The Virginity Hit (2010)
★ / ★★★★
Four desperate friends (Matt Bennett, Zack Pearlman, Jacob Davich, Justin Kline) made it a tradition that they would only smoke weed using a special hookah when each of them lost their virginity. When all three but Matt finally had gone all the way, they decided they would help him out and document every step of the way. But when they found out that Nicole (Nicole Weaver), Matt’s girlfriend, had cheated on him with a frat guy, Matt and his friends had to find other means for Matt to experience his first sex. Written and directed by Huck Botko and Andrew Gurland, “The Virginity Hit” interestingly adopted a faux-documentary style but completely missed the mark. In the end, it felt like a cheap imitation of Greg Mottola’s “Superbad” and Paul Weitz’ “American Pie” but with characters who took idiocy to the next level. The crux of the movie’s so-called dramatic tension could have easily been solved with a teaspoon of intelligence. For instance, when Matt and his friends heard rumors that Nicole had been less than loyal, not one of them bothered to approach Nicole and ask her version of what happened. They immediately decided to take the cruel path. That is, pretend they knew nothing of the rumors, convince Matt to take Nicole on a date for their anniversary, have sex with Nicole for revenge, and broadcast it over the internet. The characters thought it was all fun and games. I was shocked that not one for them stood up against what was happening and express how mean-spirited it all was. There were also some “funny” scenes like the teenagers stealing from a store, breaking into people’s private properties, and other misdemeanors that could potentially land them in court to get sued or, worse, in jail. I tried to see that perhaps it wanted to comment on rampant youth and its relationship with YouTube culture. However, I didn’t feel as if the directors had full control of their material. Its in-your-face approach was its only technique. The filmmakers should have known that the ability to pull back was an essential weapon in order to highlight the positive feedback of certain videos uploaded on YouTube and people taking pleasure in watching other people’s suffering and humiliation. There was not one character to root for here. I wanted to root for Matt because he was the one who was pushed around. There were some scenes that almost portrayed him being forced to have sex just for the sake of losing his virginity. Why did they care anyway? It was none of their business. I thought it was sad and I couldn’t help but feel angry for him. I kept waiting for Matt to stand up to his friends. Even if he wasn’t successful in his attempt, I would have ended up liking him because it meant that he had a voice and he wasn’t afraid to use it. But he didn’t. Some people had their lives ruined by the things portrayed on this film. It was too bad the material failed to take that fact into account.
Sex Drive (2008)
★ / ★★★★
A virgin (Josh Zuckerman) decided to drive across the country using a car he stole from his hypermasculine brother (James Marsden) with his best friends (Amanda Crew, Clark Duke) to finally lose his virginity to a girl (Katrina Bowden) he met online. I expected this movie to be somewhere along the lines of “Superbad” because it essentially had the same premise and sense of humor. It turned out to be much worse because, unlike “Superbad,” “Sex Drive” was stuck in the slapstick approach and unfunny sex jokes instead of eventually telling a story that was entertaining and worth sitting through. One of the biggest problems I had with this movie was the fact that the three lead characters spent too much of their time being stranded on the road. How could a road trip be fun if the audiences were forced to watch characters doing absolutely nothing? Sure, the movie had Seth Green as an Amish person who loved being sarcastic (he was one of the two good things here along with Marsden) but other than the scenes with Green, the rest of the supposedly funny scenes fell flat. I also think that the movie didn’t take advantage of its premise. Online hook-ups are becoming more common these days (I actually know some people who participate in it) but instead of really commenting on that issue by balancing seriousness and comedy, it took the one-dimensional route of best friends finally realizing they had feelings for each other. It was like watching a rated R version of a Disney movie where everyone learned a story in the end. It wasn’t refreshing or amusing so I just wanted it all to end. Directed by Sean Anders, “Sex Drive” was definitely an effort to sit through with infuriating characters teeming with unnecessary insecurities. They had no redeeming qualities because they kept making bad decisions that wouldn’t ultimately help them become better individuals. It made me wonder if people like them really existed and if they did, I couldn’t help but feel sorry for them. I kept waiting for Zuckerman’s character to realize that everyone he knew who made fun of him for being a virgin were losers and they would always be losers. Unfortunately, he didn’t so the picture didn’t have that edge and angst I was looking for. In the end, he was just a very bland main character wh also happened to only have a one-track mind when it came to sex. While it did have funny moments with Marsden and Green, those weren’t enough to convince me that “Sex Drive” was worth seeing because it lacked heart and an iota of intelligence.
