Prophète, Un (2009)
★★★ / ★★★★
19-year-old Arab named Malik El Djebena (Tahar Rahim) was sentenced up to six years in prison. Taken under César Luciani’s wing (Niels Arestrup), a Corsican, Malik slowly gained power in prison as he learned the politics and economics among each group of inmates. I liked that the plot was relatively simple. We had a chance to observe a vulnerable man evolve into someone who was cunning and capable of deceit yet the story was able to hang onto the core of the lead character’s being. That is, despite the difficult decisions he had to make, he was still capable of being sympathetic to those that helped turn him into a kind of person he had become. Those individuals did not always deserve his sympathy but he hung onto them anyway perhaps because he respected them in some way. His relationships with the other prisoners was always at the forefront and the “favors” he had to do were secondary but both are just as gripping. Jacques Audiard, the director, could have easily turned this film into a typical prison movie about a man hardened by hatred over the years but it chose the more insightful and elegant path. It begged the question how far a person was willing to go in order to survive and eventually flourish in a very dangerous environment, it challenged the effectiveness of rehabilitation centers, and it questioned whether a person, when given a chance, could leave behind his criminal life. Rahim was fantastic in portraying lead character. At times the movie would jump forward in time and I found myself unable to recognize Malik at first glance. Surely there were some physical changes but the way he carried himself such as his posture and the manner in which he conversed with another were more interesting to watch. Despite the film not showing us certain periods of time, we still got the sense that the hardships that Malik had to face did not stop. I did, however, have a problem with its running time of more than two-and-a-half hours. I saw no reason for it to last that long. In fact, I thought the last twenty minutes, except for the final scene, were weak and more typical compared the rest of the picture. It became redundant instead of ending it in a place where it left us wondering whether or not he would choose to risk losing everything he worked for over the years. Nevertheless, I believe “A Prophet” is worth seeing because it did not lose its heart despite the violence and drugs. It really made me question what I would have done (assuming I survived in the first place) if I was in Malik’s position. I certainly could not imagine hiding razor blades in my mouth.
★ / ★★★★
Written and directed by Mark Neveldine and Brian Taylor, “Gamer” was set in 2034 where humans can pay a company (led by Michael C. Hall) to control other humans as if in a video game. One gamer (Logan Lerman) paid to control one of the death row inmates (Gerard Butler) to take part in a very violent “survival of the fittest” competition where the winner could earn his or her freedom. I have to admit that this movie did not interest me whatsoever going into it. The only reason why I decided to watch it was because of Hall. I was interested in what else he could do other than play a sympathetic serial killer in “Dexter.” This movie was a dizzying experience at best. Right from the first scene, we got shoot-outs right after another; body pieces and bullets were everywhere, the camera shook as if the cameraman was having a seizure and the main character acted as though he was on steroids. (Perhaps he was.) The filmmakers took the egregiousness to another level by shamelessly adding “ethical questions” such as whether it was right or wrong to put people in death row in a place where they could kill each other and eventually “earn” their freedom. It wasn’t at all difficult to arrive at the right answer: of course it’s wrong! It’s also wrong to control other human beings for sake of our twisted desires even if such vessels “volunteered” to do it for money. It would have been so much better if the picture embraced its own stupidity instead of trying to ask “insightful” questions. It’s also unfortunate how this film had so many talented supporting actors (Alison Lohman, Kyra Sedgwick, Aaron Yoo, Ludacris) but they ultimately didn’t do anything. It was easy to tell that they just did it for the money. They couldn’t have chosen to appear in it because of the script since it had no depth or wit. While the performances were fine, I really think the problem was the writing. The violence was highlighted even though the core was essentially about what it means to be human and actually live our own lives. The gratuitous explosions and nudity should have been secondary if the filmmakers wanted to grasp a more elevated social commentary. Hall made a good villain but, like “Gamer,” it’s the same old song and dance (pun intended for that riduculous musical scene).