★★★★ / ★★★★
Violet (Jennifer Tilly) and Corky (Gina Gershon) met in an elevator. They eyed each other despite the fact that Violet’s boyfriend Caesar (Joe Pantoliano), who worked for the mob, was right there with them. Violet knocked on Corky’s door, offering her a cup of coffee. Their romance started off like a bad porno movie, Corky being a mechanic and all. Violet confessed to Corky she wanted to escape the mob life so both concocted a plan to steal two million dollars from the mob and pin it on Caesar. The film was a success because it relied on very strong writing and three superb performances. Gershon epitomized seduction. She had a perfect balance of the feminine and the masculine. Pantoliano was sublime as a raging bull–the masculine figure. Tilly, the feminine, was funny, sexy, and compelling in every frame. I’ve seen her in many independent features and I believe she’s more than capable of mainstream success because she’s such a wonderful actress. “Bound” wore its modern noir tone on its sleeve; it rivaled Ethan Coen and Joel Coen’s “Blood Simple.” in terms of nail-biting tension that never lets go until the final shot and Quentin Taratino’s “Pulp Fiction” in terms of complex characters with questionable morals and multilayered motivations. It was able to do a lot with a simple shot. For instance, I’ve never seen a gun sliding through white paint looked more elegant and beautiful. The lesbian eroticism may attract some but may repel others. Some could argue it had elements of sexploitation, which I don’t necessarily disagree with. But my counterargument is that the picture did not show anything offensive. It may offend certain individuals either due to homophobia or fear of sexuality in general, but I perceived the images through a feminist scope. For me, it was about two women who had complete control of their wills and bodies. I would even go as far to say that the sex and seduction scenes were necessary because the picture depended so much on the trust between Violet and Corky. Their attraction with one another was the reason we wanted them to get away with stealing without losing any finger, or worse, their lives. Written and directed by Andy Wachowski and Lana Wachowski, “Bound” was a ferocious and unpredictable neo-noir thriller. I loved how it prevented me from thinking ahead because I was so engaged with what was currently happening on screen. That is, how the characters could possibly extricate themselves from an increasingly hopeless and dangerous situation. I suppose two million dollars had to be earned but at what cost?
Like Minds (2006)
★★★ / ★★★★
Written and directed by Gregory J. Read, “Like Minds” or “Murderous Intent” was about two boys in prep school who had a complex relationship. One ended up dead (Tom Sturridge) and the other was sent to jail (Eddie Redmayne) because evidence suggested murder. It was up to a forensic psychologist (Toni Collette) to figure out what really happened between the two and to try to gather evidence that could potentially allow the surviving boy to be released from jail. The film was something I had not expected. I’ve seen a number of movies about prep school and murder but I did not expect this one to be so involved in history and psychology. Since I had studied the latter subject, it was relatively easy for me to grasp what was happening on the surface. However, since my weakest subject was history, I found the discussion of the past somewhat confusing so I don’t think I fully saw the big picture. Having said that, the movie was full of tension and had a knack for delivering the unexpected. I thought it did a great job establishing the twisted relationship between Sturridge and Redmayne; they were interesting together but it was creepy at the same time trying to deal with a roommate from hell who had a penchant for dissecting dead animals. However, I wished that the picture had more scenes of Collette doing her own investigation instead of relying on the surviving boy’s stories. One of the best scenes was the climax in which she finally stumbled upon some evidence because she delivered subtleties on her body movements and facial expressions that went beyond the fact that she was scared and she wanted to get out of the situation as quickly as possible. What did not work for me was the detective (Richard Roxburgh) in charge of the strange deaths. I thought he served no purpose to the overall picture and he was the most one-dimensional character. Instead of helping out Collette’s character, he kept on wanting to get together with her and it was very distracting. “Like Minds” may be a small film and somewhat uneven at times but the mystery fascinated me and there was an intelligence behind the storytelling. The two boys did a great job playing predator and prey, especially Sturridge’s ability to shift from intense and piercing glares to blank but evil eyes. He reminded me of a more versatile and magnetic version of Robert Pattinson which amused me because I found out later that they were good friends. Fans of creepy, slow, sometimes disturbing psychological thrillers will most likely find “Like Minds” pretty enjoyable.
