Tag: terminator

Terminator: Dark Fate


Terminator: Dark Fate (2019)
★★★ / ★★★★

It could have been just another “Terminator” sequel in which Linda Hamilton and Arnold Schwarzenegger reprise their roles as badasses Sarah Connor and T-800, protectors of John Connor, the boy who would grow up to become the Resistance leader of the war against the machines, so it is a most welcome surprise that these figures are actually critical to the heart and plot of “Dark Fate,” a swaggering, risk-taking sci-fi action picture that is not afraid to make contact with old ideas from the first two films and expand upon them. It feels like a natural evolution of the series, and I enjoyed the direction it took. Should they decide to continue with this timeline, I look forward it.

Screenwriters David S. Goyer, Justin Rhodes, and Billy Ray appear to have a thorough understanding of how to hook the viewers sitting in front a “Terminator” film. Like “The Terminator” and “Terminator 2: Judgment Day,” the work opens with two portals transporting two characters from the future (2042) to the current time (2020). The first is Grace (Mackenzie Davis), who appears to be machine. She moves fast and she hits hard… but she is no machine. She is an “augmented human.” Here, the idea of old coming in contact with the new is introduced. The second is Rev-9 (Gabriel Luna) who also moves like a bullet and hits like a tank. It is a machine through and through. Like the impressive T-1000 from “Judgment Day,” it has the ability to change its shape like liquid and harness its limbs into weapons. It is made all the more terrifying, however, with new abilities—like its flesh being separated from its metallic skeleton at will and so there is not one enemy but two—old ideas paving the way for new ones.

The first action sequence is more intelligent than just another brawl or shootout. The showdown between Grace and Rev-9 is a showcase of their strengths and, more importantly, weaknesses. Although Grace, whose mission is to protect Dani Ramos (Natalia Reyes), a young woman, seemingly ordinary, who lives in Mexico with her father and brother, but notice that unlike the T-800, T-1000, and Rev9, she gets tired eventually. The screenplay is efficient in that at the same scene it is established that the protector this time can be an advantage as well as a liability. Yet despite this, Grace is an interesting character not because of her weakness or emotions but because of her background as a soldier who volunteered 1) to become more than she was and 2) to give up her life during a critical mission if necessary. Flashbacks of a post-apocalyptic future are well-placed.

In the 1984 and 1991 “Terminator” films, we see glimpses of the future. They follow a formula: flying vehicles shooting lasers, intimidating red-eyed cyborgs stepping on human skulls, humans fighting back with old weapons and sheer desperation. This installment takes it a bit further. While it would be unfair to reveal who or what they are fighting against, I appreciated that more details than expected are provided when humanity collapsed. There is talk of food shortages, people turning against one another instead of the machines, when technology stopped connecting people. It is a bleak peek into a possibility—or a reality depending on how one looks at it—and director Tim Miller makes appropriate transitions between present and future.

Particularly effective is in how he focuses on a human face after a memory—at the tired, worn expressions of those who have already experienced their own wars. At times I wondered if they were tired of fighting. If they thought their actions would be worth it. (Certain plot surprises point to the idea that it might not be.) If they considered the potentiality that if they actually won this battle, would they be able to talk away from it. If this war against the machines was tethered to their fates; if these battles were their very purpose. It surprised me that these were the sort of questions that popped into my head while watching a mainstream, sci-fi action movie. Clearly, it is a cut above its contemporaries.

There is a shortcoming. Because Hamilton, Schwarzenegger, and Davis are such powerhouses when it comes to exuding charisma, humor, and dramatic gravity, oftentimes simultaneously, Reyes does not get enough moments to shine. An argument can be made that, although a challenge, she must stand out from her veteran co-stars. The picture, after all, centers around protecting Dani because it is claimed she has an important role in the coming war. Reyes, while capable, does not hold a candle against Edward Furlong’s John Connor. The boy had so much personality, the character became an instant pop culture icon. You cannot help but remember him. Nevertheless, I am interested in seeing Reyes grow in the role should there be a direct sequel. I hope there will be because there is terrific potential here.

