The September Issue (2008)
★★★ / ★★★★
Anna Wintour, the extremely influential editor of Vogue magazine, stated it perfectly in the very first few minutes of this documentary: Most people are scared of fashion and that’s probably why they make fun of it. Personally, I don’t think fashion is a ridiculous subject at all because it covers every aspect of beauty–something that is very important to me–not just when it comes to the clothes but the attitude that comes with them. Directed by R.J. Cutler, he documented all the hardwork, the conflict, the stress and the funny moments of what it took to release the September issue of Vogue. Two people are at the forefront: Anna Wintour and Grace Coddington, the editor and the creative director, respectively. I love that the movie covers the history of the two so we get some sort of idea where they came from and what it took for them to be where they are now. Although Wintour and Coddington have very different personalities, both of them are aware with how brilliant the other person is. Instead of competing with each other, they constantly push each other to be more critical and to continue to redefine beauty. While Wintour is truly a very intimidating ice queen, she’s not a total diva like how fashion editors were presented in motion pictures. She has her more tender moments, especially when she spends time with her daughter. On the other hand, I found Coddington to be very admirable because she’s not afraid to push for what she wants to be included in the magazine even if Wintour says “No” to her ideas time and time again. She’s a romantic and she remains to be a sweet individual despite the harsh realities of the fashion industry. While the two giants do have their disagreements, they share one crucial bond: They are very passionate with what they do and they want the magazine to be at its best. I was so engaged with this movie because there were times when I agreed with Wintour and there were times when I agreed with Coddington. I found it fun to see which photos would make it to the magazines, which was really hard at the same time because the photographs were stunning. This documentary is obviously targeted for people who are interested in fashion. However, for those who could care less about fashion should see this as well because it will undoubtedly show them that fashion is not a joke (though sometimes it can be). Like other more traditional jobs, it requires a lot of long hours, heartbreaking rejections, stress due to everything not going according to plan, and best of all, a thick skin.
★★★ / ★★★★
I was deeply touched by this biopic about a supermodel named Gia Carangi (Angelina Jolie) back in the 1970’s and 1980’s. Throughout the picture, I felt that her story was very personal because we got to see her evolve from a rebellious kid who was abandoned by her mother to a stunning supermodel who everyone wanted to worked with. At the same time, we also got to see her cocaine addiction, failed relationships and connection with others, and the eventual decline of her health because of AIDS. I’m glad that this film did not particularly glamorize the fashion world. In fact, I got a feeling that it was almost against it–as if it was one of the main reasons to blame that finally drove Carangi over the edge. Gia was far from a perfect person and therefore not free from blame but she had crucial moments when she took responsibility because she really did want to change. I admired the scenes when Jolie was posing in front of the camera looking extraordinary but such scenes also had voice-overs of what the photographers, the crew, and the other models’ real thoughts about Gia. It shows that something beautiful on the outside doesn’t necessarily reflect what’s on the inside, which I thought culminated when one of the women confronted Gia with such anger during one of the drug addiction sessions concerning the lies–on how to look like, how to act, and how to live one’s life–presented by the glossy fashion magazines. I also enjoyed the fact that Gia’s relationships were highlighted throughout the film: the mother who uses her as an accessory, who’s always there when things are good but almost never there when things are bad (Mercedes Ruehl), the loyal friend she met right before she was discovered and was there with her until the end (Eric Michael Cole), the agent who she saw more as a mother-figure (Faye Dunaway), and her on-and-off girlfriend who always wanted Gia to be the best she could be (Elizabeth Mitchell). While most people I know chose to see this for the nudity by Jolie, I have to say that this film goes beyond issues of the flesh. There’s a very real story and powerful lessons to be learned here; in fact, to be honest, the “sex” scenes are not that shocking to me because I’ve seen all kinds of movies with all kinds of sexual acts. For me, the sole purpose of watching this picture for the nudity is a sign of disrespect for Jolie’s acting abilities and Gia’s memory. Directed by Michael Cristofer, “Gia” is a triumph on multiple levels (especially Jolie’s acting) and should be seen with an open mind and sensitivity.
How to Lose Friends & Alienate People (2008)
★★ / ★★★★
I love Simon Pegg because he never fails to make me laugh in any movie he stars in. Naturally, I had to see this picture despite bad to mediocre reviews. He plays Sidney Young, a writer who takes up a job offer from Jeff Bridges, the leader of a magazine that specializes in publishing stories about celebrities. Amazingly unaware that he’s way different than anybody else who works for the magazine, he constantly butts heads with the serious Kirsten Dunst, and, predictably enough, the two fall for each other eventually. I would have liked this film a lot more if it had focused on the comedy instead of experimenting here and there with media satire. With that indecision, the picture becomes an unfocused mess. I cannot pinpoint which is stronger: the slapstick comedy with Pegg or the poking fun of celebrity life such as the dragon-lady publicist played by Gillian Anderson (really, she was great in every scene she was in). While the two distinct camps do indeed have their moments, they never really come together so I felt like I was watching two different movies at the same time. I think Robert B. Weide, the director, is the one responsible for such a disconnect. If he had spent less time trying to fit Pegg and Dunst’s obvious lack of chemistry, he would have had more time actually shaping the slapstick and the satire into one comedy with a pretty powerful punch. Overall, this is not a particularly bad film; like most critics, I’d say this was a mediocre effort. If people were to see this, I think they would find Pegg very funny (or very annoying) because he has a certain vibrant energy that one cannot find anywhere else. Since his character is a movie-lover, it was fun for me to watch him make (sometimes too obvious) references to other motion pictures. “How to Lose Friends & Alienate People” is a mixed bag so one should decide carefully on whether to actually see it.