Sex and the City 2 (2010)
★★★ / ★★★★
It’s been two years since the first highly successful “Sex and the City” movie and the same amount of time had passed since Carrie (Sarah Jessica Parker) and Big’s (Chris Noth) wedding. Written and directed by Michael Patrick King, the four best friends–Carrie, Samantha (Kim Cattrall), Miranda (Cynthia Nixon) and Charlotte (Kristin Davis)–decided to go to Abu Dhabi for an all-expenses-paid trip because they figured they could use a break from their respective battles regarding career, marriage, having kids, and menopause in New York City. As usual, hilarity and drama ensued when the girls visited bars, talked about sex and faced their problems before heading home. Although not as glamorous as the first (though it certainly did try), I enjoyed this installment because it took us somewhere new, featured a culture other than New York City’s, and there were moments of real sensitivity such as when Miranda and Charlotte talked about their frustrations about work and raising kids. I liked that it didn’t try too hard to top the first movie except for the very cheeky, self-aware, over-the-top gay wedding (with Liza Minnelli singing and dancing to “Single Ladies”) in the first twenty minutes. However, there were some elements that I felt were unnecessary like the appearance of a former lover (John Corbett) that was solely and conveniently designed to make Carrie realize how much she really loved Big and how petty she was for worrying about becoming a “boring couple.” Most of the lessons were pretty obvious (at least to me) but the main reason why I’m a fan is because of the fashion and the glamour. I guess most people don’t realize that the whole thing is supposed to be a farce. I mean, who in their right minds would wear designer clothing in the middle of the desert? It irks me when I read reviews from both critics and audiences concerning the movie’s characters being shallow and the plot being unrealistic. But I guess the joke is on them if they come into the movie expecting the events to reflect real life. For me, “Sex and the City 2” delivered the goods because I got exactly what I signed up for: about two and a half hours to escape my problems and realize how good my life is in comparison. At first glance, these women might be bathing in jewelry, expensive clothes and ridiculously well-designed apartments but they have so much unhappiness in their lives. Sometimes, they even create their own problems in order to make their lives more interesting. As for those who claimed that the movie was politically incorrect, I say it’s nothing new. In fact, the television show flourished because it was exactly that–politically incorrect. “Sex and the City 2” is a good movie to watch with your best gal friends because it’s not just about romantic relationships but also friendship. I just wished that the guys (David Eigenberg, Evan Handler, Jason Lewis) were in it more so we could see things from men’s perspectives from time to time.
Good Hair (2009)
★★★ / ★★★★
When I look at people, the first thing I notice about them is their hair. Directed by Jeff Stilson, “Good Hair” follows Chris Rock as he interviews all sorts of people from the United States and India about hair: how natural African-American hair is now regarded as less valuable and less appealing as European and Asian hair. I thought this documentary was absolutely fascinating. I learned so much because I don’t have the kind of hair that African-Americans do so I don’t really know much about their experiences and the pressures they feel about getting “good hair,” a type of hair that the media glamorizes. For me the film reached its highest point when Rock went to India and tried to learn about why so much hair was coming from India. I didn’t know that some Indians viewed having hair as a vanity so they sacrifice their hair for a higher power. While in America, hair symbolizes power and directly correlates to one’s self-esteem. I thought that contrast was so nicely done by Stilson and I realized that, despite the film’s amusing look at the hair industry, there was an inherent sadness about it all. I couldn’t believe that hair cost thousands of dollars and some women would rather pay for a weave than make sure that they have food on the table. On the other side of the spectrum, women choose to buy very dangerous “relaxers,” which is pretty much sodium hydroxide, a very strong chemical. I loved the way the picture showed an experiment where a can was placed in a container full of NaOH with varying rate of exposure. (I’m a sucker for science experiments.) I was so shocked when one of the cans literally melted when exposed to NaOH for about five or six hours. The movie then connected the usage of sodium hydroxide to health–how some parents choose for their children, who are barely three years old, to undergo such extreme (and painful) chemical application for the sake of having so-called good hair. What didn’t work for me, however, was the whole hair competition angle. I thought it made the picture very convoluted and it took away some of the movie’s power because the pre-competition and competition scenes lacked momentum. I wanted more scenes of very funny conversations among Chris Rock, regular folks and celebrities. I thought it was a laugh riot when the film switched its focus to men and how they felt pressure to give their girlfriends money for a weave. All these elements show that having “good hair” is not just a woman’s issue nor is it even a race issue. It’s about increasing number of individuals adapting to a particular mindset of society regarding what is considered beautiful and what isn’t.
