Another Year (2010)
★★★★ / ★★★★
Tom (Jim Broadbent) and Gerri (Ruth Sheen) were a happy couple surrounded by unhappy friends, family, acquaintances, and strangers. Tom was a geologist and Gerri was a counselor at a hospital. Both enjoyed tending their garden on their spare time. Mary (Lesley Manville) always felt welcome in Gerri and Tom’s home. She was free to talk about herself as much as she wanted: How her life would be so much better if she had a car, her regret over failed relationships, and her dependence on alcohol when things didn’t go her way. To say the least, she had a lot of issues. But, in a course of a year, things changed. Mary began to show a romantic interest in Tom and Gerri’s thirty-year-old son named Joe (Oliver Maltman). When, to everyone’s surprise, he brought home a girlfriend (Karina Fernandez), Mary was less than welcoming. In fact, she was downright cold and dismissive. Suddenly there was a gaping chasm between Gerri and Mary. Written and directed by Mike Leigh, “Another Year” was full of people you and I know. I have friends who are just like Mary: somewhat self-centered but fun because of her firecracker of a personality. But then there were times when I felt like I was Mary. I could identify in the way she hid her sadness by pretending to be excited about everything. But what I loved was the director and the actress were careful in painting Mary’s character. They didn’t necessarily want us to feel sorry for her because she actively didn’t take responsibility for her actions. A crutch always seemed to be at her disposal. However, Leigh and Manville did want us to understand where she was coming from and perhaps even imagine ourselves in her shoes. Sheen also gave an excellent performance. What I loved most about her were her eye bags. I don’t mean to sound glib. To me, her eye bags symbolized wisdom and experience. I was fascinated in the way she was always supportive but at the same time she wasn’t afraid to let someone know when he or she had overstepped certain boundaries. Certain looks she gave were memorable because they were the same looks my mom gave me to express her disappointment when I had done something unpleasant back when I was younger. I relished the relationship between the two women, who happened to be good friends for about twenty years, and the awkwardness during and after the unpleasant dinner. Everyone knows the feeling of being caught in between two good friends having a row. We got to experience that in here and the answers were rarely easy. While watching “Another Year,” its story told in four seasons each embodying a different mood and tone, I caught myself inching toward the screen. I literally felt close to them. I wanted to read their smallest facial expressions and most subtle body movements. I found it compelling that Leigh posed big, elegant questions by focusing on a small regular family.
Vernon, Florida (1981)
★★ / ★★★★
“Vernon, Florida” showcased a group of people with different eccentricities. Among them were a couple who claimed that their jar of sand was growing because of radiation, a man with a pet turtle (who didn’t think it was a turtle but a gopher), a cop with nothing much to do, a sermon involving the several meanings of the word “therefore,” and most interesting of them all, a man with a passion for hunting turkeys. Directed by Errol Morris, half the fun of the picture was in allowing the subjects to speak to us as if we were right there in front of them. Their accents were sometimes difficult to decipher but it didn’t matter because the nature of the one-way conversation was so fascinating. I knew I was interested in what they had to say when they mumbled or stumbled over their words and I leaned closer to the screen to grasp at the evanescent words. Unfortunately, more time were given to some people than others. I wanted to know more about the gentleman who grew worms. I don’t particularly like worms but I was interested in his occupation and his point of view about why raising worms was important. He was only given two or three scenes. However, I was happy that the picture always returned to the obsessive turkey hunter. The description he gave about where and how he would hunt was so vivid, it almost left like we were following him in the hunt. I was surprised that each pair of turkey feet he had on his walls, initially very creepy, had a special story. I didn’t know whether to laugh or worry when he began to have a fierce look in his eyes as he described every delicious detail about the joy of shooting a turkey. As the film went on, the more I realized its wicked sense of humor. Most of the people being interviewed were the elderly and it was difficult to tell whether they still knew what was going on. Did they really believe in what they said, especially the couple who thought that the sand they obtained from New Mexico was indeed growing? Nevertheless, Morris didn’t make fun of the individuals being interviewed. There was one scene I was particularly impressed with which involved a man mentioning another who didn’t believe in a higher power. Just when I thought he was about to make a remark against those who didn’t believe, he highlighted a commonality between a believer and a non-believer. Even though he was a devout Christian, he knew it wasn’t his place to judge. I wish we had a chance to spend more time with him. “Vernon, Florida” was a piece of evidence that there are interesting things embedded in the mundane. Its slice-of-life style was endearing, amusing, and it was loyal in celebrating of our differences.
