Toy Story 2 (1999)
★★★★ / ★★★★
Andy (voice of John Morris) was about to leave for cowboy summer camp with plans of taking Woody (Tom Hanks) with him, but after Woody’s arm had a small rip, Andy decided not to take his favorite toy and was shelved–a place where unwanted toys were placed. After Woody rescued a fellow unwanted toy from a garage sale, Woody himself ended up on the sale where a toy collector (Wayne Knight) spotted Woody and realized how valuable he was. Despite Andy’s mom making it clear to the toy collector that Woody was not for sale, the toy collector stole Woody and sold him to someone residing in Japan. We then get to learn who Woody really was such as his relationship with the cowgirl Jessie (Joan Cusack), Bullseye, and Stinky Pete (Kelsey Grammer). “Toy Story 2,” directed by John Lasseter, promised to be bigger than the original with its epic opening sequence in outer space in which Buzz finally faced the evil Zorg. And, in some ways, “Toy Story 2” is arguably bigger and better than the original. I thought the jokes were far more creative and funnier (the happy meal joke was spot-on and I never saw it coming), the supporting characters had more defined roles and it served as a complement to the first installment in which Woody was the one needing to be rescued this time around. Furthermore, it felt that much more personal. We learned more about Woody and the picture began to ask deeper questions about his relationship with Andy; it even hinted at several moving elements that were tackled head-on in “Toy Story 3” such as Andy moving on without his toys and the toys having to accept that reality and they, too, had to move on from Andy being their owner. In a nutshell, “Toy Story 2” had more mature content than its predecessor but the energy was as childlike–one of the main reasons why we fell in love with the franchise in the first place. I was very moved by the scene that showed us Jessie’s relationship with her former owner–how the owner grew up over the years but Jessie remained the same. It made her sad and angry and we came understand why she was so bitter about Woody desperately wanting to return to Andy. As emotional as those scenes were, Buzz Lightyear (Tim Allen), Mr. Potato Head (Don Rickles), Slinky Dog (Jim Varney), Rex (Wallace Shawn), and Hamm’s (John Ratzenberger) big adventures in the streets and a toy store provided an excellent balance of laugh-out-loud humor and imagination. “Toy Story 2” was a transitory phase which delivered the fun and heart we expected but multiplied by ten.
Toy Story (1995)
★★★★ / ★★★★
A cowboy toy named Woody (voiced by Tom Hanks) felt like he was going to be replaced as Andy’s favorite toy when Andy (John Morris) received a spaceman toy named Buzz Lightyear (Tim Allen) for his birthday. Out of jealousy, Woody tried to get rid of Buzz and the two, after a series of adventures, ended up right next door–where another boy named Sid (Erik von Detten) lived and had a penchant for ordering explosives and blowing up his toys to smithereens. Buzz and Woody then had to work together in order to escape and return to Andy’s care before his family finished packing to move to another house. It is no stranger that Pixar’s first animated film was an international success because it was able to deliver state-of-the-art animation without sacrificing Indiana Jones-like adventure and witty sense of humor. It also had a real sense of danger denoted in scenes where Woody and Buzz had to face the neighbor’s toys after Sid performed cruel surgeries on them. At the same time, there were lessons in scary and dangerous scenes, especially for kids, such as not judging something solely based on its appearance and how creativity and imagination can triumph over the most seemingly insurmountable challenges. There were even lessons about empathy and taking care of the things we own. The picture really was multidimensional in terms of story and the meanings we could extract from the visuals and the script. Even though the characters’ faces looked more wooden and had sharper angles compared to its sequels, “Toy Story,” directed by John Lasseter, is something special because each character had a memorable characteristic and was able to contribute something crucial to the project. Some stand-out scenes include Woody and Buzz meeting green aliens who believed that if they were chosen by The Claw, they would go to a better place, when post-surgery toys acted like zombies in order to teach Sid a lesson, and when Woody and Buzz had to chase Andy’s car in which failure meant losing their friend forever. Based on the screenplay by Joss Whedon, Andrew Stanton, Joel Cohen and Alec Sokolow, “Toy Story” proved that animation was not just for children as long as the story had an element of uniqueness that the audiences could invest in. And just like classic films, animated movies could also be timeless not just in terms of visuals but the universal emotions we couldn’t help but feel every time we would watch them.
Toy Story 3 (2010)
★★★★ / ★★★★
Eleven years after the fantastic adventure that was “Toy Story 2,” Pixar returns with “Toy Story 3” in which Andy (voiced by John Morris) was about to head to college and had to decide what to do with his toys: put them in the attic, throw them in the trash, donate them or take them to college with him. After a series of misunderstandings, Woody (Tom Hanks) and the rest of the gang–Buzz Lightyear (Tim Allen), Jessie (Joan Cusack), Mr. and Mrs. Potato Head (Don Rickles and Estelle Harris, respectively), Rex (Wallace Shawn), Hamm (John Ratzenberger) and Slinky Dog (Blake Clark)–arrived in a day care center in which the toys were led by a deceptively nice teddy bear who smelled like strawberries named Lotso (Ned Beatty). Andy’s toys had to then map out their escape from the day care center and back to Andy’s home.
Despite my highest expectations, “Toy Story 3” impressed me with its creativity, intelligence, heart and bona fide sense of humor. Even though our protagonists were inanimate objects, we couldn’t help but empathize with them because, like human beings, they feared being abandoned by someone who loved them and losing their purpose. That fear manifested in often hilarious ways reflected by the distinct personalities of Andy’s eccentric but lovable toys. The flashback scenes were effective because the first two “Toy Story” films were so embedded in pop culture and in our minds that it was very difficult to cut the bond between Andy and his toys. Although there were many scenes that moved me (especially toward the end when the gang accepted their fate and Andy’s final decision about what he was going to do with his toys), the one that almost moved me to tears was when Woody desperately tried to convince his friends that they should return to Andy’s home because them ending up in the day care center was all a big misunderstanding. That particular scene got it exactly right because the loyalty that Woody had for Andy was one of the main reasons why we fell in love with the franchise in the first place. Even though fifteen years had passed since the first installment, it was nice that Pixar and its writers did not lose track of the essence of friendship, its heart, despite having better means of animation due to recent advances technology at their disposal. Ultimately, the “Toy Story” franchise was consistent in comparison to other animated film series like the “Shrek” movies because the characters often had a clear and unified goal, the jokes were bound in its own universe, the script didn’t try too hard to be amusing and it proudly wore its heart on its sleeves.
For those who haven’t seen “Toy Story” and “Toy Story 2,” I believe they can still enjoy the movie because there were enough new characters to keep everything fresh. I loved the “relationship” between Barbie (Jodi Benson) and Ken (Michael Keaton) and its implications about the latter character. Another character that stood out to me was Chatter Telephone (Teddy Newton) because he talked like those detectives in the 1940s noir pictures. Extra details like him appearing in the shadows and the timing in which he was introduced was icing on the cake for me. Lastly, with the way the story ended, there was a consensus between my friends that “Toy Story 3” was sad. I disagree; the events that transpired throughout the picture celebrated the idea of renewal, growth and unconditional acceptance. It was a poignant feeling–it made me think about my childhood when my biggest problem was my toys running out of batteries, my remaining days at home before leaving for college, and my friends who have been with me despite the challenges that tested our bonds (and our tempers). Just like the epic adventures of the first “Toy Story” films, “Toy Story 3” effortlessly delivered tension, laughter, tears and warmth. If Pixar decides to make “Toy Story 4,” I’m willing to wait another ten years as long as the quality remains strong, which I’m sure will be the case.