★★★ / ★★★★
I was deeply touched by this biopic about a supermodel named Gia Carangi (Angelina Jolie) back in the 1970’s and 1980’s. Throughout the picture, I felt that her story was very personal because we got to see her evolve from a rebellious kid who was abandoned by her mother to a stunning supermodel who everyone wanted to worked with. At the same time, we also got to see her cocaine addiction, failed relationships and connection with others, and the eventual decline of her health because of AIDS. I’m glad that this film did not particularly glamorize the fashion world. In fact, I got a feeling that it was almost against it–as if it was one of the main reasons to blame that finally drove Carangi over the edge. Gia was far from a perfect person and therefore not free from blame but she had crucial moments when she took responsibility because she really did want to change. I admired the scenes when Jolie was posing in front of the camera looking extraordinary but such scenes also had voice-overs of what the photographers, the crew, and the other models’ real thoughts about Gia. It shows that something beautiful on the outside doesn’t necessarily reflect what’s on the inside, which I thought culminated when one of the women confronted Gia with such anger during one of the drug addiction sessions concerning the lies–on how to look like, how to act, and how to live one’s life–presented by the glossy fashion magazines. I also enjoyed the fact that Gia’s relationships were highlighted throughout the film: the mother who uses her as an accessory, who’s always there when things are good but almost never there when things are bad (Mercedes Ruehl), the loyal friend she met right before she was discovered and was there with her until the end (Eric Michael Cole), the agent who she saw more as a mother-figure (Faye Dunaway), and her on-and-off girlfriend who always wanted Gia to be the best she could be (Elizabeth Mitchell). While most people I know chose to see this for the nudity by Jolie, I have to say that this film goes beyond issues of the flesh. There’s a very real story and powerful lessons to be learned here; in fact, to be honest, the “sex” scenes are not that shocking to me because I’ve seen all kinds of movies with all kinds of sexual acts. For me, the sole purpose of watching this picture for the nudity is a sign of disrespect for Jolie’s acting abilities and Gia’s memory. Directed by Michael Cristofer, “Gia” is a triumph on multiple levels (especially Jolie’s acting) and should be seen with an open mind and sensitivity.
★★ / ★★★★
“Delirious,” written and directed by Tom DiCillo, is a satire about paparazzis, tabloids and celebrities. Although it had a certain bite from time to time, it lost its way somewhere in the middle only to find its core once again toward the end. I really enjoyed watching Steve Buscemi as a photographer who wants to prove to everybody that he’s the best as what he does. There was a brilliant scene when he visited his parents’ house and neither the mom nor the dad approved of his job. Although Buscemi is convinced that what he does is art, that void inside him is never really filled because he always wants somebody (regardless of their overall importance) to tell him that he’s doing a great job. When no one feeds his ego, he goes off on rather amusing temper tantrums yet still retain a certain sadness to his situation. I also really liked Michael Pitt as an initially homeless aspiring actor who Buscemi takes under his wing and eventually rises to superstardom. Even though he eventually gains a status among celebrities and the media, he remains true to himself and that was nice to see. In most movies, characters like him get corrupted so it’s refreshing to see that change. As tension rises between Buscemi and Pitt, (Buscemi’s character declares that Pitt’s character is ungrateful for all the things he’s done when Pitt was homeless–completely unaware to the fact that he’s been nothing but a jerk/parasite) themes such as jealousy, envy, self-reflection and companionship are explored in meaningful ways. My problem with this picture is that a scene is either really good and focused or it’s really irrelevant to the overall scope of what it’s trying to satirize. If DiCillo had tweaked the middle portion a bit more (such as minimizing the “love” aspect between Pitt and Alison Lohman which felt superficial at most), this would’ve easily been a solid film. Still, this is an interesting movie with funny cameos and interesting subject matter. It’s not that I didn’t like it–I just think that it could’ve been a lot stronger with its smart script and talented actors.
The Midnight Meat Train (2008)
★★ / ★★★★
Bradley Cooper has come a long way since I first discovered him in “Alias.” Even though he seems like a pretty boy on the outside, he can effectively play characters that have many sides to them. I also have to give him kudos for not playing the same type of character in his movies. In “The Midnight Meat Train,” directed by Ryûhei Kitamura and based on a short story by Clive Barker, Cooper plays a photographer who one day finds out about a butcher (Vinnie Jones) who kills people on the subway after taking pictures of a woman who was being harrassed by a couple of thugs. Wanting to gather more evidence before he approaches the police, he becomes obsessed with the butcher and his girlfriend (Leslie Bibb) becomes worried about his new personality. This film is especially gory and violent which horror fans will undoubtedly love. What’s even better is that it is quite suspenseful especially that one scene when two people decide to break into the killer’s apartment. I just had a feeling that it would go terribly wrong so I had to watch the film through my fingers. What didn’t work for me, though, was the last fifteen minutes. Instead of being a straight-up horror film, it hybridized with the science fiction realm. I understand that this is based on a short story and I shouldn’t hold the movie responsible for following it. I just needed to mention the fact that it did get ridiculous and I even caught myself rolling my eyes because of the ending. It definitely took away some of that realism regarding being attacked by a butcher on a subway in the most gruesome ways. Still, I’m giving this a slight recommendation despite the mediocre rating because it genuinely thrilled and scared me.