Middle of Nowhere (2008)
★★ / ★★★★
“Middle of Nowhere” was an indie drama about two teenagers who wanted to escape their lives. Dorian (Anton Yelchin) was sick of his wealthy family and their expectations of his eventual responsibility of running the family business. A problem child, he was sent to his uncle to learn discipline. Grace (Eva Amurri) wanted to go to college to pursue her dreams of becoming a doctor but was unable to get financial aid because her mother (Susan Sarandon) took out unpaid loans under Grace’ name. The mother claimed that the answer to all of their problems was for Grace’ younger sister (Willa Holland) to enter the modeling industry. Dorian and Grace worked at a waterpark and eventually became partners in selling cannabis. I enjoyed the film mostly because of the performances. Sarandon was great as the mother who didn’t quite know how to be a responsible parent. I understood the many predicaments she was in, especially her financial instability, but I didn’t pity her because she was supposed to be the leading figure in the family. Unlike her eldest daughter, she wasn’t focused in accomplishing something she was responsible for. Yelchin and Amurri were equally interesting as teenagers whose lives were in a standstill. I admired that the script infused sexual tension between them but they never got together in a sexual way. That was important because their relationship was about business first, friendship second, and everything else was tertiary. Instead, a potential beau (Justin Chatwin) for Grace entereed the picture. They seemed like a perfect fit because he was worldly, smart and had substance. But was he too good to be true? As usual, I enjoyed Yelchin’s cooky side. A less charming actor would have looked like a complete fool while dancing in a laundomat. Amurri successfully made me want to root for her character. Although she was tough and sometimes cold, I understood that she had to be because she learned at an early age that nobody would ever just hand her what she wanted. I saw some similarities between the two of us but she definitely had a more unpleasant background. Unfortunately, the film hit a few bumps on the road. Half-way through, I began to feel as though the melodrama had completely taken over. I kept waiting for the tone to change up, surprise, and offer some laughter, especially during the scenes of Grace and Dorian’s odd occupation, but it remained painfully one-note. Written by Michelle Morgan and directed by John Stockwell, “Middle of Nowhere” had a good amount of intelligence and heart but I wished it was more playful with its tone because with such a somber material, the line between self-reflection and narcissism was often crossed.