Town, The (2010)
★★★ / ★★★★
An adaptation of Chuck Hogan’s book “Prince of Thieves,” writer-director Ben Affleck hemled “The Town,” a story about four bank robbers (Affleck, Jeremy Renner, Slaine, Owen Burke) in Charlestown pursued by a determined FBI agent (Jon Hamm). In the opening scene, the four criminals did what they normally didn’t do: take a woman (Rebecca Hall) as a hostage because someone tripped the alarm. Later, in an attempt to ascertain if she knew of their identities, Doug “accidentally” met the woman they took hostage and the two fell in love. I’ve read reviews comparing this film to Michael Mann’s “Heat” and Martin Scorsese’s “The Departed” but I don’t think “The Town” is quite at the caliber of those two. While it did make an entertaining commercial heist film, I didn’t think it was as gritty as it wanted to portray. I wished the material had dug its nails into the characters a lot deeper. By putting more pressure on them, I think it would have been more successful at showing us who these characters really were. I really thought about the importance of character development in this picture because in one of the scenes, Doug and his crew used police uniform as a disguise to successfully steal money for their boss (the fascinatingly menacing Pete Postlethwaite). It meant that cops and criminals were essentially the same, their similarities are (or should be) more pronounced the more we looked into them. But, no matter how hard I tried, that’s not what I saw or felt while watching “The Town.” I thought it spent too much of its time focusing on the romance between Affleck and Hall which I understood as necessary because Doug was the conscience of his crew. In the end, I felt uneasy rooting for Doug because the film tried to sell that he was a good guy when he was really not. There’s a difference between sympathizing with a bad guy and masking the bad guy into a good guy. I believe “The Town” crossed that line. However, I recommend “The Town” because I was always interested in what was happening on screen. Aside from some stupid decisions done by smart characters, such as Doug choosing to be a bystander at a critical time instead of running away as fast as possible, I felt something for each of them. Furthermore, I noticed that the acting was strong and I was surprised with some performances, especially by Blake Lively’s. Despite not having many scenes, whenever she was on screen, I was magnetized toward her and I couldn’t believe she was a glamorous rich girl on “Gossip Girl.” Lastly, the three heist scenes became more exciting as they unfolded. What “The Town” needed was less romanticism because crime is anything but. It would have been nice if it tried to do something different with its subgenre. Instead of sticking out as an example, it simply blends in with the others.
Bonnie and Clyde (1967)
★★★★ / ★★★★
Two charismatic strangers named Bonnie (Faye Dunaway) and Clyde (Warren Beatty) teamed up and decided to rob banks in the Depression-era 1930s. Their adventures eventually led them to take in other people including C.W. Moss (Michael J. Pollard), Buck Barrow (Gene Hackman), and Blanche Barrow (Estelle Parsons). I’ve heard a lot about this movie via references from other pictures and television shows so I expected a lot from it. I have to say that it more than impressed because although it was initially about criminals who simply wanted some sort of excitement in their lives, we eventually really got to know them such as how they felt toward each other, their own insecurities and their realization that they wanted to leave the life of crime and start over. In under two hours, Arthur Penn, the director was able to helm a movie with sympathetic characters (when they shouldn’t be because they’ve killed people, especially considering when the film was released) and come full circle when it comes to the story. I also liked the dialogue and the passion in the body language of the actors, notably Dunaway. At times, I would pay attention more on what she was doing instead of what she was saying–something that I often catch myself doing when I’m conversing with someone. So I consider that a very good thing because it means she’s established a bridge between the character and the audience. Lastly, I enjoyed that this picture tried to be more than a series of action sequences. It actually had humor–especially when Gene Wilder appeared on screen–and real dramatic weight, which adds another layer to its substance. I think “Bonnie and Clyde” is rightfully considered as one of the greatest American films because even though it was undoubtedly violent, it really was more about the drama in wanting to escape situations with increasing amount of gravity. Pretty much every minute was efficient and I was fascinated with what was going to happen with the characters even though I knew of their fates. If one hasn’t seen “Bonnie and Clyde,” one should make it a priority. My only regret is that I hadn’t seen it sooner.
Paul Blart: Mall Cop (2009)
★ / ★★★★
I hate giving good-hearted comedies bad ratings and reviews but it’s one of those things I have to do for the sake of giving an honest critique. “Paul Blart: Mall Cop” stars Kevin James as a security guard who tries to stop criminals from robbing an entire mall during the busiest shopping time of the year. James’ character is someone one can root for because he is a genuinely good guy but doesn’t quite reach for his full potential because he tends to put others before himself. Unfortunately, a main character that the audiences want to root for isn’t enough to save this movie. Like “Get Smart,” this film featured most of its funniest jokes in the trailer so when one is actually watching the movie, it becomes too underwhelming or disappointing. The story is also way too safe. James falls for one of the girls who run a booth at the mall (played by the adorable Jayma Mays) but he can’t quite ask her out because of his own insecurities. After stopping the robbers (come on, you knew how it was going to end), he suddenly gets the courage to go for the things he wants. It’s all been done before and other films have done a way better job. I was more interested with James’ mom and daughter instead of the whole criminals-taking-over-the-mall bit. I get that it was trying to make references to the “Die Hard” series, and I did chuckle from time to time, but it was not as funny as it should have been. I didn’t really feel a sense of danger for any of the characters so I wasn’t invested in what was about to transpire. Overall, this movie is very forgettable because it’s as light as cotton candy. If James is given a better script for a future film project, I know that he can excel if he keeps his energy as much as he did here. I do appreciate his enthusiasm for the role but at the same time everyone else should deliver as well. I’m going to have to say skip this one unless one really wants to watch a safe, family-friendly vehicle.
Set It Off (1996)
★★★ / ★★★★
This film was about four ladies (Jada Pinkett Smith, Queen Latifah, Vivica A. Fox, Kimberly Elise) who decided to pull off several bank robberies to untangle themselves from each of their respective binds. Smith wanted to put her brother through college, Latifah wanted to customize her car, Elise needed the money to get her son out of the city’s protective custody because they suspected that she was a negligent parent, and Fox was fired from her bank teller job because she “didn’t follow procedure” when another group of criminals robbed the bank she was working in. I’m glad that this film did not fall into an all too common trap of featuring criminals who do “bad things” just because they were African-American. F. Gary Gray, the director, actually took the time to establish each of the four leads so the audiences could truly understand their motivations. I actually rooted for the leading ladies even though, indeed, they decided to rob banks and harmed people along the way. I felt the desperation of each character. I completely understood that their actions were not who they were on the inside. In fact, they really were good people who were pushed into a wall without any means of escape other than to attack the aggressor (in this case, the cops and the law). I also liked the fact that Latifah’s character being a lesbian was not a big deal. It was simply who she was and there was no need to comment on it. Still, this picture is far from perfect. The four characters have street-smarts so I expected them to get better at what they did (robbing banks) as the film went on. Instead, eventually all of them became too sloppy and risk-taking. Not one would them suggested that they slowed down or planned things more thoroughly especially when the banks that they decided to rob became increasingly more difficult to get through. Despite its shortcomings, I’m giving this movie a recommendation because it was nice to see Black actresses carry an entire film. Most pictures I’ve seen of this kind usually go to white men so “Set It Off” offers a nice change.