Tag: scam

Punch-Drunk Love


Punch-Drunk Love (2002)
★★★ / ★★★★

Adam Sandler should star in more movies like this one because it’s a nice break from his monotonous, painfully obvious and predictable slapstick comedies. “Punch-Drunk Love,” written and directed by Paul Thomas Anderson, was about a small business owner named Barry Egan (Sandler) who fell for his sister’s co-worker (Emily Watson) after one of his seven sisters (Mary Lynn Rakskub) set him up because the sister claimed he lacked initiative. Meanwhile, Barry was caught up in a scam, led by Philip Seymour Hoffman, after he called a phone-sex line. I loved the movie’s dry sense of humor and lack of sentimentality. The romance between Sandler and Watson was offbeat at best; it was difficult to see what they liked about one another because both were so strange. Even though I did not necessarily relate with Barry, I was fascinated with his behavior when things were calm and the way he responded to certain stimuli. He was unpredictable. When challenged, he would either go on scary fits of violent rage or would run away like a mouse. I wanted to know if he had bipolar disorder or whether he just did not have a healthy outlet to release the frustrations he had about his life, especially the annoyances from her overbearing sister. I found Barry’s sister absolutely hilarious but I think if she was my sister, I would just go crazy. Furthermore, I liked how Anderson portrayed what family gathering was really like. In more mainstream projects, members of the family would sit on a table and have hush-hush conversations as the camera focused on the key characters. In this film, everyone gossiped, insulted each other insidiously, laughed at the top of their lungs to the point where one could barely hear his or her own thoughts. The scene was plagued with a loud buzzing sound which caught my attention because it was realistic. I wish the picture had more scenes with the family because it was a nice change of pace from Barry’s isolated space which had a lot of gloom. “Punch-Drunk Love” showcases Sandler’s acting muscles and I was happy to see that he tried to do something different. I did not expect that he was able to go head-to-head with Hoffman because Hoffman had such a presence about him in all of his roles. I expect that a lot of Sandler’s fans would find this movie somewhat distasteful because its humor almost always stemmed from self-loathing and repressed emotional problems which–let’s admit–can be depressing at times. However, I think it’s a smart movie that is willing to look beyond the idiosyncracies of its characters and focus on their more compelling angles.

Intolerable Cruelty


Intolerable Cruelty (2003)
★★ / ★★★★

Joel Coen directs this story about a gold-digger (Catherine Zeta-Jones) and a divorce lawyer’s (George Clooney) mind games. The two seemingly like each other despite their bickering but it is really difficult to define their relationship because they always have something up their sleeves (sometimes with the aid of lucky coincidences). I did enjoy the first half of this picture because it was silly and it embraced its screwball nature. However, somewhere in the second half, I grew tired of it mainly because the once astute two lead characters became simple caricatures not worth liking. I kept trying to convince myself there was something more about them other than their scamming ways but I was disappointed that there wasn’t. I know that the Coen brothers have a proclivity for irony but there is such a thing as too much irony. This film is a fine example of the latter so it became convoluted instead of focused, smug instead of welcoming, unfunny instead of dryly funny. I did, however, enjoy the supporting actors such as Cedric the Entertainer, Edward Herrmann, Richard Jenkins, Billy Bob Thornton and Geoffrey Rush. But their presence alone did not save this heavy-handed movie about two bickering infantile adults who have nothing better to do than to make each other’s lives miserable. I liked Zeta-Jones and Clooney’s acting during the first half because it was easy to tell that they were having fun with their characters. However, in the second half, I believe they crossed the line between being funny and trying too hard to be funny but actually failing at it. In the end, I wondered what happened to the power the Coen brothers usually had in their films. But I suppose great directors have their failures as well. Don’t get me wrong, this is not a bad movie. It’s simply a mediocre product given the expectations that usually come in a Coen brothers picture. It was too quirky for its own good when it really should have been working on its substance.