★★★ / ★★★★
David Dunn (Bruce Willis) was on a train from New York to Philadelphia that suddenly derailed. Everyone on the train passed away except for him; in fact, he walked away from the wreckage without a scratch. This strange phenomenon caught the eye of Elijah Price (Samuel L. Jackson), a man born with osteogenesis imperfecta–since his body lacked an essential protein, his bones were very low in density and therefore easy broken. Elijah had a passion for comic books and he was convinced that David was a superhero in the making. Was Elijah a madman who became embittered from his experiences as a child or was he a friend that could help David realize his true potential? M. Night Shyamalan did a fantastic job blurring the line between science fiction and realism by establishing a heavy but malleable solemn mood. I thought it was great in building the tension as we were given information that could lead to the conclusion that David might be special. The film could simply have been about a man coming to terms with his “gift” (if he did indeed has one) but it took the more introspective path and it became a story about a family trying to stay together. David and his wife (Robin Wright) were on the verge of divorce due to reasons undisclosed and his son (Spencer Treat Clark) became fixated with the idea that his dad was special in order to deal with the fear of his father being plucked away from his life. Shyamalan’s talent in telling a compelling story was always at the forefront. Even though I did not know the truth about David’s identity, I cared about him because I was as confused as he was. “Unbreakable” was highly successful in building an inordinary experience from ordinary elements. I loved the way the director gave us information that was open to interpretation but not so abstract that it became frustrating or even insular. I also enjoyed the awkward camera angles because it challenged our perspectives visually and intellectually. And in a way, the film was also about perspectives: do we believe that David is a superhero or just a man trying to get by? It was strangely moving and I thought it ended at just about the perfect moment. Most people have lost faith in Shyamalan’s talent in creating stories that are involving, honest, and creative but at the same time defying our greatest expectations. I’m not one of them because when I rewatch his films like “The Sixth Sense,” “Unbreakable” and “Signs,” (or even “The Village” to some degree) I cannot help but notice the level of detail he puts into his work. What I think he needs is to step back, look at what made the aforementioned pictures work and tell a story he would love instead of what he thinks the public would love.
Art of the Steal, The (2009)
★★★ / ★★★★
“The Art of the Steal,” directed by Don Argott, focused on the struggle between what Dr. Albert C. Barnes indicated on his will regarding what would happen to his post-impressionist paintings that are currently worth over $25 billion and the Republican WASPs that controlled the city of Philadelphia. Many people, on either side, can bring up arguments about why we should or should not keep the highly valuable paintings in Dr. Barnes’ school located in the Philadelphia suburbs. But to me, the reason why the paintings should be kept at his property is as clear as day: it was stated in his will exactly what he wanted and it is unethical and immoral to not respect the person who earned the money and collected the paintings that everyone once thought were worth nothing. I loved the way the documentary was organized. Since I did not know much abour Dr. Barnes and his foundation, I was glad that the first fifteen minutes clearly explained who he was and his accomplishments. I thought it was fascinating and inspiring that Dr. Barnes came from a poor family but he put himself through school by taking jobs such as boxing. And even though he became rich due to certain medical breakthroughs he discovered, he welcomed the poor and the working class to view the paintings he collected. There was a certain poetry in the way the film eventually tackled the reason why Dr. Barnes learned to despise the rich republicans and key figures that led to the downfall of the Barnes Foundation. “The Art of the Steal” is a classic David vs. Goliath case only Goliath won in this story. By end of the movie, I did not quite know how to feel. On one hand, I thought it was empowering how Dr. Barnes was able to keep his art for so many years from money-craving individuals. On the other hand, it saddens me that people are willing to throw their morals and ethics out the window for money. The film could have been stronger if those that wanted to move the paintings to the city, even if they did not have big names, agreed to be interviewed. It would have been nice to hear their point of views and perhaps their insight could have added another layer of complexity to the issue. Ultimately, “The Art of the Steal” is a suspenseful documentary and it opened my eyes about philanthropic organizations and museums. I may not be an art connoisseur but I have a very good handle on what is right and what is wrong.