Sin Nombre (2009)
★★ / ★★★★
The debut of writer-director Cary Fukunaga was loved by critics and audiences alike, but I was not that impressed with it. “Sin Nombre” was about two groups of people–one from Honduras and one from Mexico–who take a train headed to the border of United States and Mexico. The first group was Sayra (Paulina Gaitan) and her family who attempt to move to America to lead a better life. The other was Casper (Edgar Flores) who was being hunted down by Mara Salvatrucha, a gang he was once a part of, because he committed a crime against them. While I do agree that the film was protrayed in a gritty and realistic way, I found it difficult to identify with the main characters. I felt as though they had this wall that lasted from the beginning of the picture all the way to finish line. I understand that their journey on the train was literal and symbolic but I had trouble sticking with it because of that lack of connection between the characters and the characters to its audiences. I felt as though their situation or story was told in a much better way from other films. If Fukunaga had taken the time to cut off some scenes from the first twenty minutes and expand on the scenes when Sayra and Casper were interacting with each other, it might have had something brilliant to offer. Instead, I felt as though the experience can be summarized as merely glossing over the shell of characters who were going through very difficult times without truly getting into why they were complex. Their motivations were apparent (survival and a better life) but the filmmakers failed to take the story to another level. I noticed that the director tried to inject contrasting images and concepts but those weren’t enough to make up for a lack of a strong core. I had high expectations coming into this film and I couldn’t help but feel more and more disappointed as the fate of the characters began to unfold.
Gangs of New York (2002)
★★★ / ★★★★
I admire Martin Scorsese as a director but I do not think this film is one of his best even though I did like it quite a bit. “Gangs of New York” tells the story of Amsterdam Vallon’s (Leonardo DiCaprio) thirst for vengeance after his father (Liam Neeson) was killed in the hands of Bill “The Butcher” Cutting (Daniel Day-Lewis) when he was a child. But since this is a Scorsese film, it simply cannot be that simple. It was also about the frustration and eventual uprising of the poor against the corrupt rich and those of power, rivalry between gangs, the rapid rate of immigration to New York, and the intolerance that comes hand-in-hand when people of very distinct cultures and mindsets are forced to live together. It is an epic picture in every sense of the word but yet there’s something about it that made me believe that it did not quite reach its full potential. When I think about it, I believe that one of its main weaknesses is its almost three-hour running time. While the first twenty minutes were necessary to establish the movie’s emotional core, the next hour was banal. Nothing much happened except for the fact that DiCaprio’s character returned to New York and wanted to gain The Butcher’s trust. So they attend social gatherings together, walk along the streets, go drinking… Pretty much what “tough guys” were supposed to do back in the day, I suppose. I found it really hard to care; perhaps if the whole charade did not last for an hour, I would have stuck with it. However, it did regain its footing half-way through after The Butcher finds Amsterdam and Jenny Everdeane (Cameron Diaz) sleeping together. (It’s not a spoiler. Everyone should know it was bound to happen.) Starting with that scene, I felt like DiCaprio and Day-Lewis were playing a cat-and-mouse game from who they really are to what their motivations are, especially Day-Lewis’ character. The second part of the film felt so much more alive and exciting; I also noticed how grand everything looked–the set, the clothes, the soundtrack… I was sucked into this world that Scorsese had envisioned like I was in his stronger motion pictures. Nevertheless, I cannot quite give this film a four-star rating and feel good about it because it did have that one hour that was pretty unnecessary. Regardless, DiCaprio and Day-Lewis gave very strong performaces and should be appreciated. I loved it when they had scenes when it was just the two of them in a room. I felt like I was right there with them and feeling like I shouldn’t be.
West Side Story (1961)
★★★ / ★★★★
“West Side Story” is pretty much an updated version of “Romeo and Juliet.” Instead of Montagues vs. Capulets, it’s the Sharks vs. the Jets, Puerto Rican immigrants and second generation Americans, respectively. I’m not very interested in musicals but I had to see this one because it’s considered a classic. Although I was pleasantly surprised with how well-made it was, I was also disappointed because it’s not very consistent in its quality. After it delivers one great scene, a pointless and aimless scene comes right after it, which balances out into mediocrity. Although the songs are memorable and some even made it to the modern media consciousness, there were some musicals numbers that tried to do too much. For instance, in one shot the characters are singing in a dimly-lit backdrop; the next frame introduces a glaring use of color in order to symbolize certain emotions when it really didn’t need to do it. Certain techniques like that became distracting and they took me out of the emotions that I was feeling at the time. Natalie Wood as Maria (a Shark) and Richard Beymer as Tony (a Jet) had strong chemistry so I was interested in what was about to happen to their relationship. I wish the film had focused more on them instead of the rival gangs. I think Jerome Robbins and Robert Wise, the directors, spent too much time on the gangs just hanging about, bickering, and acting stupid. Not to mention those scenes were a bit lame (in this day and age) so I couldn’t help but roll my eyes. I got what the directors were trying to do: To paint a picture that youth is the time to make mistakes and how teenagers are forced to grow up once they learn to take responsibility. But that doesn’t mean that they should spend about half the movie trying to get that message across. I felt like this movie could’ve been condensed from two hours and thirty minutes to an hour and forty minutes. Still, I’m giving this a recommendation because some parts were very strong such as when the film tried to tackle the issues of immigration, racism, groupthink, and us vs. them. Those social themes made this a musical with a brain even though it may not seem like it at first glance.
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