Black Swan (2010)
★★★ / ★★★★
Nina Sayers (Natalie Portman) was a ballet dancer who was chosen to play the lead role, the White Swan and the Black Swan, by the director (Vincent Cassel) in the upcoming performance of “Swan Lake.” However, although Nina had mastery in terms of technique and grace which were perfect in fully embodying the White Swan, she didn’t know how to let go of control so that, as the Black Swan, she could successfully generate enough anger and edge to leave the audiences breathless. Lily (Mila Kunis) had what Nina did not. Nina began to suspect that she was going to be replaced by the director and slowly she began her descent into madness. Darren Aronofsky fascinates me as a director. I know many disagree with me but I think he has yet to create a masterpiece. But this a good thing because I’ve noticed that he continues to evolve. Aronofsky does a wonderful job establishing a certain look and feel as he did in this film because he had concocted the right amount of realism and fantastic imagery. Blend it with a person on the verge of a psychological breakdown and we’ve got a chilling examination of a character physically pushing herself to her absolute limit. Nina wanted perfection and she had to pay a price. Portman should be commended for her dedication. I knew she was an actress of many talents with a chameleon-like approach in enveloping herself in her roles but I’ve never seen her so sensual and dangerous. Even with the complex dance sequences with booming music and dancers making their way across the screen, I was drawn to her face because the subtlety in her expressions made me wonder what was going on inside Nina’s mind. Sure, pain was involved but I wondered if she enjoyed it, too. The film reached its peak when Nina eventually couldn’t discern what was real and what wasn’t. Since we saw the story through her eyes, we also couldn’t tell reality from fantasy. It was a scary experience especially when she began to see paintings taunting her about her confusion and when she thought she had committed murder and felt the need to hide the body. The last few minutes were a barrage to the senses, completely in a good way, and I was left staring at the screen as the final shot fade to white. I was mesmerized and it left me wanting more. “Black Swan” was an intense experience but I wish it spent more time tying up loose ends between Nina and her overbearing mother (Barbara Hershey). There was an undercurrent of sexual repression inside their apartment which reminded me of Roman Polanski’s “Repulsion.” It begged the question what really drove Nina off the edge: the endless hours of practice or the endless nagging from her mother. Most would say it was both but I believe one factor was more influential than the other. If the director had spent more time highlighting trends between the two worlds, “Black Swan” would have been his best work.