlighten. In just a span of forty minutes, the deep sea documentary was able to capture lives of sea creatures ranging from small harmless fish, creepy sea snakes, turtles that love to feed on venomous jellyfish to rare sea dragons and cute sea lions in New Guinea, Indo-Pacific, Southern Australian waters. The movie was also able to comment on humans’ impact on the environment. However, it didn’t feel heavy-handed because the focus was really more on the animals and how they depended on their respective habitats (and vice-versa). What I liked best about this film was its ability to create suspense by creating danger for certain animals. For instance, in one scene the innocuous creature was the cute-looking one that you just want to pet but in a few minutes, it turned out being the predator with an amazing speed in terms of capturing and swallowing their prey whole. The film’s technique of turning our expectations upside down made the movie consistently interesting and engaging. It was unpredictable in the best way possible. I even caught myself thinking “What’s next?” with such enthusiasm. I felt like a little kid again who just had his first lesson in grade-school Biology. The living things under the sea were so magical-looking (to say the least), it sometimes reminded me of “Finding Nemo,” especially the coral reefs. I thought it was amazing how much the creatures relied on each other in order to survive. Concepts such as symbiosis, mutualism and commensalism were illustrated nicely, especially how one of the crabs used a jellyfish as “a hat” (as Jim Carrey, the narrator, puts it). Although they were quite simple concepts, the way they actually worked made me feel like everything had a purpose. “Under the Sea” was also one of those movies that made me feel humbled. I couldn’t believe some of the creatures existed even before the age of dinosaurs. Realizing their resilience and effective hunting techniques, it made me want to learn more about the different creatures–creatures that are thriving now and those that are not thriving now but might thrive in the future. I think this is a great film for kids because not only did it have bright colors and strange-looking animals, it was able to educate and inspire. I wish I saw it in the big screens (IMAX or 3D) because it was already stunning on television.