Crazy Heart (2009)
★★★ / ★★★★
Based on the novel by Thomas Cobb and directed by Scott Cooper, “Crazy Heart” told the story of a 57-year-old musician named Bad Blake (Jeff Bridges) who traveled from one small town to another to perform songs that people loved back when he was in his prime. Completely trapped in the habit of smoking and alcohol, he slowly began to change his ways after meeting a charming music writer (Maggie Gyllenhaal) and her son. Bad Blake also had to deal with stepping out of the shadow cast by an artist he used to mentor (Colin Farrell), reconnecting with his 28-year-old son and writing new songs so he could stop living from paycheck to paycheck. The thing I liked most about this movie was its simplicity even though it was a double-edged sword. Between scenes with other actors, we got to see Bridges perform with his guitar and bare his soul. While the songs were definitely easy to listen to (and I’m not much of a country fan), I felt that it was meaningful to Bridges’ character because he had a look in his eye that he actually lived through the events that he was singing about. So I thought Bridges did a great job serving as an intermediate between the songs and the character’s life experiences. However, I wished that the film had spent less time building on the romance between Bridges and Gyllenhaal because I felt as though the whole thing became redundant (and sometimes forced). I understood that Gyllenhaal’s character was the key to Bad Blake’s redemption into getting his life back on track but some of the courtship rituals, though it tried to be not as typical as Hollywood movies, still felt typical in an independent movie sort of way. Instead, I felt like the movie would have been stronger if it focused more on the relationship between Bridges and Farrell because they shared a common history. It would have been nice if Farrell’s character had talked about how his mentor was like before becoming a faded musician. When those two interacted with each other, I felt real tension between them; I felt a strange mix of anger, jealousy and respect between the two which culminated when they shared the stage in front of 12,000 people. As I mentioned before, “Crazy Heart” is a simple film so it’s understandable why most people won’t initially recognize why it’s essentially a good film. Yes, it was sometimes predictable because we’ve all seen movies about washed-up musicians before. However, at least for me, with a movie like this, it’s all about the acting and I believe it ultimately all came together because I made a connection with the lead protagonist.
How to Train Your Dragon (2010)
★★★★ / ★★★★
This enormously entertaining PG-rated children’s movie was about a small and skinny Viking named Hiccup (voiced by Jay Baruchel) who had to capture a dragon and kill it so he could prove that he was a real Viking and make his father (Gerard Butler) proud. Well, he managed to accidentally capture one but he decided to train it instead because he saw a part of himself in the dragon’s eyes when it was scared and helpless. In general, what I love about most about children’s movies is their simplicity. But what I think makes a superior animated feature is how the movie can explore that simplicity and extract valuable lessons about life that even some adults haven’t quite grasped. I think “How to Train Your Dragon,” directed by Dean DeBlois and Chris Sanders, managed to capture that essence so I was highly entertained. But I must warn others that this film was more about the story than the jokes. The humor was certainly there, especially the scenes that involved Hiccup and his rivals (America Ferrera, Jonah Hill, Christopher Mintz-Plasse, T.J. Miller, Kristen Wiig) fighting dragons, but the focus was on the bond between a boy and his pet dragon. I think it’s a great movie for children to watch because it’s highly energetic, colorful, and there were real moments of suspense (the impressive dragon nest scene and the final battle) and wonder. A main lesson that could be learned was acceptance: treating others with respect even though we don’t agree with their beliefs, putting our feet in someone else’s shoes in order to understand someone better, respecting animals and nature, and being comfortable with who we are even though we may not look or feel like the ideal at the moment. It’s funny because I think in some ways this was comparable to Tim Burton’s version of “Alice in Wonderland.” Both movies ask us to jump into a world where pretty much anything could exist. However, “How to Train Your Dragon” was a superior experience because it did not sacrifice its storytelling and character development for the sake of visual complexity (which was very strong but it was secondary compared to everything else). Moreover, “How to Train Your Dragon” was consistently amusing while “Alice in Wonderland,” lest we forget was also a PG-rated movie, left me somewhat confused and frustrated with how it wasted its potential. In a nutshell, “How to Train Your Dragon” was inspired–inspired to entertain and to just tell a story that was simple but highly involving. In the end, it made me want to have a dragon as a pet so I could train it just like in those very addictive Pokémon games.
Paper Heart (2009)
★★★ / ★★★★
This mockumentary chronicles Charlyne Yi’s quest to find love. Just when Yi was convinced that she would never feel the passion of romance because there was something innately wrong with her, she met Michael Cera and sparks immediately flew. But it wasn’t all fun and games because the presence of the cameraman and director (Nicholas Jasenovec) eventually put a strain on their relationship. I don’t understand why I lot of people hated this movie. I thought it was funny, honest and cute even though the scenes that involved the paper dolls were a little corny. What I love most about this picture was not the relationship between Cera and Yi. It was the many different types of people she interviewed from all kinds of race, gender, sexuality, age and the stories and point of views they had to offer. There was something genuinely honest about this film and that’s why it won me over even though it did have its flaws. Unlike most romantic comedies out there, this movie didn’t have dramatic arcs. It simply constituted a series of scenes that eventually forced Yi to look inside herself and realize that her not finding or not feeling romantic love has got nothing to do with emotional or chemical defectiveness. There’s a good message embedded in this film for those on the same page as Yi. That is, if you actively look for love every minute of the day, it’s never going to come. But if you just open yourself up to the value of experience, sooner or later, without even realizing it, it just might happen. As a person who doesn’t really care about being in relationships or finding “the one,” I can honestly say that I thought this movie was not going to be entertaining. I was so wrong; I actually saw Yi from under a different light. She’s not just an annoying girl who thinks she’s a comedienne who happens to make YouTube videos. There was a simplicity about her reflected in her reckless abandon. The awkwardness between her and Cera, especially the scene in the diner, was very amusing and relatable. Admittedly, I thought the last fifteen minutes of the movie could have been a lot stronger but the rest of it was strong and it made me feel warm. It’s been a while since I smiled so much while watching a movie.