Back-Up Plan, The (2010)
★ / ★★★★
Jennifer Lopez had been absent from being a female lead actress for quite some time so I was really looking forward to Alan Poul’s “The Back-Up Plan.” Zoe (Lopez) made a proactive decision about having a kid via artificial insemination because she thought she would never find the guy for her. But the moment she stepped outside the clinic, she met Stan (Alex O’Loughlin), a nice, down-to-earth guy who wasn’t bad on the eyes with dreams of leading his own humble business. They didn’t get along initially but after a series of coincidences, the two eventually fell for one another. While I did like the two characters because they were charming and had undeniable chemistry, the material was just not funny. Some aspects of the film that were supposed to be funny but actually dead on arrival include the Single Mothers and Proud support group, Zoe’s incredibly transparent friends, and its lack of commitment in dealing with the serious questions about being a single parent. There were moments when Zoe had a chance to think about her future and whether she really wanted to stay on the path she had chosen but as soon as mood turned a little too serious, the movie would cut to a different scene and deliver slapstick infantile comedy. Not only did it take me out of the moment but I also felt emotionally cheated. The picture also lacked focus. I got the impression that the material was supposed to be from a mother’s perspective but it eventually lost track of its vision by establishing a series of scenes when Stan would meet a stranger at a park and discuss the struggles of fatherhood. While it was nice on the surface, I thought it was completely unnecessary. I already liked Stan and hammering the point that he was a good guy left me impatient. For me, I just saw it as another excuse to not deal with Zoe’s increasingly difficult preganancy, physically and emotionally, as she struggled with trusting Stan to stick around because the father and her child were not biologically connected. I think the movie would have been so much better if it had decided to take either the comedic or dramatic route. In an attempt to balance both, it managed to excel at neither path because every single step was formulaic and uninspiring. In the end, the elements of true exploration about how it was like to be a middle-class single mother were there but it tried too hard to be everything at once. The message of the film was vague–assuming that it wanted to communicate something in the first place. But then again maybe it just wanted to be a typical and too safe a romantic comedy.