Terminator Salvation


Terminator Salvation (2009)
★★★ / ★★★★

This fourth installment of “The Terminator” franchise may not have been as good as the first two films but it was a step above from the somewhat mediocre third outing. Initially, I was underwhelmed during the first few minutes of “Terminator Salvation” due to my high expectations. However, once the ball started rolling about fifteen minutes into the picture, I really got into it and I was curious what was going to happen next. (Not to mention I was at the edge of the seat during the more intense chase scenes.)

This sequel is set in year 2018 and it features a grown-up John Connor (Christian Bale) and his struggle to lead humanity against Skynet and its fatal machines. It also tells the story of Marcus Wright (Sam Worthington), a man that was sentenced to death back in year 2003, woke up fifteen years later and eventually found out that he was a hybrid between a human and a robot. Their paths later collided because Wright was saved by Kyle Reese (Anton Yelchin) during his first encounter with a terminator; Connor, on the other hand, was on a mission to find his father, Kyle Reese, because if he dies on the hand of Skynet, Connor would not exist and therefore alter the future altogether. To prevent further confusion, it must be noted that it was not explicitly mentioned in this installment that Kyle Reese time traveled back to the past and conceived John Connor. (I dislike describing storylines that involve time travel. It’s always been my weakness so I apologize if it is in any way confusing or inaccurate.)

Being a summer blockbuster film or not, the visual and special effects are outstanding. In my head I kept thinking, “How did they even manage to shoot that?” and “Hey, that’s a neat stunt.” Throughout the entire picture, I really felt like I was watching the planet in ruins after Skynet took over. The post-apocalyptic feel reminded me of the best scenes from “Blade Runner” and “Children of Men.” As for the acting, I thought everyone did a really good job because they were convincing in their respective roles. However, Worthington was the one that stood out the most. I found it strange that I cared more about his character than Bale’s–the supposed main character. Even though Worthington was tough on the outside, there was a certain sensitivity in his eyes that reminded me of Joseph-Gordon Levitt’s style of acting in his most dramatic roles. Worthington embodied Marcus Wright so fully to the point where I was convinced that there was more to his story and that he’s not just a hybrid between a human and a robot. He almost made me wish that he was the focus of the story instead of John Connor. (And that’s probably not a good thing.) If he chooses to appear in films that are astute while at the same time able to feature his acting abilities, Worthington is definitely someone to look out for in the future.

For me, the main weakness of “Terminator Salvation” lies in its story. With such a big mythology set up by the first two films, this one felt considerably smaller in scope. The secondary problems that chip off from that primary issue include having too much action sequences, not having enough character development, not having enough comedic moments to let the film breathe, and sidelining John Connor’s importance. It’s nice to have exciting action scenes (and they undoubtedly do have that here) but it’s hard to care if there’s not enough moral conundrums facing characters who matter. It’s also suffocating if the tone of the picture is one-note–this one felt too serious for its own good, as if it was trying to be “The Dark Knight” when it was not even close to that level. What made the first two installment so great are the vibrant pockets of humor that were ultimately ingrained in the media consciousness. (Remember “I’ll be back” and “Hasta la vista, baby”?) Lastly, John Connor did not feel as important as he should have been. Yes, I got that he was supposed to be leader and therefore supposed to be tough and commanding. And that’s the problem: I only saw him in that light and I wish McG, the director, established more scenes where we could ascertain another dimension of his personality.

There’s no doubt about it: I would recommend “Terminator Salvation.” However, I must urge people who have not yet seen the first three films (especially the first two) to catch up because there were references here and there that enhanced my viewing experience. If one had not seen the prior installments, one will most likely miss those or “not get it.” While I admit that this is far from a perfect post-apocalyptic adventure with subtle moral ambiguities, the positives outweigh the negatives as mentioned above. Perhaps if this series is to survive (and it most likely will), a more capable director and stronger writers could take over to truly blow die-hard fans and nondie-hard fans out of the water. In the meantime, “Terminator Salvation” will have to suffice.