Grande Bouffe, La (1973)
★ / ★★★★
“La Grande Bouffe,” or “The Big Feast,” directed by Marco Ferreri, was such a huge disappointment for me because I’ve heard a lot of good things about it, especially from critics and bloggers that I look up to for recommendations. Since my expectations were a bit hyped up, while actually watching it, it was such a letdown because the characters that came from different backgrounds–a pilot (Marcello Mastroianni), a chef (Ugo Tognazzi), a judge (Philippe Noiret) and a television star (Michel Piccoli)–were so uninteresting for such an interesting premise. The four friends hired prostitutes and had orgies in a massive getaway mansion as they ate more food than they could digest in one sitting. Just when I thought that the story would evolve into something more, I felt like it actually tried to stay in one place and featured more images of sex and gluttony. Admittedly, I’m the kind of person that can endure watching pretty much all kinds of sexual acts but this film made me wince repeatedly. I’m not quite sure if that was the kind of reaction that the director had it mind or if it was supposed to be genuinely sensual or erotic. But since it’s a dark comedy, I’m guessing it’s the former so perhaps, in a way, it succeeded on that level. Morever, for having such a group of supposedly smart gentlemen, they sure acted like adolescent morons for most of the picture. I didn’t see any scenes where any of them offered some sort of insight that made me think of their situation (or any situation for that matter) any differently. I felt like writers just had this one idea of excess but never quite broken from that in order to reach the next level. (And for a picture that ran for more than two hours, there was absolutely no excuse for that.) I also did not appreciate the slapstick that involved scenes with flatulence and excrement. I’m not a big fan of slapstick in the first place because they tend to rub me the wrong way so this film became that much worse in my book. Just when I thought it couldn’t get any worse, the final scenes that revealed the fate of the four main characters felt completely forced and I couldn’t help but roll my eyes. It was a complete waste of my time and I almost wished I never saw it.
In the Realm of the Senses (1976)
★★★ / ★★★★
Writer and director Nagisa Oshima tells the story of a former-prostitute-turned-maid’s (Eiko Matsuda) and her employer’s (Tatsuya Fuji) sexual obsession with each other. After Matsuda sees Fuji making love with his wife, something inside her changes–it is as if she has to have him no matter what the cost. When the two eventually sleep together, they begin to spend pretty much every minute in bed together as they experiment with their sexuality, sometimes in front of other people. I liked that this film really tried to push the boundary between art and pornography. While it did show certain body parts that a “normal” picture would not normally show, it was different from pornography because it had a story to tell: the repercussions of surrendering to one’s desires without ever having to think of the consequences. To me, even though this was released in 1976, it is still very relevant today, especially in college campuses, due to the high rate of casual hook-ups or one night stands. One can never really know what one is getting into by inviting another person into one’s life–may it be for sexual purposes or otherwise. Disease is one of the first things that comes to mind (or should come to mind) when one engages in random hook-up, but psychology should also come into the equation. I’m not saying that people with mental disorders are always violent (they are not). I’m referring to people’s fetishisms and what they are willing to do to maximize their pleasure. In this film, the two lovers eventually tried to suffocate each other for one reason: it felt good. Other issues that were explored include excess, sadism, masochism, traditional gender roles and transgressions of societal norms. While most people may get lost in its graphic portrayal of sex, one should really try to look at what’s underneath because it’s that much more rewarding. “In the Realm of the Senses” is indeed a classic and should be seen and remembered by film-lovers because it’s one of the first motion pictures that tried to tread the fine line between art and pornography and was successful at it.