The Vast of Night (2019)
★★★ / ★★★★
The supremely confident directorial debut of Andrew Patterson tells the story of two teenagers in Cayuga, New Mexico who come across strange sounds through the radio while most of the town residents attend the first basketball game of the season. It is without compromise: dialogue-heavy, unfolding in real time, penchant for long takes, ostentatious (but accurate) in terms of embracing the 1950s milieu, and demanding viewers to adapt to its offbeat rhythm—there is no typical three-arc structure of storytelling to be had here. What results is a work that coaxes those looking in to catch up to it despite the fact that UFO stories have been done to death. It is anchored by two strong central performances by Jake Horowitz as the smooth cool local DJ Everett Sloan and Sierra McCormick as the plucky sixteen-year-old Fay Crocker. Fifteen minutes into the picture, I was reminded of films in the 1940s and 1950s where characters have real drive and personality; I wished to know more about this duo as young people with potential bright futures outside of the UFO plot. Even the supporting characters—an old lady (Gail Cronauer) and a voice via telephone (Bruce Davis)—command attention. This is a film in which words, sounds, and timing—together—is paramount; tension depends on the synergy among them. I look forward to Patterson’s follow-up.