Fright Night (2011)
★★★ / ★★★★
Charley (Anton Yelchin) used to be a dweeb. His former best friend was Ed (Christopher Mintz-Plasse), a complete nerd whose hobbies consisted of dressing up and role playing. Charley’s recent surge to popularity earned him a girlfriend, Amy (Imogen Poots), and much cooler but insensitive guy friends (Dave Franco, Reid Ewing). Ed had a growing suspicion: that Charley’s new neighbor, Jerry (Colin Farrell), was vampire and he was responsible for their classmates’ sudden disappearances. Charley didn’t take Ed seriously. He thought Ed’s suspicion was a sad cry for them to be friends again. That is, up until Ed failed to show up to class the next day. “Fright Night,” written by Marti Noxon and Tom Holland, was a fast-paced vampire film, set in the suburbs of Las Vegas, equipped with modern twists to keep us interested. The characters were likable even though they weren’t always smart. We knew Charley was a well-meaning young adult because he considered and questioned if he was doing the right thing. The checkpoint that went off in his head was his best quality, but it was also what Jerry tried to exploit. The predator must exploit its prey’s weaknesses. There were predictable elements in the picture. For instance, we expected the characters who chose to run upstairs to hide from the blood-thirsty vampire to never make it out of the house alive. And they didn’t. Maybe they didn’t deserve to. After all, with all the references thrown in the air, the teens must’ve seen a vampire movie or two prior to being vamp food. However, the writing was self-aware of the conventions and it wasn’t afraid to throw allusions to the original film, vampire movies, and literature. Though the expected happened, I felt as though it was more concerned with giving the audiences a good time. I loved its somewhat elliptical storytelling. The rising action was often interrupted by a mini-climax. The drawn-out set-up of investigating, hiding, being hunted, and escaping worked quite effectively. By giving us small but fulfilling rewards, it kept us wondering what would happen next. Still, the story could have used more character development. Charley’s mom (Toni Collette) felt like a cardboard cutout of an unaware parent. She knew her son had unique interests but to not question him seriously when their neighbor seemed to have a genuine complaint in terms of privacy being breached felt too convenient. Charley’s mom seemed like a tough woman but she wasn’t given room to grow. What the film needed less was of the self-described vampire expert/magician named Peter Vincent (David Tennant). Obviously, he was necessary for comic relief. I laughed at his ridiculousness, but what I had a difficult time accepting was the fact that he could survive a vampire attack multiple times. His backstory was sloppily handled. I commend “Fright Night,” directed by Craig Gillespie, for taking the original as an inspiration and telling a different kind of story. Its flaws didn’t matter as much because it had fun. It sure is more interesting than a shot-for-shot remake of the original which most likely would have forced us to ask why they even bothered.
★ / ★★★★
“Transylmania,” directed by David and Scott Hillenbrand, is one of the dumbest movies I have ever seen. That’s saying a lot because I’ve seen my share of egregious films. A group of college friends decided to go to Romania for an international studies program. Little did they know that the school was a nest of vampires wanting to feed on their blood. The premise made it seem like it would somewhat be a fun spoof because of the vampire craze these days. Unfortunately, the movie started off bad and only got worse from there. Throughout the whole thing, I felt like I was watching a really bad play where all the actors were overexaggerating everything. Worse, I felt like the actors didn’t know their lines at all and made them up as it went along. There was no sense of consistency or even a minute effort to make a decent movie. Everything was random, everything was flying all over the place, and everything was beyond boring. I would rather watch a group of real life kids pretending to be superheroes as they try to save the world using blankets and toys because at least those kids would put imagination into their pretend play. (Not to mention children are generally cute.) “Transylmania” had no material to build upon at all so I was shocked that it was even made in the first place. The characters were devoid of intelligence but they did have high levels of libido. They should have made softcore pornography instead of running around acting like idiots and wasting our time. But the point where I thought I had enough was when a girl was decapitated yet she was still able to speak. I mean, come on, are you serious? But my complaining won’t do anyone any good so I’m going to propose how this picture could have been improved in the most basic levels. I think this film should have taken the “Scary Movie” or “Not Another Teen Movie” route. There are so many vampire flicks out there worth making fun of (not just the “Twilight” series) from smart (“Fright Night,” “Interview with a Vampire: The Vampire Chronicles,” or the cult classic “Buffy the Vampire Slayer” television show) to stupid ones (“BloodRayne” which also happens to be one of the worst movies I’ve seen); it’s just a matter of finding the right jokes and comedic timing. The main characters (or one of the main characters) should have been likable. Without anybody to root for, why would the audience care? I wish I could say that “Transylmania” was so bad that it was good. Unfortunately, it was just really bad and it was stuck on that level because no effort was put into it. Needless to say, one should avoid this movie at all cost.