Breakfast with Scot (2007)
★ / ★★★★
Sam (Ben Shenkman) and Eric (Tom Cavanagh), a gay couple who chose to pass as straight because of their careers, decided to take in a boy (Noah Bernett)–Sam’s nephew–because his guardian (Colin Cunningham) living in Brazil essentially did not want him despite the fact that the boy’s mother who passed away really wanted the boy to have a good father figure. There was something about this movie that I just didn’t like because I believe it spent too much of its time focusing on the boy’s gay tendencies–from his penchant for wearing bright clothing, putting on make-up and jewelry, to singing showtunes as if everyday was Christmas–as a source of comedy. And then it showed Eric being so embarrassed for the kid time and again that he took away everything that made the kid happy and led him to play hockey to toughen him up a bit. It was supposed to be amusing on the outside but I think it was very sad in its core. For one, I could relate with the kid because when I was younger I was called names by the other kids and the adults in my life at the time made certain decisions (I’m not going into specifics here) so that I could “toughen up.” Like the boy in this movie, the decisions they chose for me made me, though I did “toughen up” in the end, very unhappy and when I got older, I became very angry at not only myself but also to those around me. Essentially, this movie took the safe route because everything turned out for the best in the end. Although it did try to teach a lesson about letting children be who they are, I think it really missed the point when it came to teaching adults the real repercussions of their actions if they did to choose to “correct” their children’s natural behaviors. This movie was thinking short-term instead of long-term and I just didn’t buy it. I think the movie had the potential to really explore a child’s psychology and the self-hatred of a man desperately wanting to appear straight to his co-workers and random people in the streets who could care less about him. Instead, it tried so hard to be cute to the point where it was almost cringe-worthy. Although I must say that the scenes involving the cruelty of children as they tried to find their identities were pretty good. Those were the only scenes where I thought, “Hey, something like that happened to me or someone I know when I was in grade school.” Based on a novel by Michael Downing and directed by Laurie Lynd, “Breakfast with Scot” lacked edge and, more importantly, honesty and believability.