The Breakfast Club (1985)
★★★ / ★★★★
Five high school students who personify a geek (Anthony Michael Hall), a princess (Molly Ringwald), a jock (Emilio Estevez), a basket case (Ally Sheedy) and a criminal (Judd Nelson) spent a Saturday in detention under the eyes of a begrudged principal (Paul Gleason). The picture’s argument was the fact that although we label ourselves (or others label us) to be in a specific category in the high school social strata, we can relate with each of the five characters because we share one commonality: in high school, all of us are just hoping to get by and waiting for our lives to actually begin. The film was astute in observing the teenagers while they interacted with each other and when they were on their own. Even if the characters were not saying anything or if they were just on the background, I was able to read them and I thought of things that they might have been thinking at the time. Having been released in era where typical teen flicks were abound, “The Breakfast Club” almost immediately gained a cult following because of its honesty, right amount of cheesiness, and cathartic quality. My favorite scene was toward the end when the five were in a circle and decided to share why they were sent to detention. I liked the fact that it wasn’t a typical “sharing time” where everybody was solemn and serious all the time. They were actually able to make jokes toward and around each other in between discussing their issues. It made me think of me and my friends when would do the same thing. Out of the five, I could relate to Hall’s character the most (and a bit of Ringwald’s because of her slight conceitedness). It made me think of the way I was in high school concerning my penchant (or perhaps even obsession) for getting straight A’s. It got to the point where getting straight A’s was something that I expected of myself instead of something that I had to strive for. I remember being so hard on myself for making small mistakes when, looking back on it, I didn’t really need to. Now that I’m older, I just think of grades as letters on a piece of paper and nothing more. They don’t define us and they certainly don’t dictate what we can offer the world. The difference between me and Hall’s character was my parents did not pressure me into getting the perfect grade point average. However, I can just imagine how it must have been like for other students who were not so lucky–those that jumped off buildings in college because they felt a need to have the “perfect academic record” to have a “secure future.” Written and directed by the legendary John Hughes, I thought he did a wonderful job capturing the essence of teenagers despite their place in the high school hierarchy.
Welcome to the Dollhouse (1995)
★★★★ / ★★★★
Dawn (Heather Matarazzo) was a twelve-year-old in junior high school who everybody made fun of. People labeled her with names like “Weinerdog” or “lesbian” but she had no choice but to simply glare through her spectacles. Even the bullied bullied her which made her situation that much sadder and much more relatable. Her family was not very nice to her nor did they make an effort to. She only felt safe either by herself, in her clubhouse, or when she pined over an older boy (Eric Mabius) in her brother’s band. But since this film was written and directed by Todd Solondz, it was far from sugary and not everyone learned a valuable lesson in the end. In fact, some of the characters ended up worse than when the movie started. I particularly despised Dawn’s mother because she was unashamed about favoring one child over another. The film was more concerned about delivering the dark humor when the lead character was faced with desperate situations, such as when one of the boys in her class (Brendan Sexton III) threatened her with rape. I thought Matarazzo was perfectly cast as the geek because she looked very vulnerable but at the same time she had knowing in her eyes–which made her borderline creepy, like the kind of person who was capable of sneaking up in our room in the middle of the night and stabbing us in our sleep. The movie’s X Factor that made it better than most movies about bullying was its balance between delivering the laugh-out-loud one-liners and embracing the pain of being made fun of just because one is different. I think the chocolate cake scene during a family dinner was a prime example of how daring and bold the picture was willing to be. It reminded me of Michael Lehmann’s “Heathers” but was set in middle school although certainly not as depraved. In the end, the movie made me think of my middle school years and I was thankful that I did not go through the humiliating things that Dawn went through. I would have been scarred for life. And for those couple of people I knew that did go through those painful things, in high school, they ended up dealing with having low self-esteem and despite the fact that they were smart, they failed to shine. “Welcome to the Dollhouse” was an undoubtedly fearless independent film. It was unafraid to show how sadistic and desperate some of the characters were but they were far from one-dimensional. We can all relate when it comes to defining happiness in terms of our place within our peers. Some of us grow out of it but others remain stuck in that phase and they fail realize that as long as they stay in it, happiness remains far from their reach.
