House of Games (1987)
★★★ / ★★★★
Despite her many successes in her career, a psychiatrist named Dr. Margaret Ford (Lindsay Crouse) felt like something was missing in her life. She had her routine at work but at the end of the day she wondered if she was even alive. A void was inside her was increasing in size and she didn’t know how to fill it up. When a patient with a gambling problem confessed to her that he’d be killed if he didn’t come up with the money the next day, she went to a bar and met Mike (Joe Mantegna), the man who supposedly would murder her patient. Being next to him, she felt instant attraction. And when she found out about his occupation, she felt excitement–something that helped to cure the emptiness inside her. The film’s greatest weapon was its script. Every time the characters would speak, I was drawn to them because they were intelligent but ultimately wounded. The camera would move with jurisdiction whenever there was a subtle change in tone so I was always curious with what was about to transpire. After many twists involving several cons, I tried to stay one step ahead of the material just as the characters eventually tried to outsmart each other. The filmmakers had fun with the material because there were times when I thought a twist would occur but it simply didn’t. There were other times when my hypotheses were correct. Furthermore, I was surprised how exciting it was even though it lacked car chases and explosions, elements that are easily found in movies like this one. Instead, the picture focused on the characters and how the dynamics between them changed drastically with a slight of hand. As much as I liked the heist scenes, I found Dr. Ford’s compulsions to be most disturbing and haunting. The way the darkness in her moved from her thoughts to her actions made me feel very uncomfortable. The scary thing is that I found a bit of myself in her. I’m a perfectionist and I love my routine. I love being around people and working with them but sometimes I wonder if it’s really worth it. Like her, there are times when I feel the need to do something completely out of character because constantly trying to have everything just right had become trite and painfully boring. In other words, sometimes I feel like the law doesn’t apply to me because I’ve been a model citizen. Written and directed by David Mamet, “House of Games” was a psychological thriller that worked in multiple levels. Its subject matter directly and astutely commented on human nature and how our behavior could sometimes define us.
Valentino: The Last Emperor (2008)
★★★★ / ★★★★
Over the years I’ve grown to love the fashion industry so watching this documentary about the legendary Valentino Garavani was a real treat. I was fascinated with watching him handle situations when people did not quite reach his vision. That frustration sometimes ended up in heated arguments and sometimes they ended up with a joke or a simple snide remark. The passion Valentino had about fashion sometimes took its toll with the people around him, especially his long-time business partner and lover Giancarlo Giametti, but if it weren’t for his persistence and perfectionist nature, his creations would not have been the same. I liked that Matt Tyrnauer, the director, took some of the picture’s time to go back into the past and tell his audiences where Valentino came from and how he met some of the most influential people in his life. I was so engaged when the legendary designer talked about the many inspirations he had from films and movie stars when he was around thirteen years old. And when asked by a reporter if he dreamed about being anything else other than designing for women’s clothing, there was something brilliant and amusing with the way he said his one-word answer. I’m glad that this documentary didn’t quite focus on all of Valentino’s accomplishments (although I wouldn’t mind watching that documentary if one decided to take on the project). The majority of it was about his final couture show, which was beyond extravagant, and the media’s ever-annoying questions on when he would finally retire. I’ve seen a few runways and shows but nothing comes close to the elegance of his models, the ravishing sets, and the inspired clothings. Every image of the film looked like candy I wanted to touch and relish. “Valentino: The Last Emperor” would most likely not reach the mainstream because it’s geared more toward fashionistas. However, if one is generally interested in beauty, or even better, the passion and effort to make something beyond exquisite and divine, this is definitely the one to see.
Barry Lyndon (1975)
★★★★ / ★★★★
I can’t say that this is one of my favorite films from Stanley Kubrick, but I have to admit that this picture is extremely well-crafted. I was impressed that Kubrick shot each scene with only natural light such as the sun during the day and candles during the night. His use of certain cameras that tend to highlight the magnificient backgrounds is nothing short of brilliant. Like “Full Metal Jacket,” the topic of duality is explored in a meaningful way. The first part of the film focuses on Redmond Barry (Ryan O’Neal): how he left his family and joined the British Army. The second part of the film is about Barry Lyndon (still played by O’Neal) and his attempt to attain the respect he can never achieve. Redmond Barry and Barry Lyndon, though the same person, are completely different from each other. The former is naive and honorable, but the latter is hungry for wealth and power. On the outside, it’s about the rise and fall of man. But I think it’s so much more than that. “Barry Lyndon” is a classic example of a man so willing to change himself by forgetting his past as he tries to gather wealth and power (by marrying Marisa Berenson who plays Lady Lyndon), all the while not caring about anyone who gets hurt by his actions. At the same time, he’s not viewed as a completely evil person because of the events that shaped him; he still has the capability to love even though he does not show it in an apparent manner. I can see why most people would initially dismiss this film because it is very slow-moving. However, if one learns to embrace its slow nature, he or she will be rewarded by its epic historical story. I wasn’t surprised when I found out that this film won two Oscars–Best Cinematography amd Best Costume Design–because I’ve never seen anything like it. Each prop is gorgeous, especially the clothes and the paintings on the walls. Many times in the movie, especially during the second half, I felt like I was visiting a museum, not just because of the aesthetics, but also due to the echoes created by the characters’ feet and the whispers in conversations. Kubrick really was a perfectionist and it shows because each of his work is always exemplary. This is a difficult film to swallow and one of the reasons is its three-hour running time. However, it’s a fascinating character study. Barry Lyndon doesn’t realize that by forgetting where he comes from, he loses a significant portion of himself and therefore cannot grow to be a better person. He finds happiness in material things but never realizes that all he had to do was look inside himself. And that is only one of the many tragedies that this breathtaking film has to offer.