The Cove (2009)
★★★★ / ★★★★
When I saw the trailer for this documentary, directed by Louie Psihoyos, I knew I had to see it because the fact that people actually kill dolphins for whatever reason was shocking news to me. Not only did I find it shocking, I felt sort of embarrassed for people in general due to the complete lack of respect for creatures that are established to be very intelligent and have some sort of self-awareness. Dolphins may look like fish but they are actually more similar to us than the kinds of fish that we eat. The trailer made it look like the movie was exciting because the activists actually had to sneak in in the middle of the night to certain areas around the cove to hide cameras in rocks, trees and underwater as guards patrolled the place. It was able to deliver that level of suspense throughout the picture and more. I was impressed with this movie because not only was the film very informative, it was also educational. It wasn’t only about Japanese fishermen in Taijii killing dolphins. It was also about how the dead carcasses were labeled and sold as other types of fish in supermarkets, the levels of toxicity dolphin meat has, the effects of mercury to newborns, and how we as a society shaped this idea that dolphins are cute and can perform tricks so it’s alright to capture them. Richard O’Barry, an animal trainer who captured the five dolphins on the television show called “Flipper,” really made me think because he shared some insight and the experiences he had with dolphins. One of the many scenes that really touched my heart was when he told the story about how one of the dolphins on the show swam up to him, looked at him and committed suicide. And then explained that dolphins breathed consciously, unlike us humans. The dolphin was so depressed because it had been taken out of its natural habitat for so long that it chose to end its life. Another scene that really got to me was when one of the dolphins that was stabbed began to swim ashore as blood was coming out of it. In the beginning, I thought that maybe it’s part of the Japanese culture to eat dolphins. After all, I came from a different background so I don’t exactly know their customs. But then the film talked about how most of the people in Taijii, Japan had no idea that these dolphin killings were happening. I thought Psihoyos’ picture really got its bases covered because each of the question I had in my mind was answered. “The Cove” has a sense of urgency and I believe it should be seen by everyone because this local (though I’m guessing it happens in other parts of the world as well but we just don’t know exactly where) scenario of killing dolphins will have a significant effect on the entire ecosystem. I will never forget the images I’ve seen from this film and if you decide to see it, prepare yourself.
Angels & Demons (2009)
★★★ / ★★★★
I enjoyed “Angels & Demons” more than “The Da Vinci Code” for several reasons. First is Ron Howard’s direction: In its prequel (even though, chronologically, “Angels & Demons” happened before “The Da Vinci Code” so it depends on how one looks at it), I felt that Howard was all over the place and missed some crucial information from Dan Brown’s novel. That is why the ending was not as powerful as it should have been. To me, the facinating locales were at the foreground instead of the story. It was so concerned with being so fast-paced that it almost sacrificed its emotions and the details that made the book such a page-turner. In here, the director has more focus and confidence when it comes to tackling certain scenes and some of them are downright impressive (whether it’s about thrills or visual effects). I also liked Tom Hanks a lot more here than I did in “The Da Vinci Code.” Aside from the absence of his ridiculous hair that distracted millions of audiences from the first film, I felt like Hanks is more comfortable as Robert Langdon–he has that certain intellectual swagger but he doesn’t take it too seriously. I have to admit that there were times when I forgot about Hanks playing a role; I was so interested in what was happening, trying to recall if the events that transpired in the novel were being accurately portrayed in the picture. I also liked the lack of chemistry between Hanks and Ayelet Zurer. As strange as that may sound, films have the tendency to attach a romantic angle to “spice things up” when they really do not need to. In fact, most of the time such romatic interests weigh the picture down so I was glad there was none of that nonsense in “Angels & Demons.” It’s really focused in Langdon’s quest to solve the mysteries that were unfolding in the Vatican. Lastly, I have to mention Ewan McGregor as Camerlengo Patrick McKenna. I’m not religious in any sense but the way he delivered some of his speeches were so powerful, I couldn’t help but have my eyes (as well as my ears) glued to the screen. He has a certain subtlety that is both charming and dangerous. Overall, “Angels & Demons” is a pretty entertaining summer blockbuster flick that really shouldn’t be taken all that seriously. It’s interesting to me how religious groups respond to these type of films. If they are so secure about their faith, films like this should not matter in any way. Its goal is to simply entertain and I think it achieved just that.