Youth in Revolt (2009)
★★ / ★★★★
Nick Twisp (Michael Cera) was obsessed with losing his virginity to the point where his id, appropriately named Francois Dillinger (also Cera), pitied Nick and decided to take matters into his own hands. Nick, his mom (Jean Smart), and her boyfriend (Zach Galifianakis) decided to temporarily move away in order to escape angry sailors who wanted their money back. Convinced that he would not have a good time during his mini-vacation, Nick was surprised when he met Sheeni (Portia Doubleday), a girl who had substance and had similar interests as him such as foreign films and music. “Youth in Revolt,” based on the novel by C.D. Payne and directed by Miguel Arteta, was one of those films I decided not to see after watching the trailer for the first time because it just did not make any sense. From the trailers, I somehow got the impression that Francois was some sort of an evil twin. I’m glad I decided to give this movie a chance because it actually entertaining and the characters, though not fully explored and some were more like caricatures, exhibited intelligence unlike most teen flicks about losing one’s virginity (Sean Anders’ “Sex Drive” immediately comes to mind). The strongest part of the picture for me was the first twenty minutes prior to the appearance of Francois. Though I did somewhat enjoy the conceit regarding the alter ego, there was something very refreshing about the unpretentiousness of two lonely souls meeting and sharing something special, which may or may not be love. Cera and Doubleday did have chemistry but the picture did not rely on that initial and lasting spark. The material bothered to show more tender moments between the couple and I felt like I connected with them even though it was instantaneous. The rest of the picture, on the other hand, was not as strong. It used Cera’s very awkward mannerisms as a crutch instead of using his acting skills as a base to present terrific material that was focused but unpredictable, funny yet sensitive in its core. Although the film did have its darkly comic moments, it was too obvious with its comedy such as Justin Long drugging everyone in his path and Jonathan B. Wright, as much as I love him, finding ways to make Nick’s life unbearable. It was too safe and safe, in this case, was boring. The only side character I thought had potential was Nick’s dad played by Steve Buscemi. I wanted to know more about him and I wished he and Nick had more scenes together because I saw the son’s qualities in his father. If “Youth in Revolt” had a lot more edge and darkness, it would have been a much more memorable film. Although a part of it was slightly different than Cera’s other roles, the majority of it was more of the same.
★★ / ★★★★
Aaron Johnson stars as Dave Lizewski, a typical geek who goes to a typical high school with typical hormonal friends (Clark Duke, Evan Peters). But what’s not typical is his dream to be a superhero, serving people at a time of need and rescuing them from bullies or dangerous criminals. I liked the first and last forty minutes of this film. The first forty minutes was amusing because the lead character was still trying to figure out how it was really like being a superhero; that one does not win every battle and sometimes a trip to the hospital is necessary. In a way, it worked as a spoof of those extremely serious adapted-from-comic-books superhero movies. The last thirty minutes was pure action. Comparisons of Chloe Moretz as Hit Girl to Uma Thurman’s The Bride was pretty accurate because both can deliver the eye-popping violence and snarky sense of humor. However, I didn’t like the fact that Moretz’ character overshadowed the lead character. After all, the movie was supposed to be about the blossoming of a nobody to a possible somebody who everyone adored on YouTube. As for the middle portion of the film, I thought it was weak and lazy. The bit about Christopher Mintz-Plasse as a rich boy wanting to be a superhero was very formulaic. I constantly felt that he was trying to be funny but falling flat every single time. I like Mintz-Plasse, especially in “Superbad,” but I thought he was miscast here. A pompous, know-it-all, conniving kid would have been a much more interesting a character instead of a wimpy wannabe. Other fatal shortcomings involved Nicolas Cage as the father of Hit Girl (and also a superhero). There was a history about his character that I wanted the film to get into. Whenever the camera was focused on Cage, “Kick-Ass” had an added gravity that it desperately needed in order to be something other than a spoof of superhero films. Instead, the movie unwisely spent much of its time showing us scenes involving the main character being mistaken for a gay guy by a girl he liked who happened to want a gay BFF. As cheeky as it was, it was also unnecessary; it got old pretty quickly and I wished I had a fast-forward button. Overall, however, I did enjoy “Kick-Ass,” directed by Matthew Vaughn, despite its shortcomings in terms of pacing and not focusing on the more interesting characters that could potentially provide an extra dimension to the project. The film did hint on a possible sequel which I think is a great idea because there were a number of questions that remained in my head by the time the credits started rolling. People compare this film to “Kill Bill” in terms of violence but I think “Kick-Ass” doesn’t hold a candle to Quentin Tarantino’s bloodbath. I think it’s more accurate to say that this is a teenage version of “Watchmen” that is less focused, less ambitious but more amusing with a modern twist.
