Long Weekend (1978)
★ / ★★★★
“Nature Strikes Back” movies are interesting to me because it offers a different kind of horror. There’s no serial killer running around trying to kill half-naked teenagers and there’s no religious people trying to call an exorcist because of a demonic possession. Unfortunately, “Long Weekend” doesn’t impress on any level for several reasons. Most importantly, the couple (John Hargreaves and Briony Behets) who go on a camping trip near the beach are very unlikeable. The first scene they shared, they couldn’t help but bicker. They bickered on the way to the beach. And they bickered at the beach when weird things started happening. Instead of teaming up and putting their differences aside, they actively chose to blame one another for the things that were going wrong. I got so tired of it to the point where I wanted to shake them and tell them to shut up because they were damaging my ear drums. I actually wanted nature to kill them off so that I could get some peace and quiet. I would have cared so much more about the characters (and rooted for them) if they took care of nature and appreciated its beauty, yet for some reason nature was out to get them. I’m not sure if Everett De Roche, the writer, and Colin Eggleston, the director, were trying to be serious or campy. Either way, they succeeded in neither because the acting, tone and storytelling were subpar. Now, movies about nature suddenly going crazy and going on crazy rampages could work. For instance, Alfred Hitchcock’s “The Birds” is one of my favorites. But this one felt like there was no brain behind it all and the scares involving the animals attacking were downright laughable. (Advice: If the animal looks really fake, don’t go for close-ups.) Just when I thought it was about to be successful at building suspense (the creature hiding in the water as Hargreaves goes swimming was pretty effective), a character does something so stupid so I’m taken out of that precious moment of feeling concerned about what would happen next. As cautionary tales go, the lesson is very obvious: treat nature with respect. But as far as horror movies go, Australia’s “Long Weekend” was more like a very long movie I wished would end after the first thirty minutes.
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008)
★★★★ / ★★★★
I like to think of myself as an adventurous moviegoer so I’m on the constant lookout for movies that are vastly different from the mainstream. I’ve heard of the term “exploitation film” before (mainly from Quentin Tarantino because his movies often reference to that genre) but I never really knew what it really meant until I saw this film and did a bit of research about it. I really loved this documentary because I really learned a lot from it. I had no idea that Australia released all these cult classics, some of which have never been released in America. The way Australians made and released these daring movies in the 1970s and 1980s was so refreshing because nowadays, especially here in the United States, those kinds of movies are not made anymore. Once in a blue moon an exploitation flick (or a flick inspired from such like “Wolf Creek”) would be made but it was always under the radar no matter how good or bad it was. Speaking of good and bad, another thing that I loved about this documentary was it put the spotlight on good and bad movies alike and the people being interviewed explained why they thought a particular movie was good or bad (or sometimes even both). It fascinated me and I literally made a list of the movies wanted to check out. Some of them include “Mad Max” (1979), “Turkey Shoot” (1982), “Fairgame” (1985), “Dark Age” (1987), “Next of Kin” (1982), “Long Weekend” (1979), “Road Games” (1981), “Patrick” (1978), and others. The documentary, written and directed by Mark Hartley, was divided into several sections which started from movies about sex and nudity and ended with movies about car crashes and extreme violence. While it did cover a plethora of disparate motion pictures, I was also very impressed with the fact that it found enough time to discuss censorship (or lack thereof) in the era of Ozploitation. I wish this movement would repeat itself here in America because I’m starting to get sick of Hollywood trash being released in theaters weekly. Some days, I just want to see intense car chases with no real story but has a great sense of dialogue (like “Death Proof”) or even a movie about science gone wrong with buckets of blood on the side. Nowadays it’s all about the box office and watching this film really made me feel like the filmmakers wanted to make movies just because they were in love with the process–a reason why some of these exploitation films are so randomly original. I was so excited about the content of this movie, I decided to added some movies on my Netflix (the ones available in America anyway). I just want to see something so risqué and possibly something I can love and recommend to my friends when we don’t feel like going out and spending money.