Body of Lies (2008)
★★ / ★★★★
I expected a lot from this film because of three reaons: Ridley Scott’s direction, Leonardo DiCaprio and Russell Crowe teaming up, and its storyline regarding spies. Even though Scott’s movies generally do not have riveting ideas, he manages to entertain by playing with the fluidity of his characters’ morals and motivations. In this picture, it’s no different because he constantly manipulates the dynamics between the characters–mainly their loyalties–to the point where at times I wondered about the characters’ true intentions. The side effect of certain twists, however, left me confused. At times I didn’t know why a character is doing whatever he is doing for about ten to fifteen minutes. It wasn’t a good feeling; I felt like I was on the outside instead of feeling involved. I wish DiCaprio and Crowe had more screen time together. The movie actually popped during the (too few) scenes when they were facing each other, measuring each other’s abilities. I got tired of the scenes when the two of them would argue over the phone. Why do all that if they can be on the field together? As for the spy storyline, I’m glad the setting was in the Middle East not that because it’s accurate but because it’s relevant to the war in some way. This film is based on the novel by David Ignatius but I haven’t read the book so I don’t know how often this movie followed that literature. I also have to commend Mark Strong as the head of the Jordanian intelligence. I think he’s one of the most interesting actors to watch because he has his own intentions and he’s not willing to sacrifice his reputation for the sake of giving and receiving favors to and from the CIA. I also liked Golshifteh Farahani as DiCaprio’s romantic interest. Even though that romance angle did not work for me, I liked watching her because she has subtlety. This is far from a perfect film but it could’ve been leaner and meaner with a few more revisions in the script and cutting it down to about an hour and forty minutes. For the sake of entertainment and old-fashioned thrillers, this gets a slight recommendation from me.
Insider, The (1999)
★★★★ / ★★★★
This film is so intense from the moment it started and the plot only got more complex (not to mention more interesting) from there. This is based on a true story of a man who was interviewed on “60 Minutes” (played by Russell Crowe as Dr. Jeffrey Wigand) to expose the lies of a tabacco corporation, especifically Brown & Williamson, when they claimed that nicotine is not at all addictive and harmful to one’s well-being. Complexity ensues when the tabacco corporation threatens CBS with a lawsuit; CBS then decides not to show the public the interview because they thought that they would lose, which is truly heartbreaking because Dr. Wigand has sacrificed both his professional and personal life for that one (compelling) interview. Lowell Bergman (played by Al Pacino) approaches Dr. Wigand for a story and he shows the audiences what it means to have journalistic integrity. I find it very difficult to summarize the plot of the film because there are many layers to it. The only way to fully understand the picture is to watch it closely because each detail comments on how the media functions, how far corporations are willing to go to protect their money and those unfortunate people that get caught in the giant maelstrom of lies, confusion, and deceit (not to mention death threats and restraining orders). Yes, it’s a wordy film and it will definitely repel those that are not into watching pictures that are all about the technicalities in bureaucracies, but that’s what makes “The Insider” so rewarding: it’s not a common motion picture. There are a lot of highlights in the film but some of my favorites include: Bruce McGill’s anger during Dr. Wigand’s deposition, Pacino’s speech involving a “cat” being “out of the bag,” and Crowe’s scenes when he was alone as he reflects upon his past actions–questioning himself whether or not what everything he’s done is worth it. I felt so much for Crowe’s character because the blood-sucking Brown & Williamson fired him for no reason and then later took everything from him to the point where I felt like Crowe’s character was on the verge of suicide. I highly recommend this film, directed with such visual flair by Michael Mann, because it is able to tackle the idea of character assassination in a very scary but very realistic manner. I will remember this film for a very long time because pretty much everything about it works, especially the intense acting from all the actors involved.