Letters to Juliet (2010)
★★★ / ★★★★
Aspiring writer and current fact checker Sophie (Amanda Seyfried) and her chef fiancé (Gael García Bernal) went to Italy for their pre-honeymoon. Sophie thought that the two of them would have a great time and set aside their work for a couple of days, but her soon-to-be-husband seemed like he was more excited about the opening of his restaurant than the prospect of marriage and settling down. This led Sophie to go sightseeing on her own and she eventually found a fifty-year-old letter that was unanswered by Juliet, a person who made it her legacy to answer letters written by many people from different cultures who visited Verona’s courtyard. Even though I found the picture to be completely predictable, I ended up really enjoying it mainly because of Seyfried. I find that every time I watch her, I feel a certain warmth and charm that she radiates without even trying. With somewhat of a slow start, the story started to pick up when Sophie finally met the owner (the elegant Vanessa Redgrave) of the one letter she answered along with her disapproving grandson Charlie (Christopher Egan). Since the owner wanted to find her long lost lover named Lorenzo, the three went on a road trip which wasn’t always fun. In fact, it was full of disappointments because with each incorrect Lorenzo they found, I felt the grandmother’s hope to considerably diminish. I thought the best part of the film was the road trip because the three had a commonality. That is, they knew how it was like to lose someone important to them and that was often at the forefront. On top of that, Sophie and the sarcastic and somewhat uptight grandson began to feel a little spark for each other so then they had to deal with that tension even though they initially didn’t want to. However, I wished the last fifteen minutes hadn’t dropped the ball. I thought the reunion could have been handled with more intelligence (maybe even a spice of boldness) and not result to the whole will-she-or-won’t-she formula because we knew what would eventually happen. “Letters to Juliet,” directed by Gary Winick, without a doubt, is syrupy and has a highly idealistic vision of romance. Sometimes it made me roll my eyes because I kept thinking of obvious questions like the grandmother not changing her place of residence for the last fifty years or why did all of the women in the film believed in “true love.” However, most of the time, I was just happy watching it because the storytelling felt effortless and it made me wish for a moment that true love really existed.
13 Going on 30 (2004)
★★★ / ★★★★
Jenna was a thirteen-year-old girl who desperately wanted to belong in a clique led by a typical mean girl, unaware that her best friend had a crush on her. During Jenna’s ruined birthday party, she desperately wished that she was thirty and thriving; she woke up the next morning in a completely different body (Jennifer Garner) and had no memory of what happened in her life since her terrible 13th birthday party. She had to learn a lot of things such as her best friend being no longer the guy who truly cared for her (Mark Ruffalo) but the mean girl (Judy Greer) she wanted to impress in middle school. This is the kind of movie where we can clearly see how it would all end right from the beginning but I couldn’t help but enjoy it. It was well-aware of its predictability so it made the journey to the finish line so much fun by throwing us good and bad 80s references. It was as light as cotton candy and as sweet as bubblegum but it had wit, intelligence and charm. It was willing to wear its heart on its sleeves, which sometimes made me cringe because it didn’t know when to stop (for instance, Garner joining her parents in bed), but I thought it worked most of the time. Garner was perfectly casted because she was so good at being wide-eyed and innocent. I thought she was so adorable dancing to Michael Jackson’s “Thriller” and when everybody joined in, I couldn’t help but laugh and tap my feet. As for the romance, Ruffalo and Garner had perfect chemistry. Watching them together had its syrupy moments but I always felt a certain tension or awkwardness between them because their characters hadn’t spoken to each other in a long time. I think they captured the essence bumping into someone you knew from high school and you had no choice but to make small conversation in order to not seem rude. However, I think the picture could have worked more on the cold-hearted Jenna. The script kept bringing up the fact that everybody was scared of her because she was conniving and had no problem abusing her power. I was curious about her darker side. By exploring that angle, I think the movie could have delved into Greer’s character a lot deeper. After all, there is often pain and jealousy between two friends having to compete against other. Directed by Gary Winick, “13 Going on 30” is a bit too safe in its approach but it’s still a highly enjoyable romantic comedy. It could have easily have overdosed with twists and turns because of the magical element that helped to drive the story forward but it refrained. It wasn’t as good as Penny Marshall’s “Big” but it was able to acquire some magic unique to its own.