Get Low (2009)
★★★ / ★★★★
A reclusive man named Felix Bush (Robert Duvall) retreated into the Tennessee woods forty years ago for an unknown reason. Friends didn’t visit him, he never had a family, and the people in town either looked down on or were completely afraid of him. Nasty gossip such as Felix being a cold-blooded killer was the talk of the town. His only companion was a mule. It was rightly so because he was as stubborn as. After decades of being a hermit, he walked into a funeral parlor led by Frank Quinn (Bill Murray) and his assistant (Lucas Black). Felix said he wanted to throw a funeral party for himself. He wanted to hear the many colorful stories people heard about him over the years. In order to attract people, there was to be a raffle after the party and whoever’s ticket was chosen would own Felix’ acres of land when he died. Half the fun of the film was watching Duvall and Murray interact. Duvall is an expert in playing mysterious characters but with surprising amount of heart. His interactions with his former lover’s sister (Sissy Spacek) were tender, sometimes strained, but consistently interesting. Their first scene together was surprising because even though it was the first one they shared, I already felt like there was a history between them. The actors managed to express a handful of emotions without necessarily talking about them. On the other hand, Murray’s blank expressions and deadpan delivery of his lines made up the bulk of the humor. Frank wasn’t happy because not enough people were dying in town so he was so desperate in keeping Felix as his client despite his customer’s many strange requests. Was he only motivated by the vast amount of money he would eventually earn? Another key figure was Frank’s assistant named Buddy. He was like a son that Felix never had. They were strangers to each other and they never did get close as one would consider them friends, but there was something beautiful and touching about the way Felix learned to open up to someone else other than his mule. Maybe our protagonist saw a bit of himself, back when he still had his youth, on the honorable and well-meaning assistant. But the most powerful aspect of the film was the hermit’s speech during his funeral party. In ten minutes, he started from being the joke of the town to someone who everyone should be able to sympathize with. “Get Low,” directed by Aaron Schneider, tackled serious issues like death, aging, and guilt with glee and eccentricity yet it successfully maintained a certain level of respect so the issues and the characters were never the punchline. The funny moments were in the way the characters responded to the ridiculous beauty that life sometimes offers.
Everybody’s Fine (2009)
★★ / ★★★★
Despite his doctor’s recommendation against traveling, Frank (Robert De Niro) decided to go on a road trip across America when his thirtysomething children (Kate Beckinsale, Sam Rockwell, Drew Barrymore) made last-minute cancellations to come visit over the holidays. Frank wanted to reconnect with his kids due to the recent death of his wife. Also, he felt lonely being by himself at home. “Everybody’s Fine” had an interesting premise but it ultimately left me wanting more. Since Frank’s children had vastly different personalities and temperaments, I thought that each visit would reflect a change of tone. Unfortunately, it remained mind-numbingly one-note. It was depressing because the kids didn’t want to have anything to do with their father which were reflected in their phone conversations when Frank was on the train, the bus, and the plane. Although he was somewhat welcomed with smiles and hugs, the emotions felt fake because we knew what they really thought about the surprise visit. It was like watching a guide called “How Not to Treat Your Parents When They Get Old and You Have Your Own Life.” It would have been refreshing if two of them didn’t want him over but at least one genuinely did without question. One visit could have been strange, the other really funny, and the last quite cantankerous. Big shifts in tone could have signified that the material wasn’t afraid to take risks. So what if everything doesn’t quite fit together? Just keep the audiences interested. There were some mildly comedic scenes like when Frank was portrayed as being out of touch with recent technology and his unawareness that the heavy bag he’d been carrying had a handle and wheels which could have made his life easier. There were also some touching scenes such as when we finally realized that there were some truth in Frank’s high expectations of his children and why they felt distant toward him for years. Nevertheless, I still disagreed with the way they treated their father as if he was a child. Protecting someone doesn’t always equal keeping them in the dark especially when the person had a right to know what was happening. The writing could have used some work. The scene I found most awkward and uncomfortable to sit through was the fantasy scene involving Frank sharing a meal with his children, played by actual kids, and secrets were revealed. Some of the divulged information could be surmised from Frank’s visit but some were simply out of nowhere. That scene felt cheesy, forced, and it diminished the little dramatic pull it had going for it. Written and directed by Kirk Jones, “Everybody’s Fine” had a great cast, with some effective acting from De Niro, but it made far too many missteps because of a weak script. I couldn’t help but feel disconnected during the more serious revelations.