I Love You, Beth Cooper (2009)
★ / ★★★★
I had a feeling that “I Love You, Beth Cooper,” directed by Chris Columbus, tried to summon those great teen ’80s flicks but instead of being nostalgic, the film fell flat on its face because it ultimately lacked intelligence in its script and its characters. During his speech, the high school valedictorian (Paul Rust), predictably an awkward nerd, decided to declare to the whole school that he loved Beth Cooper (Hayden Panettiere), predictably one of the cheerleaders, from the moment he laid eyes on her through the years when he sad behind her in class (creepy). Along with that declaration, he put the spotlight under the mean girls and mindless jocks and claimed that they were losers and they would remain losers after high school. Naturally, our protagonist and Beth Cooper ended up talking to each other after graduation, got into a number of misadventures and learned that first impressions weren’t always accurate. Just typing all of that made me bored because I’ve seen it all before. There was nothing original about this movie that I can specifically point to and say that I was impressed with. In fact, I was just annoyed with it especially when the lead character’s best friend who happened to be a film geek would make the most random movie references. That character made people like me look bad; just because we’re film buffs (or getting there), it doesn’t mean that we’re going to reference to every single movie that existed every other second, especially to people we just met. It’s just ridiculous and not funny. I think that was this movie’s problem: it tried too hard to impress when it shouldn’t have because the flaws became that much more glaring. Everything was loud and obnoxious especially the jocks who, I must say, had antisocial personalities and needed serious psychological help. Each character was one-dimensional and it was no fun watching the movie because it lacked depth. Teen movies like “Superbad” or “Nick & Norah’s Infinite Playlist” have proven that substance and comedy don’t have to be mutually exclusive. With movies like “I Love You, Beth Cooper,” obviously I expect certain things like plotlines involving losing one’s virginity, sex jokes and even gay jokes. However, can’t help but love the subgenre because it does have the potential to surprise and even inspire. Unfortunately, “I Love You, Beth Cooper” was a disaster and a total waste of time.
★★ / ★★★★
Aaron Johnson stars as Dave Lizewski, a typical geek who goes to a typical high school with typical hormonal friends (Clark Duke, Evan Peters). But what’s not typical is his dream to be a superhero, serving people at a time of need and rescuing them from bullies or dangerous criminals. I liked the first and last forty minutes of this film. The first forty minutes was amusing because the lead character was still trying to figure out how it was really like being a superhero; that one does not win every battle and sometimes a trip to the hospital is necessary. In a way, it worked as a spoof of those extremely serious adapted-from-comic-books superhero movies. The last thirty minutes was pure action. Comparisons of Chloe Moretz as Hit Girl to Uma Thurman’s The Bride was pretty accurate because both can deliver the eye-popping violence and snarky sense of humor. However, I didn’t like the fact that Moretz’ character overshadowed the lead character. After all, the movie was supposed to be about the blossoming of a nobody to a possible somebody who everyone adored on YouTube. As for the middle portion of the film, I thought it was weak and lazy. The bit about Christopher Mintz-Plasse as a rich boy wanting to be a superhero was very formulaic. I constantly felt that he was trying to be funny but falling flat every single time. I like Mintz-Plasse, especially in “Superbad,” but I thought he was miscast here. A pompous, know-it-all, conniving kid would have been a much more interesting a character instead of a wimpy wannabe. Other fatal shortcomings involved Nicolas Cage as the father of Hit Girl (and also a superhero). There was a history about his character that I wanted the film to get into. Whenever the camera was focused on Cage, “Kick-Ass” had an added gravity that it desperately needed in order to be something other than a spoof of superhero films. Instead, the movie unwisely spent much of its time showing us scenes involving the main character being mistaken for a gay guy by a girl he liked who happened to want a gay BFF. As cheeky as it was, it was also unnecessary; it got old pretty quickly and I wished I had a fast-forward button. Overall, however, I did enjoy “Kick-Ass,” directed by Matthew Vaughn, despite its shortcomings in terms of pacing and not focusing on the more interesting characters that could potentially provide an extra dimension to the project. The film did hint on a possible sequel which I think is a great idea because there were a number of questions that remained in my head by the time the credits started rolling. People compare this film to “Kill Bill” in terms of violence but I think “Kick-Ass” doesn’t hold a candle to Quentin Tarantino’s bloodbath. I think it’s more accurate to say that this is a teenage version of “Watchmen” that is less focused, less ambitious but more amusing with a modern twist.
