My Dinner with Andre (1981)
★★★ / ★★★★
Written by and starring real-life friends Wallace Shawn and Andre Gregory essentially star as themselves in “My Dinner with Andre.” Wallace/Wally agreed to meet up with his old friend for dinner and admitted to the audiences that he had not seen his friend in years. The whole film took place in a real-time conversation over dinner between the two actors as they discussed practical and philosophical questions. While both of them were able to offer very insightful questions and commentaries throughout, I had a big problem during the picture’s first thirty minutes. Andre pretty much talked non-stop for several minutes without Wally uttering more than two sentences. I thought that the premise of the film was about two friends who were at an equal intellectual level but very different outlook on life. However, the first thirty minutes did not reflect that. Instead, I intially felt as though Andre was the wiser of the two and Wally was a child getting an education from an elder who has been all over the world. Eventually, however, Wally was given the chance to speak and it was refreshing because even though he did not sound as formal or worldly (or pretentious?) as Andre, I found myself agreeing with a lot of the points he brought up because he expressed his thoughts in simple and frank manner. I thought the film reached its peak when the two stopped agreeing with each other and began expressing how differently they viewed the world. In a nutshell, Wally did not believe in fate and that things were simply an accumulation of random coincidences. Andre, on the other hand, believed in fate and that having a purpose was not always necessary because purpose almost always equated to habit and habit was the lack of awareness and therefore a lack of “real” living. They were able to tell each other a plethora of stories that covered the two basic themes and it was fascinating to sit through. This movie made me think of how many friends I could converse with in a similar level and even I have to admit that there are not a lot of them. Younger viewers and people who are not that into plays may not understand the references that the characters have made (it would probably help for a deeper understanding) but it was still an enjoyable rumination about the beauty and ugliness of life. I could certainly connect with both of the characters so I did not at all find it difficult to keep paying attention with the words and the little nuances in their voices. This is an art-house film, which may mean it is not for everyone, because it “only” consists of two people talking to each other like in “Before Sunrise” and “Before Sunset” (which was definitely influenced by this picture). That said, “My Dinner with Andre” is highly rewarding.
★★★ / ★★★★
I was deeply touched by this biopic about a supermodel named Gia Carangi (Angelina Jolie) back in the 1970’s and 1980’s. Throughout the picture, I felt that her story was very personal because we got to see her evolve from a rebellious kid who was abandoned by her mother to a stunning supermodel who everyone wanted to worked with. At the same time, we also got to see her cocaine addiction, failed relationships and connection with others, and the eventual decline of her health because of AIDS. I’m glad that this film did not particularly glamorize the fashion world. In fact, I got a feeling that it was almost against it–as if it was one of the main reasons to blame that finally drove Carangi over the edge. Gia was far from a perfect person and therefore not free from blame but she had crucial moments when she took responsibility because she really did want to change. I admired the scenes when Jolie was posing in front of the camera looking extraordinary but such scenes also had voice-overs of what the photographers, the crew, and the other models’ real thoughts about Gia. It shows that something beautiful on the outside doesn’t necessarily reflect what’s on the inside, which I thought culminated when one of the women confronted Gia with such anger during one of the drug addiction sessions concerning the lies–on how to look like, how to act, and how to live one’s life–presented by the glossy fashion magazines. I also enjoyed the fact that Gia’s relationships were highlighted throughout the film: the mother who uses her as an accessory, who’s always there when things are good but almost never there when things are bad (Mercedes Ruehl), the loyal friend she met right before she was discovered and was there with her until the end (Eric Michael Cole), the agent who she saw more as a mother-figure (Faye Dunaway), and her on-and-off girlfriend who always wanted Gia to be the best she could be (Elizabeth Mitchell). While most people I know chose to see this for the nudity by Jolie, I have to say that this film goes beyond issues of the flesh. There’s a very real story and powerful lessons to be learned here; in fact, to be honest, the “sex” scenes are not that shocking to me because I’ve seen all kinds of movies with all kinds of sexual acts. For me, the sole purpose of watching this picture for the nudity is a sign of disrespect for Jolie’s acting abilities and Gia’s memory. Directed by Michael Cristofer, “Gia” is a triumph on multiple levels (especially Jolie’s acting) and should be seen with an open mind and sensitivity.
Wendy and Lucy (2008)
★★★ / ★★★★
I have to give Michelle Williams kudos for starring in this really small, bare bones of a film. Her performance is so visceral and she fully embodies the ever-growing desperation that her character is going through. “Wendy and Lucy,” directed by Kelly Reichardt, tells the story of Wendy and her dog Lucy as the two try to go to Alaska so that Wendy can earn her money at a fish cannery. Things do not go quite as they had planned because Wendy’s car breaks down in Oregon, gets arrested for shoplifting dog food (she only had about $525 which was barely enough), and Lucy is nowhere to be seen when Wendy finally gets out of jail (Wendy left her dog tied to a rail in front of the store where she shoplifted). When Williams started looking for that dog, I felt like I was watching a mother trying to look for her child. It was really sad because things get from bad to worse in a matter of minutes and the hope of Wendy finding the dog grows dimmer and dimmer. Even though I really identified with Wendy’s situation, at some point I thought about just leaving the dog and going on ahead to Alaska. As cruel as that sounds, I think it’s justified because Wendy keeps spending money as she tries to keep looking for the dog. I get that Lucy is her only companion but, at least for me, the practical thing to do is to stop looking for the dog. Williams has come a long way since I’ve seen her first in “Dawson’s Creek” because she really uses her acting chops to carry this picture from beginning to end. I also have to give Reichardt credit for showing us a side of America where it’s not so glamorous. In fact, the places featured in this movie are downright depressing. Although the movie is about Wendy and Lucy’s friendship, sometimes I tried to pay attention to people on the background; some of them look like they’re sleepwalking through life. I find that particularly accurate because, though I didn’t grow up in a small town like the one in this movie, the area I grew up in was small enough to notice those kinds of people. Casual moviegoers may not like this film right off the bat or superficially consider it as “sad.” But film lovers should be able to look at it more closely and analytically and realize that it comes close to becoming something really special.