She’s Out of My League (2009)
★★ / ★★★★
I just realized that the more I watch Jay Baruchel, the more I like him. There’s something very geek-chic about him that’s just adorable–I don’t know if it’s the voice or the awkward body language but he manages to pull it off with such ease. In “She’s Out of My League,” directed by Jim Field Smith, he plays an airport security agent with dreams of becoming a pilot who one day meets a really good-looking girl (Alice Eve). After some coincidences and strange (but amusing) circumstances, she ends up asking him out on a date, leaving the lead character’s friends (T.J. Miller, Mike Vogel, Nate Torrence) shocked and confused. I enjoyed watching this movie as a whole but I think it could have been edgier and it could have used more focus in terms of the odd couple’s romance. I think the movie spent too much of its time with the highly obnoxious family (I think if I met them I would run the other way) and in a way, I saw it as an excuse to deliver the gags so it wouldn’t have to tackle the deeper psychology of an insecure man as often as it should have been. And although I did think that the main character’s friends were funny, they couldn’t just accept the fact that their geeky friend was going out with a gorgeous woman. Their sometimes lack of support irked me and it made me question whether they were really good friends. Perhaps the picture was trying to show the friends’ own insecurities through denial but it would have been nice if they didn’t make fun of the lead character as much. The bit with the ex-boyfriend (Geoff Stults) was also another distracting element that didn’t need to be there. Nevertheless, as a romantic comedy, I think the picture worked; it may have been pretty standard most of the time but there were nice moments when I felt like Baruchel and Eve had a good connection. I think the film was at its best when the two characters were just engaging in conversation about their dreams and failures with all jokes aside. We’ve all seen couples that make us think, “What the heck does she see in him?” This movie was essentially that little (sometimes nagging) thought in our heads. The lessons might have been obvious (beauty on the inside matters) but it’s nice to be reminded of it because there’s a universal truth to that lesson. “She’s Out of My League” has both laugh-out-loud and cringe-worthy moments (mostly with that annoying family) but I think it’s worth watching for its own merits.
Role Models (2008)
★★ / ★★★★
I thought I would enjoy this comedy a lot more because my friends highly recommended it. Directed by David Wain, “Role Models” stars Paul Rudd and Seann William Scott as two energy drink salesmen who go to various school to preach that drugs are bad. I liked the humor of the first half more than the second half because the former deals with Rudd’s frustration with his brainless job. His perception of the world contrasts with Scott because Scott actually enjoys his job. When Rudd finally lost it after his girlfriend (Elizabeth Banks) dumps him after he made a spontaneous (if not ill-timed) wedding proposal, the two are sent to a mentoring center (jail was the alternative) which was led by the fantastically scary, on-the-edge ex-convict played by Jane Lynch. I also liked the dynamics between Rudd and Christopher Mintz-Plasse because the two of them have this inner geekiness that made me smile; while Scott and Bobb’e J. Thompson share a crude sense of humor that made me laugh out loud. What didn’t work for me was the whole thing about the medieval battles that pervaded the second half. I was bored out of my mind because I felt like Rudd and Scott were pushed aside instead of staying on the foreground and do what they do best: providing the audiences jokes that are witty and dirty (sometimes both at the same time). Instead of staying rude and crude, it somewhat took the safer route toward the end. I almost wished that it didn’t have a heart and embraced the dark comedy genre instead. At least that way, the film wouldn’t feel as though it was holding back in order to achieve some commercial success. It’s a shame because it does have funny material and enthusiastic actors but it didn’t quite push through in order to get to the next level. I say only see it if one has nothing better to do.
17 Again (2009)
★★ / ★★★★
Even though I’m no fan of Zac Efron (he hasn’t yet proven to me that he can be a versatile actor), I have to admit that I somewhat enjoyed this movie. Granted, that enjoyment didn’t come from either lead actors, Efron or Matthew Perry; in fact, the supporting actors were the ones that stepped up to the plate and delivered the big laughs. Having been down on his luck, Perry gets a second chance to look like his seventeen-year-old high school self (played by Efron) after talking to a magical janitor/spirit guide. In that younger body, he’s able to find a relationship with his two kids (Michelle Trachtenberg, Sterling Knight) and fix his marriage problems with his wife (Leslie Mann). The only person that knows about the whole magical transformation was Perry’s best friend played by the hilarious Thomas Lennon. Lennon stole every scene he was in and I seriously couldn’t stop laughing because of the way he embraced his characters’ nerdy persona. (“Star Wars,” “The Lord of the Rings,” you name it, the geeky reference is there.) He was matched by Melora Hardin (“The Office”), the high school principal with a little secret that she expertly masks. What dragged this film down was its inability to stay away from syrupy scenes and lines, including the so-called dramatic slow motions during the basketball games. Its message was also very vague. I felt like the message it tried to convey was in order to stop feeling like outcast, one should join the basketball team because that’s where the opportunities are found. That would’ve been easily solved if Trachtenberg and Knight had friends who are astute, well-adjusted, and happy with where they are in life. Instead, the two of them are simply outcasts: Trachtenberg is dependent on her boyfriend (played by the lovely, though not-so-lovely in this film, Hunter Parrish) and Knight as a socially awkward loverboy. What this movie is trying to show is not real life and it’s a shame because I know for a fact that teenagers (especially teenage girls) will be drawn to this. “17 Again” has some funny material but I found it confusing in its core and very unrealistic in its portrayal of high school. Or maybe I just need to see Efron play a character who doesn’t know how to play basketball. Perhaps then the cheesiness will decrease exponentially.