★★★ / ★★★★
This 80’s-inspired coming-of-age comedy-drama about James Brennan, played by Jesse Eisenberg, who was forced to work on a theme park after his parents (Jack Gilpin and Wendie Malick) revealed to him that they were having pecuniary issues. He also had to sacrifice his trip to Europe, a graduation present that he was obviously looking forward to. What I loved about “Adventureland” was it managed to focus the spotlight on James’ journey to maturity no matter how painful some realizations ended up being. The colorful characters from the theme park, including his romantic interest (Kristen Stewart), and the comedy felt secondary to journey. It was a nice change from typical teen comedies of today. I also really liked the music that were featured. It feels like once in a blue moon that I actually am familiar with 85-90% of the soundtrack. (Mainly because my parents are big on music of the 1980’s and I grew up listening to such.) Written and directed by Greg Mottola (“Superbad”), this film managed to paint all of its characters with a certain sadness which happened to unconsciously come out whenever they interacted with each other. Motolla actually gave his characters a chance to talk about their dreams, insecurities, and the things that were going on at home instead of just giving the audiences easy (and uninsightful) slapstick comedy. The only thing that did not quite work for me was Ryan Reynolds’ character and his relationship with James’ romantic interest. Not only did Reynolds and Stewart have too many scenes together, but the relationship somewhat felt forced. If I look back on the picture and not think about the scenes that mainly involved those two characters, pretty much everything else would have been the same. Having said that, this is still a strong movie about a college graduate who, through trials of hardwork and heartbreak in the theme park, actually learned more about himself and about life than if he had gone to Europe. And that’s a nice message for those who cannot quite leave their hometowns because of their many responsibilities or for whatever reason.
The Hangover (2009)
★★★ / ★★★★
Bradley Cooper (he’s seems to be in everything these days such as “He’s Just Not That Into You,” “Yes Man” and “The Midnight Meat Train”), Ed Helms, Zach Galifianakis and Justin Bartha star as four friends who decide to go to Las Vegas for Bartha’s bachelor party. The four make a toast on the roof of Caesar’s Palace hotel and the movie cuts to the next day as the first three try to figure out why there’s a tiger in the bathroom, a baby in the closet, and where the missing groom could be. (Not to mention Helms’ missing tooth.) Their efforts to find out what truly happened the night before lead to very funny (and often ludicrous) situations. I’ve heard from a lot of people this film was gut-wrenchingly funny (as in “Superbad”-funny) so I really had high expectations coming into it. Although it wasn’t quite as funny as I thought it would be (nor was it comparable to “Superbad” because this is geared more toward adults), I have to admit that this is probably the funniest movie of 2009 so far. Its timing of release couldn’t be any more perfect because it’s summer and people often head to Sin City to have some fun. Todd Phillips, the director, was smart enough to make this farce buddy film as short as possible. Only lasting over an hour and thirty minutes, each scene was consistently funny except for about fifteen minutes somewhere in the middle. While it was able to make fun of the characters either by being flat-out mean or crude, their interactions were realistic. I can easily picture actual people saying and doing certain things the characters say and do and that’s why it was so much fun to watch. The brilliant one-liners from Galifianakis reminded me of things that my friends might say when they’re drunk and unaware of things that are happening around them. I also liked the fact that it didn’t quite glamorize Las Vegas. Instead of featuring posh people doing really cool things (which brings caper films and movies like “21” to mind), it focused on regular individuals who are flawed and have actual problems outside their vacation in Vegas; no matter how smart or slick they think they are, they are capable of making mistakes that they do not necessarily learn from. But that’s just me trying to look under the surface. If one is looking for a comedy movie that one can watch with friends on a slow weekend, this is definitely the one to watch because it can easily inspire a night out (no matter how late it is).
I Love You, Man (2009)
★★★ / ★★★★
Paul Rudd stars as a guy who can relate more to women than men, but he needs a best man for his wedding so he decides to start making some guy friends. He goes on a series of “man dates” and he eventually meets Jason Segel, a fun-loving guy who Rudd can genuinely connect with. Although I really liked this film, I didn’t quite love it because the middle portion wasn’t as funny as the beginning and the end. That inconsistency is glaring because when one experiences a lot of laughter in the beginning, expectations rise and a successful comedy should be able to deliver all the way through. However, all of the actors such as Rashida Jones, J.K. Simmons, Jane Curtin and Andy Samberg added something to the table. Even the side characters are interesting and hilarious because each of them has a certain quirk that doesn’t get old. I thought this buddy comedy was successful at making fun of the quirk instead of the character itself (when it wants to). However, there were moments when the film is actually making fun of the character which acts as a mirror on what the society expects from an individual. Ultimately, Rudd is the star here. I’ve seen him in a plethora of films where he’s the best friend or the funny brother. I think this movie, written and directed by John Hamburg, would’ve fallen apart without Rudd. In many scenes, I could feel his character’s awkwardness to the point where I wish he would stop talking to save himself further humiliation for trying so hard to be one of the guys. In a way, I saw his character’s silent suffering as a commentary about society–how guys are expected to act, look and speak a certain way in order to be accepted as a “man.” So the laughter that the movie gets from the audiences acts as a confirmation that guys who are more in touch with their feminine side are expected to change their ways and be how a “normal” guy should be. Like “Superbad,” “The 40-Year-Old Virgin” and “Knocked Up,” this is a really enjoyable, bona fide film and I would recommend it to anyone who is a fan of awkward characters being forced to deal with awkward situations.