Tag: fred ward

30 Minutes or Less

30 Minutes or Less (2011)
★ / ★★★★

Nick (Jesse Eisenberg) was a pizza delivery guy who consistently failed at getting to the doorstep on time that we were left to wonder why he was still hired. When he wasn’t at work, he hung out with his best friend, Chet (Aziz Ansari), a recently hired full-time teacher, played video games, and other things typical single guys did on their spare time. Meanwhile, Dwayne (Danny McBride) could no longer stand being treated by his father (Fred Ward), an ex-Marine and a lotto winner, with disdain for being a thirty- or forty-something slacker. When an exotic dancer (Bianca Kajlich) proposed that Dwayne should find a way to kill his dad so he could get the inheritance, Dwayne thought this was a brilliant idea. Based on the screenplay by Michael Diliberti and directed by Ruben Fleischer, “30 Minutes or Less” should really have lived up to its title because stretching its pia mater-thin premise to eighty minutes felt interminable. All the characters were either stupid or vile or stupid and vile; not one was worth rooting for. Nick was eventually strapped to a code-activated homemade bomb which incited a lot of yelling and screaming out of panic. It would have been different if all the commotion soon led to practical solutions once the characters had enough time to absorb the predicament. However, the situation simply reached various levels of absurdity and not once did I feel danger or fear for the people I saw on screen. Were some lines uttered funny? Undoubtedly, yes. I laughed at the part when the cashier suggested that Nick and Chet buy a condom because the items they bought, which included ski masks and tape, made them look like sexual predators. I also enjoyed some of the banters between Nick and Chet prior to the former’s life being threatened by a bomb. There was something about their geeky friendship that would make a nice sitcom aimed toward guys. Did the movie work as a comedy? It did not. The laughs came few and far between. For instance, after one amusing racist joke, five unfunny ones would come right after. It seemed like the writers managed to brainstorm a lot of jokes but they didn’t bother to be selective enough so that the best ones could make it onto the screen. It felt lazy and with such a low hit rate, it wasn’t worth sitting through. Furthermore, the romance between Nick and Kate (Dilshad Vadsaria), Chet’s twin sister, felt completely unnecessary. Why did the writers even bother to have Nick fall for someone if they weren’t willing to spend enough time to convince us why they were or were not a good fit? To make Nick more sensitive and relatable? Surely there were other ways. I detected more laziness. Not only did “30 Minutes of Less” feel shallow and undercooked, it tried too hard to impress in terms of violence while actually achieving nothing. A thirteen-year-old came up to me and said that he and his friends watched the funniest movie they’ve seen in a while. When I asked what it was, he gleefully announced it was “30 Minutes of Less.” If this passes as comedy for them, I think we’re in deep trouble.


Tremors (1990)
★★★ / ★★★★

An isolated town in the middle of the desert with a population of 14 had to deal with giant worms attracted to anything that caused a vibration above ground. Kevin Bacon and Fred Ward star as two friends with a couple of odd jobs. They liked to joke around, talk about women, and make silly decisions based upon rock, paper, scissors. But after finding a dead body and stumbling upon man-eating worms, they had to toughen up and warn the town that they soon would be up for the picking. What I liked most about this movie was its self-awareness. It knew that the concept was silly so did not take itself too seriously. Instead, it took advantage of our lack of knowledge about the organism. Initially, we had no idea how the worms looked like and their capabilities. As the picture went on, as the characters began to struggle for survival, surprisingly, the worms started to smarten up and plan in order to capture their prey. The characters were then forced to get creative in two fronts: How to get away from the worms and how to destroy them. My favorite scenes were the ones where the characters were given the chance to have a closer look at the creatures. I constantly had a sneaky feeling that those worms weren’t really dead, that perhaps they were smart enough to pretend. It gave me the creeps because I just have a disgust for anything that resemble worms or snakes. I also highly enjoyed the scenes with Reba McEntire and Michael Gross as a couple who had a penchant for collecting firearms. Unlike horror movies, especially zombie and slasher flicks, I noticed that the writers did not allow their characters to argue with each other like there was no tomorrow. Time was of the essence and the importance of teamwork was consistently highlighted for survival. I also noticed a low number of false alarms which is atypical for horror pictures, even horror-comedies. Since it wasn’t the norm, it made me feel uneasy in a good way. I felt like I was always on my toes, which was a great sign because it meant that I was engaged. I enjoyed the material because it surprised me in many ways and I felt like the filmmakers and actors had fun while making the picture. Kudos to the special effects and make-up team for creating the disgusting worm guts. “Tremors,” directed by Ron Underwood, achieved cult status and understandably so. With its B-movie premise and tone of silliness, it was easy dismiss. However, it was undeniably fast-paced, energetic, adventurous and farcical. It’s one of those movies that can brighten up one’s night during an uneventful weekend.