The Twilight Saga: Eclipse (2010)
★★ / ★★★★
I can always rely on the “Twilight” series to be consistently mediocre despite the fact that each movie released was better than its predecessor. In “Eclipse,” based on the novel by Stephenie Meyer and directed by David Slade, the love triangle between Bella (Kristen Stewart), Edward (Robert Pattinson) and Jacob (Taylor Lautner) reached its peak but the vampire and werewolf camps decided to join forces in order to protect Bella from newly-born vampires led by Riley (Xavier Samuel) and Victoria (Bryce Dallas Howard taking over for Rachelle Lefevre). Like the first two movies, “Eclipse” suffered from far too many ways Edward and Bella expressed how much they loved each other. I understood that the whole thing might have worked on paper or else the novels wouldn’t have been as successful but it just did not work on film because it quickly became redundant. Even when the movie tried to explore the romantic relationship between Bella and Jacob, the picture lacked energy and, to be quite honest, I started noticing the make-up, editing and the lighting. In other words, it lost my interest despite my best intentions of sticking with the story. The movie would have benefited if it had more action sequences. Maybe it’s because I’m a guy but I did enjoy the climax when the werewolves and vampires came head-to-head with the vampire army while Edward and Bella faced Riley and Victoria. Victoria was probably my favorite character since the first movie because I thought she was menacing but enchanting at the same time. Unfortunately, even though I could tell she was trying her best, Howard’s interpretation of her character did not work for me because she lacked Lefevre’s subtleties (which the series desperately lacked). In this installment, Victoria felt like a pawn instead of a rogue vampire who was full of malice and thirst for vengeance. I also enjoyed the tent scene when Edward and Jacob finally connected not because it was touching on any level but because it was very amusing to the point where people were actually laughing out loud in the theater. There was something purposely homoerotic about the very intense glares the two sent each other. Even though that scene wasn’t very effective, I admired that the material was aware enough to make fun of itself. Furthermore, I can criticize the film for not being a good example for teenagers in promoting marriage considering the characters’ ages but I won’t because it simply tried to remain loyal to its source. I can only hope that the final installment (divided in two) will have more suspense and action than romance. It needed less cheese and more bloodshed.
Beau Travail (1999)
★ / ★★★★
This movie about French soldiers stationed in Djibouti left a big question mark in my head. At first I thought Claire Denis, the director, was trying to establish the characters via showing us the ennui of military life: from ironing clothes, making the perfect creases to the every day physical and mental training the soldiers had to endure. But half-way through the picture, nothing much changed and I felt myself becoming more and more frustrated with it. I wanted to know more about what made the characters tick. Instead, by the end of the picture, I couldn’t tell them apart (especially since they all have the same haircuts but that’s beside the point), I didn’t know anything about their motivations, and I didn’t know anything about their lives outside of the military. In a nutshell, it felt very one-dimensional. That feeling of detachment made me not care and watching the film was like pulling teeth. I’ve read some summaries from other reviews and they somehow found a story that the film tried to tell. Upon reading those reviews, I really felt like I watched a completely different movie because none of those descriptions matched what I saw (which was pretty much half-naked guys runnning around all over the desert). Don’t get me wrong; I enjoy movies that are stripped down with minimal dialogue but they have to have sort of emotional resonance. I didn’t find that in this picture despite my best efforts to look underneath the surface. The only scene that I genuinely enjoyed was the last when Denis Lavant broke into a dance. It felt like a huge sigh of relief because the rest of the movie felt so controlled, cold and tough. If they had more scenes like that, this train-wreck would’ve been saved. Unfortunately, it was too little too late.