★★★ / ★★★★
This horror-comedy cult classic is about a medical student (Bruce Abbott) and his newfound eccentric roommate (the scene-stealing Jeffrey Combs) who brings people back from the dead. I think this being a low-budget film actually worked in its favor. There are only two locations in the film: Abbott’s apartment and the hospital’s morgue where the two lead characters work. By the end of the film, those places look completely familiar to the point where I felt like I’ve known those places for years. Another thing is that it consistently tried to push its limits–whether it’s the question of what would happen if we brought people back to life or just showing us impressive special effects such as blood, guts and severed body parts. Stuart Gordon, the director, should be commended because he was able to balance images of horror with situational comedy. I thought he did a neat job showing the audiences how far a doctor will go to complete his experiment, completely neglecting the ethics and moral conundrums that should be faced by a man of science. Gordon also had enough time to comment on the dynamics in the scientific community–that it isn’t any different than other jobs. In fact, jealousy is abound because pretty much everyone wants to discover the new best thing and some are willing to kill for the discovery. But one thing did bother me, though. I know it’s not meant to be realistic because it’s a zombie film but I couldn’t get over the fact that the decapitated head could control his own body. If the brain is not connected to the spinal cord, the body will not be able to move because the source of electrical signals that may trigger certain chemical signals that control everything else will not be present (such as muscle contraction). I cannot help but get a bit distracted whenever something is glaringly incorrect even for films that do not exactly scream realism. Still, if one is a fan of horror-comedies with interesting premises, campy and has a plethora of gore, “Re-Animator” is a must-see.
My Sister’s Keeper (2009)
★★★ / ★★★★
Based on the novel by Jodi Picoult, Anna Fitzgerald (Abigail Breslin) eventually gets tired of all the forced medical procedures done to her in order to save her sister (Sofia Vassilieva) with leukemia. She enlists the help of a lawyer (Alec Baldwin) and this immediately causes tension within the family, especially between Anna and her mother (Cameron Diaz). Right off the bat, the audiences come to know that Anna is a test tube baby for the sole purpose of extracting healthy cells (and eventually organs) so that she can help her sister survive. I thought this was a smart film because of all the ethical questions it raised and the way it avoided to define for the audiences what is right and what is wrong. It was definitely easy to immediately side with Anna because I strongly believe that everyone has a right to do whatever he or she wants with his or her body. However, after a series of flashback scenes told in a non-linear way, I was able to sympathize with Diaz because I was convinced that she genuinely loves her family. It’s just that she’s required to make the tough decisions since no one else will even if it means butting heads with her husband (Jason Patric) and increasingly conflicted son (Evan Ellingson). I must say that Diaz absolutely blew me away. I keep forgetting that she can be a good actress because I’ve seen her way too much in a lot of (sometimes lame) comedies. In here, she was able to carry her character with such complexity and dramatic weight. I’d like to see her in more dramas because she can balance toughness, intelligence, sensitivity so well. Another actor I really enjoyed was Joan Cusack as the judge who was supposed to decide whether Anna can ultimately get medical emancipation from her parents. Cusack’s character was still grieving for the untimely death of her daughter (due to a car accident) and it was easy to tell that she was still unstable; it made me think that perhaps she was not quite fit to get back to work and whether she should be the right person to decide the case’s outcome, especially since it involved a child. Cusack’s silent moments, while interacting with Breslin in her chamber, were so powerful, I couldn’t help but tear up a bit. After only a week since my parents almost died in a car accident (which I haven’t really talked about with anyone because whenever I think about it, I just lose it; while a friend of theirs died, my parents luckily got away with a few fractures and bruising), her situation made me think how easy it is for someone to be alive and healthy one day and not here the next. Lastly, Thomas Dekker as Vassilieva’s boyfriend-to-be provided a lot of sensitivity it needed so the audiences could get a better picture that people should not be defined by their diseases. A lot of the fans from the book didn’t like the fact that the ending was altered. From the perspective of someone who hasn’t read the book, I thought pretty much everything about this film unfolded in a way that made sense but still had a powerful impact. It’s extremely difficult not to be moved by this picture.