An Education (2009)
★★★★ / ★★★★
An Oxford-bound teenager (Carey Mulligan) in the 1960s fell for a much older man (Peter Sarsgaard) because he was exciting, had money, and he was into romantic lifestyles such as appreciating art and traveling–the same things she wished she had herself. At first everything seemed to be going right but the deeper they got into their relationship, she discovered that having a priviledged life was nothing like she imagined it would be. Connecting with this picture was very easy for me because I could relate with the lead character. In fact, it somewhat scared me how alike we were and instead of watching it as a coming-of-age film, I saw it as a cautionary tale. We both love school and we do our best in pretty much everything we do but we can’t help craving the glamorous life. Questions like does staying in school and sacrificing the best years of our lives lead to a successful (and fun) future are in our minds so I was absolutely fascinated with her. Better yet, I was interested in the decisions she made when she essentially became addicted to the life of glamour. I think the film had surprising depth because the movie did not start off strong. I thought it was just going to be about an innocent girl’s affair with a man and she learning a hard lesson at end of the day. But it wasn’t. Though it was the backbone of the film, much of it was Mulligan’s relationship with her parents (Alfred Molina, Cara Seymour), a teacher she looked up to but was often at odds with (Olivia Williams), and the headmistress who wanted the lead character to stay on her path (Emma Thompson). Though all of them were tough (and not always fair), they were adults who wanted what was best for the main character. It was also about the push and pull forces between living an exciting life and a boring life with books and friends who were not quite as precocious as her. I must say that Mulligan deserved her Best Actress nomination because I was impressed with how elegantly she portrayed her character as she navigated her way in and out of excitements and disappointments. She just had this effortless subtlety going on and I couldn’t take my eyes off her. Though I have seen her in other movies, I’m curious with what she has to offer in the future now that I know what she’s really capable of. “An Education,” directed by Lone Scherfig and based on a memoir by Lynn Barber, was a film that gathered momentum as it went on yet it didn’t get tangled up in its own complexities. It had a certain confidence, a certain swagger that was very ’60s and I felt like I was in that era.
America the Beautiful (2007)
★★ / ★★★★
I was reluctant with giving this documentary a mediocre rating because I did enjoy watching it. However, as a movie that tried to explore the issue about the American society’s standard for beauty, I felt that the arguments were all over the place and sometimes contradicted itself. Written and directed by Darryl Roberts, he mostly targeted the fashion industry, its unrealistic expectations when it comes to its models and the messages that they knowingly impart on people, especially children, on what is considered beautiful. For me, one of its biggest flaws was that it failed to admit to itself that the fashion industry is, in fact, a business and a good one at that. When it makes the argument that the industry treats its models like nobodies, that’s not anything new or insightful (at least for me because I’m familiar with fashion to an extent) because the models work FOR the fashionistas and they ARE products that needed to be as glamorous as possible so that money would be made at the end of the day. Placing most of the blame on the fashion industry is a bad move because there are other types of media out there that are arguably more influential (like music artists and music videos). The movie also tackled what was shown on television and magazines. Now, I think it did a pretty good job showing younger people perusing through magazines and pointing out the media’s unrealistic expectations on how to have the “right” look. However, I thought the film became evasive once again because it didn’t really explore or even mention personal responsibilities. An interviewee made a good point about the act of choosing to open up a magazine but it was as if as though Roberts had already put the interviewee under a negative light so what the interviewee said was pretty much thrown away the minute she stopped talking. I was very alarmed by this because when Eve Ensler (“The Vagina Monologues”), from the opposite spectrum, was being interviewed about the media and its effect in society, I got the feeling that the director wanted us to listen to her and really think about was she was saying. Granted, what she said about the media’s subtle ways of influencing people was indeed quite smart. However, my point is that the documentarian was obviously biased. I would have given this movie a less forgiving review if it wasn’t for Gerren Taylor’s journey from being a frontrunner to becoming the next supermodel to “just another model” who can no longer get booked (especially in Paris) because she was “too fat.” Personally, I think she’s thin. You don’t have to major in Biology to be able to tell that a girl who is six feet tall and has a waist of 96 centimeters is skinny. (The agencies wanted her to be at most around 90 centimeters.) This documentary had its ups and downs but I’m giving it a mild recommendation because either way, one will have a strong opinion about it when it’s over.