Dear Zachary: A Letter to a Son About His Father (2008)
★★★ / ★★★★
This movie left me emotionally drained because I was able to feel a whirlwind of emotions as it unfolded. At first it was about Andrew Bagby’s murder in the hands of the psychotic ex-girlfriend Shirley Turner but then it changes gears twenty minutes later. It then begins to document the struggles that David Bagby and Kathleen Bagby went through in order to take care (and gain custody) of Zachary Bagby, Andrew and Shirley’s son, while at the same time trusting the law to do its job by putting Shirley away for the overwhelming evidence of pre-meditated murder. As the film went on, the rug was pulled from my feet once again and the documentary-family portrait becomes something so much more profound and heartbreaking. I can see how some people could point out and claim that the film is a bit amateurish and shouldn’t be trusted fully because it comes from a close friend of the Bagbys. But considering the many years of custody battles and emotional rollercoasters, I thought the way Kurt Kuenne, the director, told the story was very personal (and sometimes too personal; there were some interviews that made me feel like I shouldn’t be watching or hearing what they’ve got to say) and the amateurish production reflected that. It’s also effecient because I noticed that every twenty minutes or so, the audiences get to learn something new and reevaluate the things that were explored prior to that point. As for the criticism regarding its lack of objectivity, being fair is not the film’s purpose at all. Its purpose is to show how much the Bagbys are loved and Canadian government’s inaction regarding a woman who they claim to be “not a danger to society.” Although I haven’t experienced the pain of losing a friend in the hands of another, I found it easy to relate to the people in this documentary via imagining myself in their situation. Those scenes when David and Kathleen were willing face the murderer of their son just so that they could spend time with their grandson really got to me. I honestly don’t know how they got through it or if I could ever go through it if something similar happens to me. I thought this film was impressive in many respects and it reminded me of the revelatory “Capturing the Friedmans.”
The Midnight Meat Train (2008)
★★ / ★★★★
Bradley Cooper has come a long way since I first discovered him in “Alias.” Even though he seems like a pretty boy on the outside, he can effectively play characters that have many sides to them. I also have to give him kudos for not playing the same type of character in his movies. In “The Midnight Meat Train,” directed by Ryûhei Kitamura and based on a short story by Clive Barker, Cooper plays a photographer who one day finds out about a butcher (Vinnie Jones) who kills people on the subway after taking pictures of a woman who was being harrassed by a couple of thugs. Wanting to gather more evidence before he approaches the police, he becomes obsessed with the butcher and his girlfriend (Leslie Bibb) becomes worried about his new personality. This film is especially gory and violent which horror fans will undoubtedly love. What’s even better is that it is quite suspenseful especially that one scene when two people decide to break into the killer’s apartment. I just had a feeling that it would go terribly wrong so I had to watch the film through my fingers. What didn’t work for me, though, was the last fifteen minutes. Instead of being a straight-up horror film, it hybridized with the science fiction realm. I understand that this is based on a short story and I shouldn’t hold the movie responsible for following it. I just needed to mention the fact that it did get ridiculous and I even caught myself rolling my eyes because of the ending. It definitely took away some of that realism regarding being attacked by a butcher on a subway in the most gruesome ways. Still, I’m giving this a slight recommendation despite the mediocre rating because it genuinely thrilled and scared me.
Saw V (2008)
★ / ★★★★
I don’t know why I keep watching this series. Even though I have a feeling that it’s going to be disappointing, I still feel some sort of excitement whenever they release a sequel. I guess it has something to do with human nature and violence. Everything about this film is recycled. People claim that each sequel adds to the storyline because it provides information that the audiences did not have prior to a specific installment. I cannot disagree more. I think the writers have dug themselves so deep into the “mythology” of the series to the point where there’s five plotholes to each so-called twist. Each sequel then tries to solve those plotholes by trying to tell a story and providing more twists to keep the viewers engaged. It’s an interminable cycle that I think will not end any time soon as long as people are actually willing to pay for a ticket in the cinema. Even though I did enjoy this sequel more than “Saw IV” because it’s more comprehensible, we get too many flashbacks (it’s literally more than half of the film) that practically say, “Look over here! You missed this! Aren’t we brilliant and you’re not because you didn’t figure it out before?” It’s an insult but a laughable one so it becomes somewhat harmless. What worked for me was the rivalry between Costas Mandylor and Scott Patterson. I’ve been wanting these two to collide ever since the first few sequels. (I actually do not remember when each of the character appeared because all of them have the same “story.” Only the torture scenes are different.) Here, they get to battle it out a bit. Another actor that worked for me was Julie Benz even though I strongly believe that they could’ve used her more. She’s a strong actress (I’m still a big fan for her role in of “Buffy the Vampire Slayer,” “Angel,” and “Dexter”) and it shows in pretty much each scene she was in. What didn’t work for me was the return of Tobin Bell as Jigsaw. No, that is not a spoiler and you will see why. He talks in the same pitch and tone in pretty much every line and I can fall asleep listening to him. If they are going to make a “Saw VI” (which I bet they will), I want to see less of him. As for the infamous traps, I only have one favorite which has got to be the opening scene involving a pendulum. I also liked the part where Benz finally figured out what they were supposed to do right from the beginning. I cannot recommend this picture because everything is like a rerun of the first four movies.